LUCIEN GERMAIN See also:

• LUCIEN GERMAIN GUITRY (186o— )

GUITRY (186o— )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French actor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . He became prominent on the French See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage at the See also:

• PORTE, THE SUBLIME (Arab. babi-'ali, the high gate, through the French translation la sublime porte)

Porte See also:

• SAINT (lat. sanctus, " holy ")

Saint-See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)

Martin See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre in 'goo, and the Varietes in 19o1, and then became a member of the Comedie Francaise, but he resigned very soon in See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order to become director of the See also:

• RENAISSANCE, THE

Renaissance, where he was principally associated with the actress Marthe See also:

• BRANDES, GEORG MORRIS COHEN (1842– )

Brandes, who had also See also:

• LEFT

left the Comedic . Here he established his reputation, in a number of plays, as the greatest contemporary French actor in the See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama of See also:

• MODERN

modern reality .