See also:

• SIR

SIR See also:

• FRANCIS
• FRANCIS (FRarrcols) OF SALES, ST (1567-1622)
• FRANCIS (Lat. Franciscus, Ital. Francesco, Span. Francisco, Fr. Francois, Ger. Franz)
• FRANCIS, SIR PHILIP (174o-1818)

FRANCIS See also:

• SEYMOUR
• SEYMOUR, HORATIO (1810-1886)
• SEYMOUR, or ST MAUR
• SEYMOUR, THOMAS

SEYMOUR See also:

• SIR FRANCIS SEYMOUR HADEN (1818-1910)

HADEN (1818-1910)  , See also:

• ENGLISH

English surgeon and etcher, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London on the 16th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1818, his See also:

• FATHER

father, See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas See also:

• HADEN, SIR FRANCIS SEYMOUR (1818-1910)

Haden, being a well-known See also:

• DOCTOR (Lat. for " teacher ")

doctor and See also:

• AMATEUR (Lat. amator, lover)

amateur of See also:

• MUSIC

music . He was educated at University See also:

• COLLEGE (Collegium)

College school and University College, London, and also studied at the See also:

• SORBONNE

Sorbonne, See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, where he took his degree in 1840 . He was admitted as a member of the College of Surgeons in London in 1842 . Besides his many-sided activities in the scientific See also:

• WORLD

world, during a busy and distinguished career as a surgeon, he followed the See also:

• ART

art of See also:

• ORIGINAL

original See also:

• ETCHING (Dutch, etsen, to eat)

etching with such vigour that he became not only the foremost See also:

• BRITISH

British exponent of that art but was the See also:

• PRINCIPAL

principal cause of its revival in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England . By his strenuous efforts and perseverance, aided by the secretarial ability of See also:

• SIR

Sir W . R . See also:

• DRAKE, NATHAN (1766-1836)
• DRAKE, SIR FRANCIS (c. 1545-1595)

Drake, he founded the Royal Society of Painter-Etchers and Engravers . As See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

president he ruled the destinies of that society with a strong See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand from its first beginnings in 1880 . In 1843–1844, with his See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends See also:

• DUVAL, ALEXANDRE VINCENT
• DUVAL, CLAUDE (1643–1670)

Duval, Le See also:

• CANNES

Cannes and See also:

• COL
• COL (Fr. for " neck," Lat. collum)

Col . Guibout, he had travelled in See also:

• ITALY
• ITALY (Italia)

Italy and made his first sketches from nature . Haden attended no art school and had no art teachers, but in 1845, 1846, 1847 and 1848 he studied portfolios of prints belonging to an old second-hand dealer named Love, who had a See also:

• SHOP

shop in Bunhill See also:

• ROW, JOHN (c. 1525—1580)

Row, the old Quaker See also:

• QUARTER (through Fr. from Lat. quartarius, fourth part)

quarter of London . These See also:

• PORT

port-folios he would carry See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home, and arranging the prints in See also:

• CHRONOLOGICAL

chronological See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order, he studied the See also:

• WORKS

works of the See also:

• GREAT

great original engravers, See also:

• DURER, ALBRECHT (1471-1528)

Durer, See also:

• LUCAS, CHARLES (1713–1771)
• LUCAS, JOHN SEYMOUR (1849– )
• LUCAS, SIR CHARLES (d. 1648)

Lucas See also:

• VAN

van See also:

• LEYDEN, JOHN (1775-1811)

Leyden and See also:

• REMBRANDT (1606-1669)

Rembrandt .

These studies, besides influencing his original See also:

• WORK

work, led to his important mono-graph on the etched work of Rembrandt . By lecture and See also:

• BOOK

book, and with the aid of the memorable See also:

• EXHIBITION

exhibition at the See also:

• BURLINGTON

Burlington See also:

• FINE

Fine Arts See also:

• CLUB (connected with " clump ")

Club in 1877, he endeavoured to give a just See also:

• IDEA (Gr. Ibia, connected with i&eiv, to see; cf. Lat. species from specere, to look at)

idea of Rembrandt's work, separating the true from the false, and giving altogether a nobler idea of the See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master's mind by taking away from the See also:

• LIST (O.E. lisle, a Teutonic word, cf. Dut. lust, Ger. Leiste, adapted in Ital. lista and Fr. lisle)
• LIST, FRIEDRICH (1789-1846)

list of his works many dull and unseemly plates that had See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long been included in the lists . His reasons are founded upon the results of a study of the master's works in chronological order, and are clearly expressed in his monograph, The Etched Work of Rembrandt critically reconsidered, privately printed in 1877, and in The Etched Work of Rembrandt True and False (1895) . Notwithstanding all this study of the old masters of his art, Haden's own plates are perhaps more individual than any artist's, and are particularly noticeable for a fine original treatment of landscape subjects, See also:

