See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)

MARTIN JACOBSZ See also:

• HEEMSKERK, JOHAN VAN (1597—1656)
• MARTIN JACOBSZ HEEMSKERK (1498-1574)

HEEMSKERK (1498-1574)  , Dutch painter, sometimes called See also:

• VAN

Van Veen, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• HEEMSKERK, JOHAN VAN (1597—1656)
• HEEMSKERK, MARTIN JACOBSZ (1498-1574)

Heemskerk in See also:

• HOLLAND
• HOLLAND, CHARLES (1733–1769)
• HOLLAND, COUNTY AND PROVINCE OF
• HOLLAND, HENRY FOX, 1ST BARON (1705–1774)
• HOLLAND, HENRY RICH, 1ST EARL OF (1S9o-,649)
• HOLLAND, HENRY RICHARD VASSALL FOX, 3RD
• HOLLAND, JOSIAH GILBERT (1819-1881)
• HOLLAND, PHILEMON (1552-1637)
• HOLLAND, RICHARD, or RICHARD DE HOLANDE (fl. 1450)
• HOLLAND, SIR HENRY, BART

Holland in 1498, and apprenticed by his See also:

• FATHER

father, a small See also:

• FARMER, RICHARD (1735–1787)

farmer, to Cornelisz Willemsz, a painter at See also:

• HAARLEM

Haarlem . Recalled after a See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time to the paternal See also:

• HOMESTEAD

homestead and put to the plough or the milking of cows, See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young Heemskerk took the first opportunity that offered to run away, and demonstrated his wish to leave See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home for ever by walking in a single See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day the 50 See also:

• MILES, NELSON APPLETON (1839— )

miles which See also:

• SEPARATE

separate his native See also:

• HAMLET

hamlet from the See also:

• TOWN

town of See also:

• DELFT

Delft . There he studied under a See also:

• LOCAL

local See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master whom he soon deserted for See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John Schoreel of Haarlem . At Haarlem he formed what is known as his first manner, which is but a See also:

• QUAINT (O. Fr. cointe, from Lat. cognitus, known, probably influenced by association with Lat. corn plus, neat)

quaint and gauche See also:

• IMITATION (Lat. imitatio, from intitari, to imitate)

imitation of the florid See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style brought from See also:

• ITALY
• ITALY (Italia)

Italy by See also:

• MABUSE, JAN (d. 1532)

Mabuse and others . He then started on a wandering tour, during which he visited the whole of See also:

• NORTHERN

northern and central Italy, stopping at See also:

• ROME
• ROME (Roma)

Rome, where he had letters for a See also:

• CARDINAL (Lat. cardinalis)

cardinal . It is See also:

• EVIDENCE (Lat. evidentia, evideri, to appear clearly)

evidence of the facility with which he acquired the rapid See also:

• EXECUTION (from Lat. ex-sequor, exsecutus, follow or carry out)

execution of a See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene-painter that he was selected to co-operate with See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

Antonio da See also:

• SAN

San Gallo, Battista Franco and See also:

• FRANCESCO
• FRANCESCO, 210

Francesco Salviati to decorate the triumphal See also:

• ARCHES, COURT OF

arches erected at Rome in See also:

• APRIL

April 1 536 in See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

honour of See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles V . See also:

• VASARI, GIORGIO (1511-1571)

Vasari, who saw the See also:

• BATTLE

battle-pieces which Heemskerk then produced, says they were well composed and boldly executed . On his return to the See also:

• NETHERLANDS

Netherlands he settled at Haarlem, where he soon (1540) became See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

president of his gild, married twice, and secured a large and lucrative practice . In 1572 he See also:

• LEFT

left Haarlem for See also:

• AMSTERDAM
• AMSTERDAM (NEw AMSTERDAM)

Amsterdam, to avoid the See also:

