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See also: German classical See also: scholar, was See also: born at See also: Plauen in See also: Saxony on the 15th of See also: February 1786
.
He studied at See also: Leipzig. in 18ro became professor
at the See also: Weimar gymnasium, and in 1817 professor of philosophy and See also: Greek literature in the university of See also: Jena, where he remained till his See also: death on the 14th of See also: March 1851
.
The
See also: work by which See also: Hand is chiefly known is his (unfinished) edition of the See also: treatise of Horatius Tursellinus (See also: Orazio Torsellino, 1545–1599) on the Latin particles (Tursellinus, seu de particulis Latinis See also: commentarii, 1829–1845)
.
Like his treatise on Latin See also: style (Lehrbuch See also: des lateinischen Stils, 3rd ed. by H
.
L
.
Schmitt, 1880), it is too abstruse and philosophical for the use of the ordinary student
.
Hand was also an enthusiastic musician, and in his Asthetik der Tonkunst (1837–1841) he was the first to introduce the subject of musical See also: aesthetics
.
The first See also: part of the last-named work has been translated into See also: English by W
.
E
.
Lawson (Aesthetics of Musical See also: Art, or The Beautiful in See also: Music, 1880), and B
.
Sears's Classical Studies (1849) contains a " See also: History of the Origin and Progress of the Latin Language," abridged from Hand's work on the subject
.
There is a memoir of his See also: life and work by G
.
Queck (Jena, 1852) . |
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