JOHANNES CARSTEN See also:

• JOHANNES CARSTEN HAUCH (1790-1872)

HAUCH (1790-1872)  , Danish poet, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born of Danish parents residing at Frederikshald in See also:

• NORWAY
• NORWAY (Norge)

Norway, on the 12th of May 1790 . In 1802 he lost his See also:

• MOTHER

mother, and in 1803 returned with his See also:

• FATHER

father to See also:

• DENMARK
• DENMARK (Danmark)

Denmark . In 1807 he fought as a volunteer against the See also:

• ENGLISH

English invasion . He entered the university of See also:

• COPENHAGEN (Danish Kjobenhavn)

Copenhagen in r8o8, and in 1821 took his See also:

• DOCTOR (Lat. for " teacher ")

doctor's degree . He became the friend and See also:

• ASSOCIATE (Lat. associates, from ad, to, and sociare to join)

associate of See also:

• STEFFENS, HENRIK (1773-1845)

Steffens and Oehlenschldger, warmly adopting the romantic views about See also:

• POETRY

poetry and See also:

• PHILOSOPHY (Gr. gthos, fond of, and vo4 (a, wisdom)

philosophy . His first two dramatic poems, The See also:

• JOURNEY (through O. Fr. jornee or journee, mod. Fr. journee, from med. Lat. diurnata, Lat. diurnus, of or belonging to dies, day)

Journey to Ginistan and The See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

Power of See also:

• FANCY (a shortened form, dating from the 15th century, of " fantasy," which is derived through the O. Fr. fantasie, modern fantaisie. from the Latinized form of the Gr. cbavraoia, Oavrai'ecv, Oat Pais, to show)

Fancy, appeared in 1816, and were followed by a lyrical See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama, Rosaura (1817); but these See also:

• WORKS

works attracted little or no See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention . See also:

• HAUCH, JOHANNES CARSTEN (1790-1872)

Hauch therefore gave up all See also:

• HOPE, ANTHONY
• HOPE, THOMAS (c. 1770-1831)

hope of fame as a poet, and resigned himself entirely to the study of See also:

• SCIENCE (Lat. scientia, from scire; to learn, know)

science . He took his doctor's degree in See also:

• ZOOLOGY (from Gr. Nov, a living thing, and ?byos, theory)

zoology in 1821, and went abroad to pursue his studies . At See also:

• NICE

Nice he had an See also:

• ACCIDENT
• ACCIDENT (from Lat. accidere, to happen)

accident which obliged him to submit to the amputation of one See also:

• FOOT

foot . He returned to literature, See also:

• PUBLISHING

publishing a dramatized See also:

• FAIRY (Fr. fee, faerie; Prov. facia; Sp. hada; Ital. fata; med. Lat. fatare, to enchant, from Lat. fatum, fate, destiny)

fairy See also:

• TALE (O.Eng. talu, number, account, story; the word is common to many Teutonic languages; cf. Ger. Zahl, number, Erzahlung, narrative, Du. taal, speech, language)

tale, the Hamadryad, and the tragedies of Bajazet, Tiberius, See also:

• GREGORY
• GREGORY (Gregorius)
• GREGORY (Grigorii) GRIGORIEVICH ORLOV, COUNT (1734-1783)
• GREGORY, EDWARD JOHN (1850-19o9)
• GREGORY, OLINTHUS GILBERT (1774—1841)
• GREGORY, ST (c. 213-C. 270)
• GREGORY, ST, OF NAZIANZUS (329–389)
• GREGORY, ST, OF NYSSA (c.331—c. 396)
• GREGORY, ST, OF TOURS (538-594)

Gregory VII., in 1828-1829, The See also:

• DEATH

Death of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles V . (1831), and The See also:

• SIEGE (0. Fr. sege, siege, mod. siege, seat, ultimately from sedere, to sit, cf. Class. Lat. obsidium, a siege)

Siege of Maestricht (1832) . These plays were violently attacked and enjoyed no success .

Hauch then turned to novel-See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing, and published in See also:

• SUCCESSION (Lat. successio, from succedere, to follow after)

succession five romances—Vilhelm See also:

• ZABERN (French, Saverne)

Zabern (1834); The Alchemist (1836); A See also:

• POLISH

Polish See also:

• FAMILY

Family (1839); The See also:

• CASTLE
• CASTLE (Lat. castellum, a fort, diminutive of castra, a camp; Fr. chateau and chdtel)

castle on the See also:

• RHINE (Lat. Rhenus, Ger. Rhein, Fr. Rhin, Dutch Rhyn, or Rijn)

Rhine (1845); and See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

Robert See also:

• FULTON
• FULTON, ROBERT (1765—1815)

Fulton (18J3) . In 1842 he collected his shorter Poems . In 1846 he waS appointed See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor of the Scandinavian See also:

• LANGUAGES

languages in See also:

• KIEL

Kiel, but returned to Copenhagen when the See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

war See also:

• BROKE, or BROOKE, ARTHUR (d. 1563)
• BROKE, SIR PHILIP BOWES VERE, BART

broke out in 1848 . About this See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time his dramatic See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent was at its height, and he produced one admirable tragedy after "another; among these may be mentioned Svend Gratlze (1841); The Sisters at Kinnekulle (1849); See also:

• MARSHAL (med. Lat. marescalcus, from O.H.Ger. marah, horse, and scalc, servant)

Marshal Stig (1850); See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour Lost and Won (1851); and Tycho See also:

• BRAHE, PER, COUNT (1602-1680)
• BRAHE, TYCHO (1546-1601)

Brahe's Youth (1852) . From 1858 to 186o Bauch was director of the Danish See also:

• NATIONAL

National See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre; he produced three more tragedies—The See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King's Favourite (1859); See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry of See also:

• NAVARRE (Span. Navarra)

Navarre (1363); and See also:

• JULIAN (FLAVIUS CLAUDIUS JULIANUS) (331-363)

Julian the Apostate (1866) . In 1861 he published another collection of Lyrical Poems and Romances; and in 1862 the See also:

• HISTORICAL

historical epic of Valdemar Seir, volumes which contain his best See also:

• WORK

work . From 181, when he succeeded Oehlenschlager, to his death, he held the honorary See also:

• POST

post of professor of See also:

• AESTHETICS

aesthetics at the university of Copenhagen . He died in See also:

• ROME
• ROME (Roma)

Rome in 1872 . See also:

• RAUCH, CHRISTIAN DANIEL (1777 – 1857)

Rauch was one of the most prolific of the Danish poets, though his writings are unequal in value . His lyrics and romances in See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse are always See also:

• LINE

line in See also:

• FORM (Lat. forma)

form and often strongly imaginative . In all his writings, but especially in his tragedies, he displays a strong See also:

• BIAS
• BIAS (from the Fr. biais, of unknown origin; the derivation from Lat. bifax, two-faced, is wrong)

bias in favour of what is mystical and supernatural . Of his dramas Marshal .See also:

• STILT

Stilt is perhaps the best, and of his novels the patriotic tale of Vlhelm Zabern is admired the most .

See G . See also:

• BRANDES, GEORG MORRIS COHEN (1842– )

Brandes, " Carsten Ifauch " (1873) in DanskeDigtere (1877) ; F . R6nning, J . C . Rauch (189o), and in Dansk Biografssk-See also:

• LEXICON

Lexicon, (vol. vii . Copenhagen, 1893) . Winch's novels were collected (1873–18774) and his dramatic works (3 vols., and ed., 1852–1859) .