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See also: English painter, was the son of a popular See also: drawing-master and teacher of perspective who published a well-known introduction to perspective and other See also: works
.
He was See also: born in See also: London, and in his early youth went to See also: sea
.
He afterwards studied in the Royal See also: Academy, became a See also: miniature-painter, and was appointed in 1816 miniature-painter to the princess See also: Charlotte
.
He passed some. years in See also: Italy, more especially in See also: Rome, between 1816 and 1831, returned to London in the last-named See also: year, resumed portrait-See also: painting, now chiefly in oil-colour, executed many likenesses of the royal See also: family, and attained such a reputation for finish and refinement in his See also: work that he received the See also: appointment of See also: principal painter to See also: Queen See also: Victoria and teacher of drawing to the princesses
.
In 1842 he was knighted
.
He painted various works on a large See also: scale of a public and semi-See also: historical character, but essentially works of See also: portraiture; such as " The Trial of Queen See also: Caroline " (189 likenesses), " The Meeting of the First Reformed Parliament," now in the See also: National Portrait Gallery, Queen Victoria taking the See also: Coronation See also: Oath " (accounted his finest production), " The See also: Marriage of the Queen," and the " Trial of See also: Lord See also: William
See also: Russell." The See also: artistic merits of See also: Hayter's works are not, however, such as to preserve to him with posterity an amount of See also: prestige corresponding to that which See also: court patronage procured him
.
He is not to be confounded with a contemporary artist, See also: John Hayter, who produced illustrations for the
See also: Book of Beauty, &c
.
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