See also:

• CHESTER
• CHESTER, EARLS OF

CHESTER See also:

• CHESTER HARDING (1792-1866)
• HARDING, JAMES DUFFIELD (1798-1863)

HARDING (1792-1866)  , See also:

• AMERICAN

American portrait painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• CONWAY (Conwy, or Aberconwy)
• CONWAY, HENRY SEYMOUR (1721-1795)
• CONWAY, HUGH
• CONWAY, MONCURE DANIEL (1832–1907)
• CONWAY, SIR WILLIAM MARTIN (1856– )

Conway, See also:

• MASSACHUSETTS (an Indian name, originally applied to a tribe of Indians)

Massachusetts, on the 1st of See also:

• SEPTEMBER (Lat. septem, seven)

September 1792 . Brought up in the See also:

• WILDERNESS

wilderness of New See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York See also:

• STATE
• STATE, GREAT OFFICERS OF

state, See also:

• HARDING, CHESTER (1792-1866)
• HARDING, JAMES DUFFIELD (1798-1863)

Harding, as a lad of splendid physique, See also:

• STANDING

standing over 6 ft . 3 in., marched as a drummer with the See also:

• MILITIA (Fr. milice, Ger. Miliz, from Lat. miles, soldier, militia, military service)

militia to the St See also:

• LAWRENCE
• LAWRENCE (LAURENTIUS, LORENZO), ST
• LAWRENCE, AMOS (1786—1852)
• LAWRENCE, AMOS ADAMS (1814–1886)
• LAWRENCE, GEORGE ALFRED (1827–1876)
• LAWRENCE, JOHN LAIRD MAIR LAWRENCE, 1ST BARON (1811-1879)
• LAWRENCE, SIR HENRY MONTGOMERY (1806–1857)
• LAWRENCE, SIR THOMAS (1769–1830)
• LAWRENCE, STRINGER (1697–1775)

Lawrence in 1813 . He became subsequently chairmaker, peddler, See also:

• INN

inn-keeper, and See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house-painter, See also:

• PAINTING

painting signs in See also:

• PITTSBURG
• PITTSBURG, or PITTSBURGH

Pittsburg, Pa., and eventually going on the road, self-taught, as an itinerant portrait painter . He made enough See also:

• MONEY

money to take him to the See also:

• SCHOOLS

schools at the See also:

• PHILADELPHIA

Philadelphia See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

Design, and he soon became proficient enough to gain a competency, so that later he went to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England and set up a studio in See also:

• LONDON

London . There he met with See also:

• GREAT

great success, painting See also:

• ROYALTY (0. Fr. realte, reialte, royaulte, from Med. Lat. regalitas, the substantive of regalis, of or belonging to a king, rex)

royalty and the See also:

• NOBILITY

nobility, and, despite the lackings of an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• EDUCATION

education and social experience, he became a favourite in all circles . Returning to the See also:

• UNITED

United States, he settled in See also:

• BOSTON
• BOSTON, THOMAS (1676-1732)

Boston and painted portraits of many of the prominent men and See also:

• WOMEN

women of his See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time . He died on the 1st of See also:

• APRIL

April 1866 .