• SIEGE (0. Fr. sege, siege, mod. siege, seat, ultimately from sedere, to sit, cf. Class. Lat. obsidium, a siege)

siege which the Spaniards laid to the See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place, and there he made a will which has been preserved, and shows that he had lived See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long enough and prosperously enough to make a See also:

• FORTUNE, ROBERT (1813-188o)

fortune . At his See also:

• DEATH

death, which took place on the 1st of See also:

• OCTOBER

October 1574, he left See also:

• MONEY

money and See also:

• LAND

land in See also:

• TRUST

trust to the orphanage of Haarlem, with See also:

• INTEREST

interest to be paid yearly to any couple who should be willing to perform the See also:

• MARRIAGE

marriage ceremony on the slab of his See also:

• TOMB (Gr. Tuµ/3a, Tuµ(3os, probably allied to Lat. tumulus, literally a swelling, tumere, to swell)

tomb in the See also:

• CATHEDRAL

cathedral of Haarlem . It was a superstition which still exists in See also:

• CATHOLIC (Gr. KcaBoXuK6s, general, universal)

Catholic Holland that a marriage so celebrated would secure the See also:

• PEACE
• PEACE, BREACH OF THE

peace of the dead within the tomb . The See also:

• WORKS

works of Heemskerk are still very numerous .

" See also:

• ADAM
• ADAM (or ADAN) DE LE HALE (died c. 1288)
• ADAM, ALEXANDER (1741–1809)
• ADAM, JULIETTE (1836– )
• ADAM, LAMBERT SIGISBERT (1700-1759)
• ADAM, MELCHIOR (d. 1622)
• ADAM, PAUL (1862– )
• ADAM, ROBERT (1728—1792)
• ADAM, SIR FREDERICK (1781-1853)
• ADAM, WILLIAM (1751-1839)

Adam and See also:

• EVE

Eve," and " St See also:

• LUKE
• LUKE, GOSPEL OF ST

Luke See also:

• PAINTING

painting the Likeness of the Virgin and See also:

• CHILD
• CHILD, FRANCIS JAMES (1825-1896)
• CHILD, L
• CHILD, LYDIA MARIA (1802-1880)
• CHILD, SIR FRANCIS (1642-1713)
• CHILD, SIR JOHN (d. 1690)
• CHILD, SIR JOSIAH (163o - 1699)

Child " in presence of a poet crowned with See also:

• IVY (A.S. ifig, Ger. Epheu, perhaps connected with apium, anent)

ivy leaves, and a See also:

• PARROT (according to Skeat, from Fr. Perrot or Pies-rot, the diminutive of the proper name Pierrel)

parrot in a cage—an See also:

• ALTAR (Lat. altare, from alias, high; some ancient etymological guesses are recorded by St Isidore of Seville in Etymologiae xv. 4)

altar-piece in the See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery of Haarlem, and the Ecce Homo " in the museum of See also:

• GHENT (Flem. Gent, Fr. Gand)

Ghent, are characteristic works of the See also:

• PERIOD
• PERIOD (Gr. irepioSos, a going or way round, circuit, aepi, round, and &Sis, way, road)

period preceding Heemskerk's visit to Italy . An altar-piece executed for St Laurence of See also:

• ALKMAAR

Alkmaar in 1538–1541, and composed of at least a dozen large panels, would, if preserved, have given us a See also:

• CLUE

clue to his style after his return from the See also:

• SOUTH
• SOUTH, ROBERT (1634–1716)

south . In its See also:

• ABSENCE (Lat. absentia)

absence we have a " Crucifixion " executed for the Riches Claires at Ghent (now in the Ghent Museum) in 1543, and the altar-piece of the Drapers See also:

• COMPANY

Company at Haarlem, now in the gallery of the See also:

• HAGUE, THE (in Dutch, 's Gravenhage, or, abbreviated, den Haag; in Fr. La Haye; and in Late Lat. Haga Comitis)

