See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

PHILIP See also:

• GILBERT
• GILBERT (KINGSMILL) ISLANDS
• GILBERT (or GYLBERDE), WILLIAM (1544-1603)
• GILBERT, ALFRED (1854– )
• GILBERT, ANN (1821-1904)
• GILBERT, GROVE KARL (1843– )
• GILBERT, J
• GILBERT, JOHN (1810-1889)
• GILBERT, MARIE DOLORES ELIZA ROSANNA [" LOLA MONTEZ "] (1818-1861)
• GILBERT, NICOLAS JOSEPH LAURENT (1751–1780)
• GILBERT, SIR HUMPHREY (c. 1539-1583)
• GILBERT, SIR JOSEPH HENRY (1817-1901)
• GILBERT, SIR WILLIAM SCHWENK (1836– )

GILBERT See also:

• PHILIP GILBERT HAMERTON (1834-1894)

HAMERTON (1834-1894)  , See also:

• ENGLISH

English artist and author, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Laneside, near See also:

• SHAW, GEORGE BERNARD (1856– )
• SHAW, HENRY WHEELER (1818–1885)
• SHAW, LEMUEL (1781–1861)
• SHAW, RICHARD NORMAN (1831– )

Shaw, See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close to See also:

• OLDHAM
• OLDHAM, JOHN (1653–1683)
• OLDHAM, THOMAS (1816–1878)

Oldham, on the loth of See also:

• SEPTEMBER (Lat. septem, seven)

September 1834 . His See also:

• MOTHER

mother died at his See also:

• BIRTH (a word common in various forms to Teutonic languages from the root of the verb " to bear ")

birth, and having lost his See also:

• FATHER

father ten years afterwards, he was educated privately under the direction of his guardians . His first See also:

• LITERARY

literary See also:

• ATTEMPT (Lat. adtemptare, attentare, to try)

attempt, a See also:

• VOLUME

volume of poems, proving unsuccessful, he devoted himself for a See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time entirely to landscape See also:

• PAINTING

painting, encamping out of doors in the See also:

• HIGHLANDS, THE

Highlands, where he eventually rented the See also:

• ISLAND (O.E. ieg =isle, +land')

island of Innistrynych, upon which he settled with his wife, a See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

lady, in 1858 . Discovering after a time that his qualifications were rather those of an See also:

• ART

art critic than of a painter he removed to the neighbourhood of his wife's relatives in See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, where he produced his Painter's See also:

• CAMP (from Lat. campus, field)

Camp in the Highlands (1863), which obtained a See also:

• GREAT

great success and prepared the way for his See also:

• STANDARD
• STANDARD, BATTLE OF THE

standard See also:

• WORK

work on See also:

• ETCHING (Dutch, etsen, to eat)

Etching and Etchers (1866) . In the following See also:

• YEAR

year he published a See also:

• BOOK

book, entitled Contemporary French Painters, and in 1868 a continuation, Painting in France after the Decline of Classicism . He had meanwhile become art critic to the Saturday See also:

• REVIEW (Fr. revue, from revoir, to see again, Lat. re and videre)

Review, a position which, from the See also:

• BURDEN, or BURTHEN

burden it laid upon him of frequent visits to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, he did not See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long retain . He proceeded (187o) to establish an art See also:

• JOURNAL
• JOURNAL (through Fr. from late Lat. diurnalis, daily)

journal of his own, The See also:

• PORTFOLIO (shortened form of Porto folio, adapted from the Ital. portafogli, portare, to carry, and fogli, sheets or leaves of paper, Lat. folium, leaf)

Portfolio, a monthly periodical, each number of which consisted of a monograph upon-some artist or See also:

• GROUP

group of artists, frequently written and always edited by him . The discontinuance of his active work as a painter gave him time for more See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general literary See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition, and he successively produced The Intellectual See also:

• LIFE

Life (1873), perhaps the best known and most valuable of his writings; See also:

• ROUND (O. Fr. rond, Lat. rotundus, the Fr. is the source also of Du. rond; Ger., Swed., Dan. and Nor. rond)

Round my See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House (1876), notes on French society by a See also:

• RESIDENT

resident; and See also:

• MODERN

Modern Frenchmen (1879), admirable See also:

• SHORT, FRANCIS JOB (1857– )

short See also:

• BIOGRAPHIES

biographies . He also wrote two novels, Wenderholme (1870) and Marmorne (1878) . In 1884 Human Intercourse, another valuable volume of essays, was published, and shortly afterwards See also:

• HAMERTON, PHILIP GILBERT (1834-1894)

Hamerton began to write his autobiography, which he brought down to 1858 . In 1882 he issued a finely illustrated work on the technique of the great masters of various arts, under the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of The Graphic Arts, and three years later another splendidly illustrated volume, Landscape, which traces the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of landscape upon the mind of See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man . His last books were: Portfolio Papers (1889) and French and English (1889) .

In 1891 he removed to the neighbourhood of See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, and died suddenly on the 4th of See also:

• NOVEMBER (Lat. novem, nine)

November 1894, occupied to the last with his labours on The Portfolio and other writings on art . In 1896 was published See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip See also:

• GILBERT
• GILBERT (KINGSMILL) ISLANDS
• GILBERT (or GYLBERDE), WILLIAM (1544-1603)
• GILBERT, ALFRED (1854– )
• GILBERT, ANN (1821-1904)
• GILBERT, GROVE KARL (1843– )
• GILBERT, J
• GILBERT, JOHN (1810-1889)
• GILBERT, MARIE DOLORES ELIZA ROSANNA [" LOLA MONTEZ "] (1818-1861)
• GILBERT, NICOLAS JOSEPH LAURENT (1751–1780)
• GILBERT, SIR HUMPHREY (c. 1539-1583)
• GILBERT, SIR JOSEPH HENRY (1817-1901)
• GILBERT, SIR WILLIAM SCHWENK (1836– )

Gilbert Hamerton: an Auto-See also:

• BIOGRAPHY (from the Gr. (3ios, life, and yp&4 , writing)

biography, 1834–1858; and a Memoir by his Wife, 1858–1894 .