WILLEM CLAASZ See also:

• WILLEM CLAASZ HEDA (c. 1594-c. 1670)

HEDA (c. 1594-c. 1670)  , Dutch painter, See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• HAARLEM

Haarlem, was one of the earliest Dutchmen who devoted himself exclusively to the See also:

• PAINTING

painting of still See also:

• LIFE

life . He was the contemporary and comrade of See also:

• DIRK

Dirk See also:

• HALS, FRANS (158o?–1666)

Hals, with whom he had in See also:

• COMMON

common pictorial See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch and technical See also:

• EXECUTION (from Lat. ex-sequor, exsecutus, follow or carry out)

execution . But See also:

• HEDA, WILLEM CLAASZ (c. 1594-c. 1670)

Heda was more careful and finished than Hals, and showed consider-able skill and not a little See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste in arranging and colouring chased cups and beakers and tankards of See also:

• PRECIOUS (O. Fr. precios, mod. precieux, Lat. pretiosus, of high value or price, pretium)

precious and inferior metals . Nothing is so appetizing as his " See also:

• LUNCHEON

luncheon," with rare comestibles set out upon See also:

• RICH, BARNABE (c. 1540-1617)
• RICH, CLAUDIUS JAMES (1787-1821)
• RICH, JOHN (1692-1761)
• RICH, PENELOPE, LADY (c. 1562–1607)
• RICH, RICHARD, 1ST BARON RICH (1490?-1567)

rich See also:

• PLATE

plate, oysters—seldom without the cut See also:

• LEMON
• LEMON, MARK (1809-1870)

lemon—See also:

• BREAD

bread, See also:

• CHAMPAGNE

champagne, See also:

• OLIVES, MOUNT OF, or MOUNT OLIVET ("Opus 'EXc uwos or riov 'EXauav; mod. Jebel-et-Tur)

olives and pastry . Even the commoner " refection " is also not without See also:

• CHARM (through the Fr. from the Lat. carmen, a song)

charm, as it comprises a cut See also:

• HAM

ham, bread, walnuts and See also:

• BEER

beer . One of Heda's See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early masterpieces, dated 1623, in the See also:

• MUNICH (Ger. Munchen)

Munich Pinakothek is as homely as a later one of 1651 in the See also:

• LIECHTENSTEIN

Liechtenstein See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery at See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna . A more luxurious repast is a" Luncheon in the See also:

• AUGSBURG
• AUGSBURG, CONFESSION OF
• AUGSBURG, WAR OF THE LEAGUE OF

Augsburg Gallery," dated 1644 . Most of Heda's pictures are on the See also:

• EUROPEAN

European See also:

• CONTINENT (from Lat. continere, "to hold together "; hence " connected," " continuous ")

continent, notably in the galleries of See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, See also:

• PARMA

Parma, See also:

• GHENT (Flem. Gent, Fr. Gand)

Ghent, See also:

• DARMSTADT

Darmstadt, See also:

• GOTHA

Gotha, Munich and Vienna . He was a See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man of repute in his native See also:

• CITY (through Fr. cite, from Lat. civitas)

city, and filled all the offices of dignity and See also:

• TRUST

trust in the gild of Haarlem . He seems to have had considerable See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence in forming the younger See also:

• FRANZ, ROBERT (1815-1892)

Franz Hals .