See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

THOMAS See also:

• ANSTEY, CHRISTOPHER (1724—1805)

ANSTEY See also:

• GUTHRIE
• GUTHRIE, SIR JAMES (1859– )
• GUTHRIE, THOMAS (1803-1873)
• THOMAS ANSTEY GUTHRIE (1856- )

GUTHRIE (1856- )  , known by the See also:

• PSEUDONYM (Gr. >l ev&,vuµos, having a false name, ¢Evirls, false and ovoµa, name)

pseudonym of F . See also:

• ANSTEY, CHRISTOPHER (1724—1805)

Anstey, See also:

• ENGLISH

English novelist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• KENSINGTON

Kensington, See also:

• LONDON

London, on the 8th of See also:

• AUGUST (originally Sextilis)

August 1856 . He was educated at See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King's See also:

• COLLEGE (Collegium)

College, London, and at Trinity See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall, See also:

• CAMBRIDGE
• CAMBRIDGE, EARLS AND DUKES OF
• CAMBRIDGE, RICHARD OWEN (1717-1802)

Cambridge, and was called to the See also:

• BAR
• BAR (0. Fr. barre, Late Lat. barra, origin unknown)
• BAR, CONFEDERATION OF
• BAR, FRANCOIS DE (1538-1606)
• BAR, THE

bar in 1880 . But the popular success of his See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story See also:

• VICE

Vice-Versa (1882) with its topsy turvy substitution of a See also:

• FATHER

father for his schoolboy son, at once made his reputation as a humorist of an See also:

• ORIGINAL

original type . He published in 1883 a serious novel, The See also:

• GIANT (O.E. geant, through Fr. giant, O.Fr. gaiant, jaiant, jeant, med. pop. Lat. gagante—cf. Ital. gigante—by assimilation from gigantem, ace. of Lat. gigas, Gr. yiyas)

Giant's Robe; but, in spite of its excellence, he discovered (and again in 1889 with The See also:

• PARIAH

Pariah) that it was not as a serious novelist but as a humorist that the public insisted on regarding him . As such his reputation was further confirmed.by The See also:

• BLACK
• BLACK, ADAM (1784-1874)
• BLACK, JEREMIAH SULLIVAN (1810–1883)
• BLACK, WILLIAM (1841-1898)

Black Poodle (1884), The Tinted See also:

• VENUS

Venus (1885), A Fallen Idol (1886), and other See also:

• WORKS

works . He became an important member of the See also:

• STAFF (O. Eng. staef, cf. Du. staf, Ger. Stab, &c.; Icel. stafr meant also a written letter, and O. Eng. stafas, the letters of the alphabet; " stave," one of the thin pieces of wood of which a cask is made, is a doublet)

staff of Purich, in which his " Voces populi " and his humorous parodies of a reciter's stock-piece (" Burglar See also:

• BILL

Bill," &c.) represent his best See also:

• WORK

work . In 1901 his successful See also:

• FARCE

farce The See also:

• MAN
• MAN, ISLE OF (anc. Mona)

Man from Blankley's, based on a story which originally appeared in See also:

• PUNCH

Punch, was first produced at the See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince of See also:

• WALES (Cymru, Gwalia, Cambria)

Wales's See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre, in London .