WILHELM

HAUFF (1802–1827)  , German poet and novelist, was born at Stuttgart on the 29th of November 1802, the son of a secretary in the ministry of foreign affairs . Young Hauff lost his father when he was but seven years of age, and his early education was practically self-gained in the library of his maternal grandfather at Tubingen, to which place his mother had removed . In 1818 he was sent to the Klosterschule at Blaubeuren, whence he passed in 1820 to the university of Tubingen . In four years he completed his philosophical and theological studies, and on leaving the university became tutor to the children of the famous \\urttemberg minister of war, General Baron Ernst Eugen von Hugel (1774-1849), and for them wrote his Mdrehen, which he published in his Marchenalmanach auf das Jahr 1826 . He also wrote there the first part of the Mitteilungen aus den Memoiren des Satan (1826) and Der Mann im Monde (1825) . The latter, a parody of the sentimental and sensual novels of II . Clauren (pseudonym of Karl Gottlieb Samuel Heun [1771–1854]), became, in course of composition, a close imitation of that author's style and was actually published under his name . Clauren, in con-sequence, brought an action for damages against Hauff and gained his case . Whereupon Hauff followed up therattack in his witty and sarcastic Kontroverspredigt caber H . Clauren and den Hann im Monde (1826) and attained his original object—the moral annihilation of the mawkish and unhealthy literature with which Clauren was flooding the country . Meanwhile, animated by Sir Walter Scott 's novels, Hauff wrote the historical romance Lichtenstein (1826), which acquired great popularity in Germany and especially in Swabia, treating as it did the most interesting period in the history of that country, the reign 65 of Duke Ulrich (1487-1550) . While on a journey to France, the Netherlands and north Germany he wrote the second part of the Memoiren des Satan and some short novels, among them the charming Bettlerin vom Pont des Arts and his masterpiece the Phantasien ins Bremer Ratsheller (1527) .

He also published some short poems which have passed into Volhstieder, among them Morgenrot, Morgenrot, leuchtest mir zum friihen

Tod; and Stch' ich in finstrer Mitternacht . In January 1827, Hauff undertook the editorship of the Stuttgart Morgenblatt and in the following month married, but his happiness was prematurely cut short by his death from fever on the 18th of November 1827 . Considering his brief life, Hauff was an extraordinarily prolific writer . The freshness and originality of his talent, his inventiveness, and his genial humour have won him a high place among the south German prose writers of the early nineteenth century . His Sdmtliche Werke were published, with a biography, by G . Schwab (3 vols., 1830–1834; 5 vols., 18th ed., 1882), and by F . Bobertag (1891–1897), and a selection by M . Mendheim (3 vols., 1891) . For his life cf . J . Klaiber, Wilhelm Hauff, ein Lebensbild (1881) ; M . Mendheim, Hauffs Leben und Werke (1894) ; and H .

Hofmann, W . Hauff (1902) .