See also:

• FERDINAND
• FERDINAND (1577-1650)
• FERDINAND (COLOGNE)
• FERDINAND (Span. Fernando or Hernando; Ital. Ferdinando or Ferrante; in O. H. Ger. Herinand, i.e. " brave in the host," from O. H. G. Heri, "army," A. S. here, Mod. Ger. Heer, and the Goth. nan]jan, " to dare ")
• FERDINAND, MAXIMILIAN KARL LEOPOLD MARIA

FERDINAND GOTTHELF See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• FERDINAND GOTTHELF HAND (1786-185r)

HAND (1786-185r)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German classical See also:

• SCHOLAR, SCHOLARSHIP

scholar, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• PLAUEN

Plauen in See also:

• SAXONY
• SAXONY (Ger. Provinz Sachsen)

Saxony on the 15th of See also:

• FEBRUARY

February 1786 . He studied at See also:

• LEIPZIG

Leipzig. in 18ro became See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor at the See also:

• WEIMAR

Weimar gymnasium, and in 1817 professor of See also:

• PHILOSOPHY (Gr. gthos, fond of, and vo4 (a, wisdom)

philosophy and See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek literature in the university of See also:

• JENA

Jena, where he remained till his See also:

• DEATH

death on the 14th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1851 . The See also:

• WORK

work by which See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

Hand is chiefly known is his (unfinished) edition of the See also:

• TREATISE

treatise of Horatius Tursellinus (See also:

• ORAZIO (c. 1565—1646)

Orazio Torsellino, 1545–1599) on the Latin particles (Tursellinus, seu de particulis Latinis See also:

• COMMENTARII (Lat. = Gr. broµvijµara)

commentarii, 1829–1845) . Like his treatise on Latin See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style (Lehrbuch See also:

• DES

des lateinischen Stils, 3rd ed. by H . L . Schmitt, 1880), it is too abstruse and philosophical for the use of the See also:

• ORDINARY (med. Lat. ordinarius, Fr. ordinaire)

ordinary student . Hand was also an enthusiastic musician, and in his Asthetik der Tonkunst (1837–1841) he was the first to introduce the subject of musical See also:

• AESTHETICS

aesthetics . The first See also:

• PART

part of the last-named work has been translated into See also:

• ENGLISH

English by W . E . See also:

• LAWSON, CECIL GORDON (1851—1882)
• LAWSON, SIR JOHN (d. 1665)
• LAWSON, SIR WILFRID

Lawson (Aesthetics of Musical See also:

• ART

Art, or The Beautiful in See also:

• MUSIC

Music, 1880), and B . Sears's Classical Studies (1849) contains a " See also:

• HISTORY

History of the Origin and Progress of the Latin See also:

• LANGUAGE (adapted from the Fr. langage, from langue, tongue, Lat. lingua)

Language," abridged from Hand's work on the subject . There is a memoir of his See also:

• LIFE

life and work by G .

Queck (Jena, 1852) .