See also:

• IVAN (JOHN)

IVAN See also:

• IVAN GUNDULICH (1588-1638)

GUNDULICH (1588-1638)  , known also as Giovanni Gondola, Servian poet, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• RAGUSA
• RAGUSA (Serbo-Croatian Dubrovnik)

Ragusa on the 8th of See also:

• JANUARY

January 1588 . His See also:

• FATHER

father, Franco See also:

• GUNDULICH, IVAN (1588-1638)

Gundulich, once the Ragusan See also:

• ENVOY (Fr. envoye, " sent ")

envoy to See also:

• CONSTANTINOPLE
• CONSTANTINOPLE, COUNCILS OF

Constantinople and councillor of' the See also:

• REPUBLIC (Lat. respublica, a commonweal or common-wealth)

republic, gave him an excellent See also:

• EDUCATION

education . He studied the " humanities " with the Jesuit, Father Muzzi, and See also:

• PHILOSOPHY (Gr. gthos, fond of, and vo4 (a, wisdom)

philosophy with Father See also:

• RICASOLI, BETTINO, BARON (1809-1880)

Ricasoli . After that he studied See also:

• ROMAN

Roman See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law and See also:

• JURISPRUDENCE (Lat. jurisprudenlia, knowledge of law, from jus, right, and prudentia, from providere, to foresee)
• JURISPRUDENCE, COMPARATIVE

jurisprudence in See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general . He was member of the See also:

• LOWER

Lower See also:

• COUNCIL (Lat. concilium, from cum, together, and the root cal, to call)

Council and once served as the 1 See also:

• AIR (from an Indo-European root meaning " breathe," " blow ")
• AIR, or ASBEN

Air-dried See also:

• GUNCOTTON

guncotton will contain 2 % , or less of moisture.See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief See also:

• MAGISTRATE (Lat. magistratus, from magister, master, properly a public office, hence the person holding such an office)

magistrate of the republic . He died on the 8th of See also:

• DECEMBER (Lat. decent, ten)

December 1638 . A born poet, he admired much the See also:

• ITALIAN

Italian poets of his See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time, from whom he made many See also:

• TRANSLATIONS

translations into Servian . It is believed that he so translated See also:

• TASSO, TORQUATO (1544-1595)

Tasso's Gerusalemme liberata . He is known to have written eighteen See also:

• WORKS

works, of which eleven were dramas, but of these only three have been fully preserved. others having perished during the See also:

• GREAT

great See also:

• EARTHQUAKE

earthquake and See also:

• FIRE (in O. Eng. f j'r; the word is common to West German languages, cf. Dutch vuur, Ger. Feuer; the pre-Teutonic form is seen in Sanskrit pu, pavaka, and Gr. irup; the ultimate origin is usually taken to be a root meaning to purify, cf. Lat. purus)

fire in 1667 . Most of those dramas were translations from the Italian, and were played, seemingly with great success, by the amateurs furnished by the See also:

• NOBLE, SIR ANDREW (1832- )

noble families of Ragusa . But his greatest and justly celebrated See also:

• WORK

work is an epic, entitled See also:

• OSMAN (1832-1900)
• OSMAN (`UsMAN)

Osman, in twenty cantos . It is the first See also:

• POLITICAL

political epic on the Eastern Question, glorifying the victory of the Poles over See also:

• TURKS

Turks and See also:

• TATARS (the common form Tartars is less correct)

Tatars in the See also:

• CAMPAIGN

campaign of 1621, and encouraging a See also:

• LEAGUE

league of the See also:

• CHRISTIAN
• CHRISTIAN, WILLIAM (1608-1663)

Christian nations, under the guidance of Vladislaus, the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king of See also:

• POLAND (Polish Polska, Ger. Polen), (see POLAND, RUSSIAN, below)
• POLAND, RUSSIAN

Poland, for the purpqse of See also:

• DRIVING (from " to drive," i.e. generally to propel, force along or in, a word common in various forms to the Teutonic languages)

driving away the Turks from See also:

• EUROPE

Europe .

The fourteenth and fifteenth cantos are lost . It is generally believed that the Ragusan See also:

• GOVERNMENT
• GOVERNMENT (0. Fr. governement, mod. gouvernement, O. Fr. governer, mod. gouverner, from Lat. gubernare, to steer a ship, guide, rule; cf. Gr. xv(3epvav)

government suppressed them from See also:

• CONSIDERATION (from Lat. considerare, to look at closely, examine, generally taken to be from con-, and the base seen in sidus, sideris, a star, the word being supposed to be originally an astrological or astronomical term)

consideration for the See also:

• SULTAN (an Arabic word meaning " victorious " or " a ruler," sultat, dominion)

Sultan, the See also:

• PROTECTOR

protector of the republic, those two cantos having been violently See also:

