JANE See also:

• JANE HADING (1859– )

HADING (1859– )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French actress, whose real name was Jeanne Alfredine Trefouret, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 25th of See also:

• NOVEMBER (Lat. novem, nine)

November 1859 at See also:

• MARSEILLES

Marseilles, where her See also:

• FATHER

father was an actor at the Gymnase . She was trained at the See also:

• LOCAL

local See also:

• CONSERVATOIRE (the Fr. equivalent of Ital. Conservatorio, Ger. Conservatorium, from Med. Lat. conservatorium, a place where anything is preserved, Lat. conservare, to preserve)

Conservatoire and was engaged in 1873 for the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre at See also:

• ALGIERS (Fr. Alger, Arab. Jezair, i.e. The Islands)

Algiers, and afterwards for the Khedivial theatre at See also:

• CAIRO
• CAIRO (Arabic Misr-al-Kahira, or simply Misr)

Cairo, where she played, in turn, coquette, soubrette and ingenue parts . Expectations had been raised by her See also:

• VOICE (Fr. voix, from Lat. vox)

voice, and when she returned to Marseilles she sang in operetta, besides acting in Ruy Blas . Her See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris debut was in La Chaste Suzanne at the Palais Royal, and she was again heard in operetta at the See also:

• RENAISSANCE, THE

Renaissance . In 1883 she had a See also:

• GREAT

great success at the Gymnase in Le Maitre de forges . In 1884 she married See also:

• VICTOR
• VICTOR, GAIUS JULIUS (4th cent. A.D.)
• VICTOR, SEXTUS AURELIUS

Victor Koning (1842–1894), the manager of that theatre, but divorced him in 1887 . In 1888 she toured See also:

• AMERICA

America with See also:

• COQUELIN, BENOIT CONSTANT (1841-1909)

Coquelin, and on her return helped to give success to See also:

• LAVEDAN, HENRI LEON SMILE (1859— )

Lavedan's See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince d'Aurec, at the See also:

• VAUDEVILLE

Vaudeville . Her reputation as one of the leading actresses of the See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day was now established not only in See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France but in America and See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England . Her later repertoire included Le Demi-monde, See also:

• CAPUS, ALFRED (1858– )

Capus's La Chdtelaine, See also:

• MAURICE (1521–1553)
• MAURICE (MAURICIUS FLAVIUS TIBERIUS) (c. 539–602)
• MAURICE [or MAURITIUS], ST (d. c. 286)
• MAURICE, JOHN FREDERICK DENISON (1805-1872)

Maurice See also:

• DONNAY, CHARLES MAURICE (1859– )

Donnay's Retour de See also:

• JERUSALEM (Heb. ^S0-r, Yerushalaim, pronounced as a dual)
• JERUSALEM, SYNOD OF (1672)

Jerusalem, La Princesse Georges by See also:

• DUMAS, ALEXANDRE
• DUMAS, ALEXANDRE [" DUMAS FILS"] (1824-1895)
• DUMAS, GUILLAUME MATHIEU, COUNT (1753-1837)
• DUMAS, JEAN BAPTISTE ANDRE (1800-1884)

Dumas fits, and Emile Bergerat's Plus que See also:

• REIN

rein .