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GYP , the See also: pen name of SIBYLLE GABRIELLE See also: MARIE ANTOINETTE RIQUETI DE See also: MIRABEAU, Comtesse de Martel de Janville (1850-
) French writer, who was See also: born at the chateau of Koetsal in the See also: Morbihan
.
Her See also: father, who was the See also: grandson of the vicomte de Mirabeau and See also: great-See also: nephew of the orator, served in the Papal Zouaves, and died during the See also: campaign of 186o
.
Her See also: mother, the comtesse de Mirabeau, in addition to some graver compositions, contributed to the Figure and the See also: Vie parisienne, under various pseudonyms, papers in the manner successfully See also: developed by her daughter
.
Under the pseudonym of " Gyp " Madame de Martel, who was married in 1869, sent to the Vie parisienne, and later to the Revue See also: des deux mondes, a large number of social sketches and dialogues, afterwards reprinted in volumes
.
Her later See also: work includes stories of a more formal sort, essentially differing but little from the shorter studies
.
The following See also: list includes some of the best known of Madame de Martel's publications, nearly seventy in number: See also: Petit Bob (1882); Autour du mariage (1883); Ce que femme veut (1883); Le Monde d cote (1884), Sans voiles (1885); Autour du See also: divorce (1886); Darts le train (1886) ; Mademoiselle Loulou (1888) ; Bob an See also: salon (1888-1889) ; L'See also: Education d'un See also: prince (189o) ; Passionette (1891); Ohel la grande vie (1891); Une Election a See also: Tigre-sur-mer (18go), an account of " Gyp's " experiences in support of a Boulangist See also: candidate; Mariage See also: civil (1892); See also: Ces bons docteurs (1892); Du haul en bas (1893); Mariage de chiffon (1894); Leurs See also: Ames (1895); Le Cceur d'Ariane (1895); Le Bonheur de Gineite (1896); Totote (1897); Lune de miel (1898); Israel (1898); L'Entrevue (1899); Le Pays des champs (1900); Trop de chic ('goo); Le Friquet (1901) La See also: Fee (1902); Un Mariage chic (1903); Un See also: Menage dernier cri (1903); Marian (1904); Le Cceur de Pierrette (1905)
.
From the first " Gyp," writing of a society to which she belonged, displayed all the qualities which have given her a distinct, if not pre-eminent, position among writers of her class
.
Those qualities included an intense faculty of observation, much skill in innuendo, a See also: mordant wit combined with some breadth of See also: humour, and a singular power of animatingordinary dialogues without destroying the appearance of reality
.
Her Parisian types of the spoiled See also: child, of the precocious school-girl, of the See also: young bride, and of various masculine figures in the gay See also: world, have become almost classical, and may probably survive as faithful pictures of luxurious See also: manners in the 19th century
.
Some later productions, inspired by a violent See also: anti-Semitic and Nationalist See also: bias, deserve little consideration
.
An earlier attempt to dramatize Autour du mariage was a failure, not owing to the audacities which it shares with most of its author's See also: works, but from lack of cohesion and incident
.
More successful was Mademoiselle See also: Eve (1895), but indeed " Gyp's " successes are all achieved without a trace of dramatic faculty
.
In 1901 Madame de Martel furnished a sensational incident in the Nationalist campaign during the municipal elections in See also: Paris
.
She was said to have been the victim of a kidnapping outrage or piece of horseplay provoked by her See also: political attitude, but though a most circumstantial account of the outrages committed on her and of her adventurous escape was published, the affair was never clearly explained or verified
.
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