• FREE

free and open in See also:

• LINE

line, clear and well divided in See also:

• MASS (O.E. maesse; Fr. messe; Ger. Messe; Ital. messa; from eccl. Lat. missa)
• MASS, IN

mass, and full of a See also:

• NOBLE, SIR ANDREW (1832- )

noble and dignified See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of his own . Even when working from a picture his See also:

• PERSONALITY (from Lat. persona, originally an actor's mask, from personare,1 to sound through)

personality dominates the See also:

• PLATE

plate, as for example in the large plate he etched after J . M . W . See also:

• TURNER, CHARLES (1773–1857)
• TURNER, JOSEPH MALLORD WILLIAM (1775–1851)
• TURNER, NAT (1800-1831)
• TURNER, SHARON (1768-1847)
• TURNER, SIR JAMES (1615–1686)
• TURNER, WILLIAM (d. 1568)

Turner's " See also:

• CALAIS

Calais See also:

• PIER (older forms per or Pere, from Med. Lat. pera; the word for piers out of water. For river piers, where a firm, watertight is of obscure origin, and the connexion with Fr. Pierre, Lat. stratum is found at a moderate depth below the river-bed, the pctr

Pier," which is a classical example of what interpretative work can do in See also:

• BLACK
• BLACK, ADAM (1784-1874)
• BLACK, JEREMIAH SULLIVAN (1810–1883)
• BLACK, WILLIAM (1841-1898)

black and See also:

• WHITE
• WHITE, ANDREW DICKSON (1832– )
• WHITE, GILBERT (1720–1793)
• WHITE, HENRY KIRKE (1785-1806)
• WHITE, HUGH LAWSON (1773-1840)
• WHITE, JOSEPH BLANCO (1775-1841)
• WHITE, RICHARD GRANT (1822-1885)
• WHITE, ROBERT (1645-1704)
• WHITE, SIR GEORGE STUART (1835– )
• WHITE, SIR THOMAS (1492-1567)
• WHITE, SIR WILLIAM ARTHUR (1824--1891)
• WHITE, SIR WILLIAM HENRY (1845– )
• WHITE, THOMAS (1628-1698)
• WHITE, THOMAS (c. 1550-1624)

white . Of his original plates, more than 250 in number, one of the most notable was the large " Breaking up of the See also:

• AGAMEMNON

Agamemnon." An See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early plate, rare and most beautiful, is " See also:

• THAMES

Thames Fisherman." " Mytton See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall " is broad in treatment, and a fine rendering of a shady See also:

• AVENUE (the past participle feminine of Fr. avenir, to come to)

avenue of See also:

• YEW (Taxus baccata)

yew trees leading to an old See also:

• MANOR

manor-See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house in sunlight . " Sub Tegmine " was etched in See also:

• GREENWICH

Greenwich See also:

• PARK (Fr. part; Ital. parco; Sp. Marque; O.Eng. pearroc; connected with Ger. pferch, fold, and pfarrei, district, translating med. Lat. parochia, parish)
• PARK, EDWARDS AMASA (1808–1900)
• PARK, MUNGO (1771-1806?)

Park in 1859; and " Early See also:

• MORNING

Morning—See also:

• RICHMOND
• RICHMOND, EARLS AND DUKES OF
• RICHMOND, LEGH (1772-1827)
• RICHMOND, SIR WILLIAM BLAKE (1842– )

Richmond," full of the See also:

• POETRY

poetry and freshness of the See also:

• HOUR

hour, was done, the artist has said, actually at sunrise . One of the rarest and most beautiful of his plates is " A By-Road in See also:

• TIPPERARY

Tipperary "; " See also:

• COMBE, ANDREW (1797-1847)
• COMBE, GEORGE (1788-1858)
• COMBE, or COOMB
• COMBE, WILLIAM (1741–1823)

Combe Bottom " is another; and " Shere See also:

• MILL
• MILL (O. Eng. mylen, later myln, or miln, adapted from the late Lat. molina, cf. Fr. moulin, from Lat. mola, a mill, molere, to grind; from the same root, mol, is derived " meal;" the word appears in other Teutonic languages, cf. Du. molen, Ger. muhle)
• MILL, JAMES (1773-1836)
• MILL, JOHN (c. 1645–1707)
• MILL, JOHN STUART (1806-1873)

Mill See also:

• POND
• POND, JOHN (c. 1767-1836)

Pond " (both the small study and the larger plate), " Sunset in See also:

• IRELAND
• IRELAND, CHURCH
• IRELAND, CHURCH OF
• IRELAND, JOHN (1761-1842)
• IRELAND, JOHN (1838- )
• IRELAND, WILLIAM HENRY (1777-1835)

Ireland," " Penton See also:

• HOOK, JAMES CLARKE (1819-1907)
• HOOK, THEODORE EDWARD (1788-1841)
• HOOK, WALTER FARQUHAR (1798-1875)

Hook," " Grim See also:

• SPAIN
• SPAIN (Espana)

Spain " and " Evening Fishing, Longparish," are also notable examples of his See also:

• GENIUS (from Lat. genere, gignere)

genius . A See also:

• CATALOGUE (a Fr. adaptation of the Gr. KaraXoyos, a register, from Karalyety, to enrol or pick out)

catalogue of his works was begun by Sir See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William Drake and completed by Mr N .

See also:

• HARRINGTON
• HARRINGTON, EARLS OF
• HARRINGTON, or HARINGTON, JAMES (16'1-'677)

Harrington (188o) . During later years Haden began to practise the See also:

• SISTER

sister art of See also:

• MEZZOTINT

mezzotint See also:

• ENGRAVING

engraving, with a measure of the same success that he had already achieved in pure etching and in dry-point . Some of his mezzotints are: " An Early Riser," a See also:

• STAG (0. Eng. stagga, a Norse word, cf. Icel. steggr, steggi, a male animal, cf. Steggander, a drake; it is usually referred to stigan, to climb, to mount, but this is doubtful)

stag seen through the morning mists, " See also:

• GRAYLING (Thymallus)

Grayling Fishing " and " A See also:

• SALMON
• SALMON, GEORGE (1819-1904)

Salmon See also:

• POOL

Pool on the See also:

• SPEY

Spey." He also produced some remarkable drawings of trees and park-like See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country in See also:

• CHARCOAL

charcoal . Other books by Haden not already mentioned are—Etudes a l'eau forte (Paris, 1865); About Etching (London, 1878–1879); The Art of the Painter-Etcher (London, 189o); The Relative Claims of Etching and Engraving to See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank as Fine Arts and to be represented in the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy (London, 1883); Address to Students of See also:

• WINCHESTER
• WINCHESTER, EARLS AND MARQUESSES OF

Winchester School of Art (Winchester, 1888); See also:

• CREMATION (Lat. cremare, to burn)

Cremation: a Pamphlet (London, 1875); and The Disposal of the Dead, a Plea for Legislation (London, 1888) . As the last two indicate, he was an ardent See also:

• CHAMPION (Fr. champion, Late Lat. campio from campus; a field or open space, i.e. one " who takes the field " or fights; cf. Ger. Kampf, battle, and Kampfer, fighter)

champion of a See also:

• SYSTEM

system of " See also:

• EARTH
• EARTH (a word common to Teutonic languages, cf. Ger. Erde, Dutch aarde, Swed. and Dan. jord; outside Teutonic it appears only in the Gr. 'pq'e, on the ground; it has been connected by some etymologists with the Aryan root ar-, to plough, which is seen in
• EARTH, FIGURE OF
• EARTH, FIGURE OF THE

earth to earth " See also:

• BURIAL

burial . Among numerous distinctions he received the See also:

• GRAND

Grand Prix, Paris, in 1889 and 1900, and was made a member of the Institut de See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, See also:

• ACADEMIC

Academic See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

Beaux-Arts and Societe des Artistes Frangais . He was knighted in 1894,, and died on the 1st of See also:

• JUNE

June 191o . He married in 1847 a sister of the artist J . A . M . See also:

• WHISTLER, JAMES ABBOTT

Whistler; and his See also:

• ELDER (0. Eng. ellarn; Ger. Holunder; Fr. sureau)
• ELDER (Gr. 1rpev(3iTepos)

elder son, See also:

• FRANCIS
• FRANCIS (FRarrcols) OF SALES, ST (1567-1622)
• FRANCIS (Lat. Franciscus, Ital. Francesco, Span. Francisco, Fr. Francois, Ger. Franz)
• FRANCIS, SIR PHILIP (174o-1818)

Francis See also:

• SEYMOUR
• SEYMOUR, HORATIO (1810-1886)
• SEYMOUR, or ST MAUR
• SEYMOUR, THOMAS

Seymour Haden (b. x85o), had a distinguished career as a member of the See also:

• GOVERNMENT
• GOVERNMENT (0. Fr. governement, mod. gouvernement, O. Fr. governer, mod. gouverner, from Lat. gubernare, to steer a ship, guide, rule; cf. Gr. xv(3epvav)

government in See also:

• NATAL

Natal from 1881 to 1893, being made a C.M.G. in 1890 .