• ANTI, or CAMPA

anti-See also:

• TURKISH

Turkish . Osman was printed for the first time in Ragusa in 1826, the two missing cantos being replaced by songs written by Pietro Sorgo (or Sorkochevich) . From this edition the learned Italian, See also:

• FRANCESCO
• FRANCESCO, 210

Francesco See also:

• APPENDINI, FRANCESCO MARIA (1768-1837)

Appendini, made an Italian See also:

• TRANSLATION

translation published in 1827 . Since that time several other See also:

• EDITIONS

editions have been made . The best are considered to be the edition of the See also:

• SOUTH
• SOUTH, ROBERT (1634–1716)

South See also:

• SLAVONIC, OLD

Slavonic See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy in See also:

• AGRAM (Hungarian Zagreb, Croatian Zagreb)

Agram (1877) and the edition published in See also:

• SEMLIN (Hungarian, Zimony; Servian, Zemun)

Semlin (1889) by See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

Professor Yovan Boshkovich . In the edition of 1844 (Agram) the last cantos, fourteen and fifteen, were replaced by very See also:

• FINE

fine compositions of the Serbo-Croatian poet, Mazhuranich (Mazuranic) . The See also:

• COMPLETE

complete works of Gundulich have been published in Agram, 1847, by V . Babukich and by the South Slavonic Academy of Agram in 1889 . (C . M1.) GUNG'L, JOSEF (1810-1889), Hungarian composer and conductor, was born on the 1st of December 181o, at Zsambek, in See also:

• HUNGARY
• HUNGARY (Hungarian Magyarorszdg)

Hungary . After starting See also:

• LIFE

life as a school-teacher, and learning the elements of See also:

• MUSIC

music from Ofen, the school-choirmaster, he became first oboist at See also:

• GRAZ [GRATZ]

Graz, and, at twenty-five, bandmaster of the 4th See also:

• REGIMENT (from Late Latin regimentum, rule, regere, to rule, govern, direct)

regiment of See also:

• AUSTRIAN

Austrian See also:

• ARTILLERY (the O. Fr. artiller, to equip with engines of war, probably comes from Late Lat. articulum, dim. of ars, art, cf. " engine " from ingenium, or of artus, joint)

artillery .

His first See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition, a Hungarian See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

march, written in 1836, attracted some See also:

• NOTICE

notice, and in 1843 he was able to establish an See also:

• ORCHESTRA (Fr. Orchestre; Ger. Kapelle, Orchester; Ital. Orchestra)

orchestra in See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin . With this See also:

• BAND

band he travelled far, even (in 1849) to See also:

• AMERICA

America . It is See also:

• WORTH
• WORTH, CHARLES FREDERICK (1825-1895)

worth recording that Mendelssohn's complete Midsummer See also:

• NIGHT

Night's See also:

• DREAM (from a root dreug, connected with Germ. trugen, to deceive)

Dream music is said to have been first played by Gung'l's band . In 1853 he became bandmaster to the 23rd See also:

• INFANTRY

Infantry Regiment at Briinn, but in 1864 he lived at See also:

• MUNICH (Ger. Munchen)

Munich, and in 1876 at See also:

• FRANKFORT

Frankfort, after (in 1873) having conducted with great success a See also:

• SERIES (a Latin word from serere, to join)

series of See also:

• PROMENADE

promenade concerts at Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden, See also:

• LONDON

London . From Frankfort Gung'l went to See also:

• WEIMAR

Weimar to live with his daughter, a well-known See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German See also:

• OPERA (Italian for " work ")

opera See also:

• SINGER, SIMEON (1846-1906)

singer and See also:

• LOCAL

local prima donna . There he died, on the 31st of January 1889 . Gung'l's dances number over 300, perhaps the most popular being the " Amoretten," "Hydropaten," "See also:

• CASINO (diminutive of casa, a house)

Casino," "Dreams on the Ocean" waltzes; " In Stiller Mitternacht " See also:

• POLKA (either from the Czech pulka, half, with an allusion to the short steps characteristic of the dance, or from the Polish Polka, feminine of Polak, a Pole)

polka, and " See also:

• BLUE (common in different forms to most European languages)

Blue Violets " See also:

• MAZURKA (Polish for a woman of the province of Mazovia)

mazurka . His Hungarian march was transcribed by See also:

• LISZT, FRANZ (1811-1886)

Liszt . His music is characterized by the same.easy flowing melodies and well-marked See also:

• RHYTHM (Greek pvBµds, from bap, to flow)

rhythm that distinguish the dances of See also:

• STRAUSS, DAVID FRIEDRICH (1808-1874)
• STRAUSS, JOHANN (1804-1849)
• STRAUSS, RICHARD (1864– )

Strauss, to whom alone he can be ranked second in this See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind of composition .