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ROBERT See also: Austrian poet, was See also: born at Kirchenberg-am-Walde in See also: Lower See also: Austria, on the 24th of See also: March 183o, of humble parentage
.
He early displayed a
See also: genius for See also: poetry and his youthful attempts at drama excited the See also: interest and admiration of some influential persons
.
Owing to their assistance See also: young See also: Hamerling was enabled to attend the gymnasium in Vienna and subsequently the university
.
In 1848 he joined the student's See also: legion, which played so conspicuous a See also: part in the revolutions of the capital, and in 1849 shared in the defence of Vienna against the imperialist troops of See also: Prince Windischgratz, and after the collapse of the revolutionary See also: movement he was obliged to hide for a long See also: time to escape arrest
.
For the next few years he diligently pursued his studies in natural science and philosophy, and in 1855 was appointed master at the gymnasium at Trieste
.
For many years he battled with See also: ill-See also: health, and in 1866 retired on a pension, which in acknowledgment of his See also: literary labours was increased by the See also: government to a sum sufficient to enable him to live without care until his See also: death at his See also: villa in Stiftingstal near See also: Graz, on the 13th of See also: July 1889
.
Hamerling was one of the most remarkable of the poets of the See also: modern Austrian school; his See also: imagination was See also: rich and his poems are full of See also: life and colour
.
His most popular poem, Ahasver in Rom (1866), of which the emperor See also: Nero is the central figure, shows at its best the author's brilliant talent for description
.
Among his other See also: works may be mentioned See also: Venus See also: im Exil (1858); Der See also: Konig von See also: Sion (1869), which is generally regarded as his masterpiece; Die sieben Todsunden (1872); Bldtter im Winde (1887); Homunculus (1888); Amor and
See also: Psyche (1882)
.
His novel, See also: Aspasia (1876) gives a finely-See also: drawn description of the Periclean age, but like his tragedy See also: Danton and Robespierre (187o), is somewhat See also: stilted, showing that Hamerling's genius, though rich in imagination, was ill-suited for the realistic presentation of character
.
A popular edition of Hamerling's works in four volumes was published by M
.
M
.
Rabenlechner ( See also: Hamburg, 1900)
.
For the poet's life, see his autobiographical writings, Stationen meiner Lebenspilgerschaft (1889) and Lehrjahre der Liebe (189o); also M
.
M
.
Rabenlechner, Hamerling, sein Leben and See also: seine Werke, i
.
(Hamburg, 1896) ; a See also: short biography by the same (See also: Dresden, 1901); R
.
H
.
Kleinert, R
.
Hamerling, ein Dichter der Schonheit (Hamburg, 1889) ; A
.
Polzer, Hamerling, sein Wesen and Wirken (Hamburg, 1890)
.
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