Hague, and finished in 1546 . In these we observe that Heemskerk studied and repeated the forms which he had seen at Rome in the works of See also:

• MICHELANGELO (MICHELAGNIOLO BUONARROTI) (1475-1564)

Michelangelo and See also:

• RAPHAEL (Hebrew smm, " God heals ")

Raphael, and in See also:

• LOMBARDY

Lombardy in the frescoes of See also:

• MANTEGNA, ANDREA (1431–1506)

Mantegna and Giulio Romano . But he never forgot the while his Dutch origin or the See also:

• MODELS

models first presented to him by Schoreel and Mabuse . As See also:

• LATE

late as 1551 his memory still served him to produce a copy from Raphael's " Madonna di Loretto " (gallery of Haarlem) . A " See also:

• JUDGMENT

Judgment of See also:

• MOMUS

Momus," dated 1561, in the See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin Museum, proves him to have been well acquainted with See also:

• ANATOMY
• ANATOMY (Gr. avaroyil, from ava-silo c', to cut up)

anatomy, but incapable of selection and insensible of See also:

• GRACE (Fr. grace, Lat. gratia, from grates, beloved, pleasing; formed from the root cra-, Gr. xav-, cf. xaipw, x6p,ua, Xapts)
• GRACE, WILLIAM GILBERT (1848– )

grace, bold of See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand and prone to daring though See also:

• TAWDRY

tawdry contrasts of See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour, and fond of florid See also:

• ARCHITECTURE (Lat. architectura, from the Gr. ap)(LTEKrwv, a master-builder)

architecture . Two altar-pieces which he finished for churches at Delft in 1551 and 1559,onecomplete, the other a fragment, in the museum of Haarlem, a third of 1551 in the See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels Museum, representing "Golgotha," the "Crucifixion," the " See also:

• FLIGHT

Flight into See also:

• EGYPT

Egypt," " See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ on the See also:

• MOUNT, WILLIAM SIDNEY (1807-1868)

Mount," and scenes from the lives of St See also:

• BERNARD, CHARLES DE
• BERNARD, CLAUDE (1813-1878)
• BERNARD, JACQUES (1658--1718)
• BERNARD, MOUNTAGUE (1S2o—1882)
• BERNARD, SAINT
• BERNARD, SAINT (Iogo-1153)
• BERNARD, SIMON (1779—1839)
• BERNARD, SIR THOMAS, BART

Bernard and St See also:

• BENEDICT (BENEDICTUS)
• BENEDICT, SIR JULIUS (1804-1885)

Benedict, are all fairly representative of his style . Besides these we have the " Crucifixion " in the Hermitage of St See also:

• PETERSBURG

Petersburg, and two " Triumphs of See also:

• SILENUS

Silenus " in the gallery of See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna, in which the same relation to Giulio Romano may be noted as we See also:

• MARK
• MARK, CARL (1858– )
• MARK, GOSPEL OF ST
• MARK, ST

mark in the canvases of Rinaldo of See also:

• MANTUA (Ital. Mantova)

Mantua . Other pieces of varying importance are in the galleries of See also:

• ROTTERDAM

Rotterdam, See also:

• MUNICH (Ger. Munchen)

Munich, See also:

• CASSEL
• CASSEL, or KASSEL

Cassel, See also:

• BRUNSWICK
• BRUNSWICK (Ger. Braunschweig)
• BRUNSWICK, KARL WILHELM FERDINAND, DUKE OF (1735-18o6)

Brunswick, See also:

• KARLSRUHE, or CARLSRUHE

Karlsruhe, See also:

• MAINZ (Fr. Mayence)

Mainz and See also:

• COPENHAGEN (Danish Kjobenhavn)

Copenhagen . In See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England the master is best known by his drawings . A comparatively feeble picture by him is the " Last Judgment " in the See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace of See also:

• HAMPTON
• HAMPTON, WADE (1818-1902)

Hampton See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

Court .