See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

JAMES DUFFIELD See also:

• HARDING, CHESTER (1792-1866)
• JAMES DUFFIELD HARDING (1798-1863)

HARDING (1798-1863)  , See also:

• ENGLISH

English landscape painter, was the son of an artist, and took to the same vocation at an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age, although he had originally been destined for the See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law . He was in the See also:

• MAIN (from the Aryan root which appears in " may " and " might," and Lat. magnus, great)
• MAIN (Lat. Moenus)

main a See also:

• WATER

water-See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour painter and a lithographer, but he produced various oil-paintings both at the beginning and towards the end of his career . He frequently contributed to the exhibitions of the Water-Colour Society, of which he became an See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate in 1821, and a full member in 1822 . He was also very largely engaged in teaching, and published several books developing his views of See also:

• ART

art—amongst others, The Tourist in See also:

• ITALY
• ITALY (Italia)

Italy (1831); The Tourist in See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France (1834); The See also:

• PARK (Fr. part; Ital. parco; Sp. Marque; O.Eng. pearroc; connected with Ger. pferch, fold, and pfarrei, district, translating med. Lat. parochia, parish)
• PARK, EDWARDS AMASA (1808–1900)
• PARK, MUNGO (1771-1806?)

Park and the See also:

• FOREST

Forest (1841); The Principles and the Practice of Art (1845); Elementary Art (1846); See also:

• SCOTLAND
• SCOTLAND, CHURCH OF
• SCOTLAND, EPISCOPAL CHURCH OF

Scotland Delineated in a See also:

• SERIES (a Latin word from serere, to join)

Series of Views (1847); Lessons on Art (1849) . He died at See also:

• BARNES, ALBERT (1798–1870)
• BARNES, BARNABE (1569 ?–16o9)
• BARNES, JOSHUA (1654-1712)
• BARNES, ROBERT (1495-1540)
• BARNES, SIR EDWARD (1776-1838)
• BARNES, THOMAS (1785-1841)
• BARNES, W
• BARNES, WILLIAM (1800-1886)

Barnes on the 4th of See also:

• DECEMBER (Lat. decent, ten)

December 1863 . See also:

• HARDING, CHESTER (1792-1866)
• HARDING, JAMES DUFFIELD (1798-1863)

Harding was noted for facility, sureness of See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand, nicety of See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch, and the various qualities which go to make up an elegant, highly trained, and accomplished sketcher from nature, and composer of picturesque landscape material; he was particularly skilful in the treatment of foliage .