See also:

• JEAN

JEAN See also:

• BAPTISTE

BAPTISTE See also:

• CLAUDE, JEAN (1619-1687)

CLAUDE See also:

• EUGENE

EUGENE See also:

• GUILLAUME
• JEAN BAPTISTE CLAUDE EUGENE GUILLAUME (1822-1905)

GUILLAUME (1822-1905)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French sculptor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Montbard on the 4th of See also:

• JULY

July 1822, and studied under Cavelier, See also:

• MILLET (Fr. millet; Ital. miglietto, diminutive of miglio= Lat. mille, a thousand, in allusion to its fertility)
• MILLET (or MILE), JEAN FRANCOIS (c. 1642–1679)
• MILLET, FRANCIS DAVIS (1846- )
• MILLET, JEAN FRANCOIS (1814–1875)

Millet, and Barrias, at the lcole See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

Beaux-Arts, which he entered in 1841, and where he gained the prix de See also:

• ROME
• ROME (Roma)

Rome in 1845 with " See also:

• THESEUS

Theseus finding on arock his See also:

• FATHER

Father's See also:

• SWORD (0. Eng. sweord; ultimately from an Indo-European root meaning to wound)

Sword." He became director of the 1 See also:

• COLE, SIR HENRY (1808–1882)
• COLE, THOMAS (1801–1848)
• COLE, TIMOTHY (1852– )
• COLE, VICAT (1833–1893)

cole des Beaux-Arts in 1864, and director-See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general of See also:

• FINE

Fine Arts from 1878 to 1879, when the See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office was suppressed . Many of his See also:

• WORKS

works have been bought for public galleries, and his monuments are to be found in the public squares of the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief cities of See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France . At Rheims there is his See also:

• BRONZE

bronze statue of " See also:

• COLBERT, JEAN BAPTISTE (1619-1683)

Colbert," at See also:

• DIJON

Dijon his " See also:

• RAMEAU, JEAN PHILIPPE (1683-1764)

Rameau " See also:

• MONUMENT (Lat. monumentum or monumentum; from monere, to advise, bring to mind, remind; the German equivalent is Denkmal)

monument . The Luxembourg Museum has his " See also:

• ANACREON

Anacreon " (1852), " See also:

• LES

Les Gracques " (1853), " Faucheur (1855), and the See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

marble bust of " Mgr See also:

• DARBOY, GEORGES (1813-1871)

Darboy "; the See also:

• VERSAILLES

Versailles Museum the portrait of " See also:

• THIERS

Thiers "; the See also:

• SORBONNE

Sorbonne Library the marble bust of " See also:

• VICTOR
• VICTOR, GAIUS JULIUS (4th cent. A.D.)
• VICTOR, SEXTUS AURELIUS

Victor le Clerc, See also:

• DOYEN, GABRIEL FRANCOIS (1726-1806)

doyen de la faculte des lettres." Other works of his are at Trinity See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

Church, St Germain l'Auxerrois, and the church of St Clotilde, See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . See also:

• GUILLAUME
• GUILLAUME, JEAN BAPTISTE CLAUDE EUGENE (1822-1905)

Guillaume was a prolific writer, principally on See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

sculpture and See also:

• ARCHITECTURE (Lat. architectura, from the Gr. ap)(LTEKrwv, a master-builder)

architecture of the Classic See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period and of the See also:

• ITALIAN

Italian See also:

• RENAISSANCE, THE

Renaissance . He was elected member of the Academie Francaise in 1862, and in 1891 was sent to Rome as director of the Academie de France in that See also:

• CITY (through Fr. cite, from Lat. civitas)

city . He was also elected an honorary member of the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy, See also:

• LONDON

London, 1869, on the institution of that class .