Online Encyclopedia

GYP

Online Encyclopedia
Originally appearing in Volume V12, Page 768 of the 1911 Encyclopedia Britannica.
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GYP  , the

pen name of SIBYLLE GABRIELLE
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MARIE ANTOINETTE RIQUETI DE MIRABEAU, Comtesse de Martel de Janville (1850- ) French writer, who was born at the chateau of Koetsal in the
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Morbihan . Her
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father, who was the grandson of the vicomte de Mirabeau and
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great-
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nephew of the orator, served in the Papal Zouaves, and died during the
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campaign of 186o . Her
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mother, the comtesse de Mirabeau, in addition to some graver compositions, contributed to the Figure and the
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Vie parisienne, under various pseudonyms, papers in the manner successfully
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developed by her daughter . Under the pseudonym of " Gyp " Madame de Martel, who was married in 1869, sent to the Vie parisienne, and later to the Revue
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des deux mondes, a large number of social sketches and dialogues, afterwards reprinted in volumes . Her later
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work includes stories of a more formal sort, essentially differing but little from the shorter studies . The following list includes some of the best known of Madame de Martel's publications, nearly seventy in number: Petit Bob (1882); Autour du mariage (1883); Ce que femme veut (1883); Le Monde d cote (1884), Sans voiles (1885); Autour du
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divorce (1886); Darts le train (1886) ; Mademoiselle Loulou (1888) ; Bob an
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salon (1888-1889) ; L'
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Education d'un prince (189o) ; Passionette (1891); Ohel la grande vie (1891); Une Election a
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Tigre-sur-mer (18go), an account of " Gyp's " experiences in support of a Boulangist
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candidate; Mariage
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civil (1892);
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Ces bons docteurs (1892); Du haul en bas (1893); Mariage de chiffon (1894); Leurs Ames (1895); Le Cceur d'Ariane (1895); Le Bonheur de Gineite (1896); Totote (1897); Lune de miel (1898); Israel (1898); L'Entrevue (1899); Le Pays des champs (1900); Trop de chic ('goo); Le Friquet (1901) La
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Fee (1902); Un Mariage chic (1903); Un Menage dernier cri (1903); Marian (1904); Le Cceur de Pierrette (1905) . From the first " Gyp," writing of a society to which she belonged, displayed all the qualities which have given her a distinct, if not pre-eminent, position among writers of her class . Those qualities included an intense faculty of observation, much skill in innuendo, a
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mordant wit combined with some breadth of humour, and a singular power of animatingordinary dialogues without destroying the appearance of reality . Her Parisian types of the spoiled child, of the precocious school-girl, of the young bride, and of various masculine figures in the gay
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world, have become almost classical, and may probably survive as faithful pictures of luxurious manners in the 19th century . Some later productions, inspired by a violent anti-Semitic and Nationalist bias, deserve little consideration . An earlier attempt to dramatize Autour du mariage was a failure, not owing to the audacities which it shares with most of its author's
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works, but from lack of cohesion and incident . More successful was Mademoiselle
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Eve (1895), but indeed " Gyp's " successes are all achieved without a trace of dramatic faculty .

In 1901 Madame de Martel furnished a sensational incident in the Nationalist campaign during the municipal elections in

Paris . She was said to have been the victim of a kidnapping outrage or piece of horseplay provoked by her
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political attitude, but though a most circumstantial account of the outrages committed on her and of her adventurous escape was published, the affair was never clearly explained or verified .

End of Article: GYP
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