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GERHART HAUPTMANN (1862— ) , See also: German dramatist, was See also: born on the 15th of See also: November 1862 at Obersalzbrunn in See also: Silesia, the son of an hotel-keeper
.
From the See also: village school of his native place he passed to the Realschule in See also: Breslau, and was then sent to learn See also: agriculture on his See also: uncle's See also: farm at See also: Jauer
.
Having, however, no taste for country See also: life, he soon returned to Breslau and entered the See also: art school, intending to become a sculptor
.
He then studied at See also: Jena, and spent the greater See also: part of the years x883 and 1884 in See also: Italy
.
In May 1885 Hauptmann married and settled in Berlin, and, devoting himself henceforth entirely to See also: literary See also: work, soon attained a See also: great reputation as one of the chief representatives of the See also: modern drama
.
In 1891 he retired to See also: Schreiberhau in Silesia
.
Hauptmann's first drama, Vor Sonnezzaufgang (1889) inaugurated the realistic See also: movement in modern German literature; it was followed by See also: Des Friedens-.fest (1890), Einsame Mensclzen (1891) and Die Weber (1892), a powerful drama depicting the rising of the Silesian weavers in 1844
.
Of Hauptmann's subsequent work mention may be made of the comedies Kollege Crampton (1892), Der Biberpelz (1893) and Der rote See also: Hahn (1901), a " dream poem," Hannele (1893), and an See also: historical drama Florian Geyer (1895)
.
He also wrote two tragedies of Silesian peasant life, Fuhrmann Henschel (1898) and See also: Rose Berndt (1903), and the " dramatic fairy-tales " Die versunkene Glocke (1897) and Und Pippa tanzt (1905)
.
Several of his See also: works have been translated into See also: English
.
See also: Biographies of Hauptmann and critical studies of his dramas
have been published by A
.
See also: Bartels (1897); P
.
Schlenther (1898); and U . C . Woerner (2nd ed., 1900) . See also L . Benoist-Hanappier, Le Drame naturaliste en Allemagne (1905) . |
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