CHARLES

See also:

• HENRY
• HENRY (1129-1195)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

HENRY

See also:

• CHARLES HENRY HAWTREY (1858— )
• HAWTREY, EDWARD CRAVEN (1789-1862)

HAWTREY (1858— )  , English actor, was born at Eton, where his father was master of the lower school, and educated at Rugby and Oxford . He took to the stage in 1881, and in 1883 adapted von Moser's Bibliothekar as The Private Secretary, which had an enormous success . He then appeared in London in a number of modern plays, in which he was conspicuous as a comedian . He was unapproachable for parts in which cool imperturbable lying constituted the leading characteristic . Among his later successes A Message from Mars was particularly popular in London and in America .