|
JOHANN ADOLPH See also: German musical composer, was See also: born at See also: Bergedorf near See also: Hamburg, on the 25th of See also: March 1699, and received his first musical
See also: education from his See also: father
.
Being possessed of a See also: fine tenor See also: voice, he See also: chose the theatrical career, and joined the operatic troupe conducted by Reinhard Keiser, in whose orchestra See also: Handel had played the second See also: violin some years before
.
See also: Hasse's success led to an engagement at the See also: court theatre of See also: Brunswick, and it was there that, in 1723, he made his debut as a composer with the See also: opera Antigonus
.
The success of this first See also: work induced the duke to send Hasse to See also: Italy for the completion of his studies, and in 1724 he went to Naples and placed himself under Porpora, with whom, however, he seems to have disagreed both as a See also: man and as an artist
.
On the other See also: hand he gained the friendship of Alessandro See also: Scarlatti, to whom he owed his first commission for a serenade for two voices, sung at a See also: family celebration of a wealthy See also: merchant by two of the greatest singers of Italy, See also: Farinelli and Signora Tesi
.
This event established Hasse's fame; he soon became very popular, and his opera Sesostrato, written for the Royal Opera at Naples in 1726, made his name known all over Italy
.
At Venice, where he went in 1727, he became acquainted with the celebrated See also: singer See also: Faustina Bordogni (born at Venice in 1700), who became the composer's wife in 1730
.
The two artists soon afterwards went to See also: Dresden, in compliance with a brilliant offer made to them by the splendour-loving elector of See also: Saxony, See also: Augustus II
.
There Hasse remained for two years, after which he again journeyed to Italy, and also in 1733 to See also: London, in which latter city he was tempted by the aristocratic clique inimical to Handel to become the See also: rival and antagonist of that See also: great master
.
But this he modestly and wisely declined, remaining in London only long enough to superintend the rehearsals for his opera Artaserse (first produced at Venice, 1730)
.
All this while Faustina had remained at Dresden, the declared favourite of the public and unfortunately also of the elector, nor was her See also: husband, who remained attached to her, allowed to see her except at long intervals
.
In 1739, after the See also: death of Augustus II., Hasse settled permanently at Dresden till 1763, when he and his wife retired from court service with considerable See also: pensions
.
But Hasse was still too See also: young to rest on his laurels
.
He went with his family to Vienna, and added several operas to the great number of his See also: works already in existence
.
His last work for the stage was the opera Ruggiero (1771), written for the See also: wedding of Archduke See also: Ferdinand at Milan
.
On the same occasion a work by Mozart, then fourteen years old, was performed, and Hasse observed " this youngster will surpass us all." By
See also: desire of his wife Hasse settled at her birthplace Venice, and there he died on the 23rd of See also: December 1783
.
His compositions include as many as 120 operas, besides oratorios, cantatas, masses, and almost every variety of instrumental See also: music
.
During the siege of Dresden by the Prussians in 176o, most of his See also: manuscripts, collected for a See also: complete edition to be brought out at the expense of the elector, were burnt
.
Some of his works, amongst them an opera Alcide al Bivio (1760), have been published, and the See also: libraries of Vienna and Dresden possess the See also: autographs of others
.
Hasse's See also: instrumentation is certainly not above the low level attained by the See also: average musicians of his See also: time, and his ensembles do not See also: present any features of See also: interest
.
In dramatic fire also he was wanting, but he had a fund of gentle and genuine melody, and by this fact his enormous popularity during his See also: life must be accounted for
.
The two airs which Farinelli had to repeat every See also: day for ten years to the melancholy See also: king of
See also: Spain, See also: Philip V., were both from Hasse's works
.
Of Faustina Hasse it will be sufficient to add that she was, according to the unanimous verdict of the critics (including Dr
See also: Burney), one of the greatest singers of a time See also: rich in vocal artists
.
The See also: year of her death is not exactly known
.
Most probably it shortly preceded that of her husband . |
|
|
[back] HASSANIA |
[next] FREDERIK HASSELQUIST (1722-1752) |
There are no comments yet for this article.
Do not copy, download, transfer, or otherwise replicate the site content in whole or in part.
Links to articles and home page are encouraged.