JUAN EUGENIO See also:

• JUAN EUGENIO HARTZENBUSCH (18o6-188o)

HARTZENBUSCH (18o6-188o)  , See also:

• SPANISH

Spanish dramatist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• MADRID

Madrid on the 6th of See also:

• SEPTEMBER (Lat. septem, seven)

September 18o6 . The son of a See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German See also:

• CARPENTER, LANT (1780-1840)
• CARPENTER, MIRY (1807-1877)
• CARPENTER, WILLIAM BENJAMIN (1813-1885)

carpenter, he was educated for the See also:

• PRIEST (Ger. Priester, Fr. pretre)

priest-See also:

• HOOD,
• HOOD, JOHN BELL (1831–1879)
• HOOD, SAMUEL HOOD, VISCOUNT (1724–1816)
• HOOD, SIR SAMUEL (1762-1814)
• HOOD, THOMAS (1799-1845)
• HOOD, TOM (1835–1874)

hood, but he had no religious vocation and, on leaving school, followed his See also:

• FATHER

father's See also:

• TRADE (O. Eng. trod, footstep, from tredan, to tread; in M. Eng. the forms teed, trod and trade appear, the last in the sense of a beaten track)
• TRADE, BOARD OF

trade till 183o, when he learned shorthand and joined the See also:

• STAFF (O. Eng. staef, cf. Du. staf, Ger. Stab, &c.; Icel. stafr meant also a written letter, and O. Eng. stafas, the letters of the alphabet; " stave," one of the thin pieces of wood of which a cask is made, is a doublet)

staff of the Gaceta . His earliest dramatic essays were See also:

• TRANSLATIONS

translations from See also:

• MOLIERE (1622-1673)

Moliere, See also:

• VOLTAIRE, FRANCOIS MARIE AROUET DE (1694–1778)

Voltaire and the See also:

• ELDER (0. Eng. ellarn; Ger. Holunder; Fr. sureau)
• ELDER (Gr. 1rpev(3iTepos)

elder See also:

• DUMAS, ALEXANDRE
• DUMAS, ALEXANDRE [" DUMAS FILS"] (1824-1895)
• DUMAS, GUILLAUME MATHIEU, COUNT (1753-1837)
• DUMAS, JEAN BAPTISTE ANDRE (1800-1884)

Dumas; he next recast old Spanish plays, and in 1837 produced his first See also:

• ORIGINAL

original See also:

• PLAY

play, Los Amantes de See also:

• TERUEL

Teruel. the subject of which had been used by Rey de Artieda, Tirso de See also:

• MOLINA, LUIS (1535-1600)

Molina and See also:

• PEREZ, ANTONIO (c. 1540-1611)

Perez de See also:

• MONTALBAN, JUAN PEREZ DE (1602–1638)

Montalban . Los Amantes de Teruel at once made the author's reputation, which was scarcely maintained by Dona Mencia (1830) and Alfonso el Casio (1841); it was not till 1845 that he approached his former success with La See also:

• JURA
• JURA (" deer island ")

Jura en See also:

• SANTA

Santa Gadea . See also:

• HARTZENBUSCH, JUAN EUGENIO (18o6-188o)

Hartzenbusch was See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief of the See also:

• NATIONAL

National Library from 1862 to 1 8 7 5 , and was an indefatigable—though not very judicious—editor of many national See also:

• CLASSICS

classics . Inferior in See also:

• INSPIRATION (Lat. inspirare, breathe upon or into)

inspiration to other contemporary Spanish dramatists, Hartzenbusch excels his rivals in versatility and in conscientious workmanship .