HEINRICH MARIA See also:

• HESS
• HESS, HEINRICH HERMANN JOSEF, FREIHERR VON (1788-1870)

HESS (1798–1863)—von Hess, after he received a patent of See also:

• PERSONAL

personal See also:

• NOBILITY

nobility—was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• DUSSELDORF

Dusseldorf and brought up to the profession of See also:

• ART

art by his See also:

• FATHER

father, the engraver Karl See also:

• ERNST, HEINRICH WILHELM (1814–1865)

Ernst Christoph Hess (1755–1828)  . Karl See also:

• HESS
• HESS, HEINRICH HERMANN JOSEF, FREIHERR VON (1788-1870)

Hess had already acquired a name when in 18o6 the elector of See also:

• BAVARIA (Ger. Bayern)

Bavaria, having been raised to a kingship by See also:

• NAPOLEON

Napoleon, transferred the See also:

• DUSSELDORF

Dusseldorf See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

academy and See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery to See also:

• MUNICH (Ger. Munchen)

Munich . Karl Hess accompanied the academy to its new See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home, and there continued the See also:

• EDUCATION

education of his See also:

• CHILDREN, LAW RELATING TO

children . In See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time Heinrich Hess became sufficiently See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master of his See also:

• ART

art to attract the See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention of See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King See also:

• MAXIMILIAN
• MAXIMILIAN (1832—1867)

Maximilian . He was sent with a See also:

• STIPEND

stipend to See also:

• ROME
• ROME (Roma)

Rome, where a copy which he made of See also:

• RAPHAEL (Hebrew smm, " God heals ")

Raphael's See also:

• PARNASSUS (mod. Likkoura or Likeri)

Parnassus, and the study of See also:

• GREAT

great examples of monumental See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design, probably caused him to become a painter of ecclesiastical subjects on a large See also:

• SCALE
• SCALE (1) A

scale . In 1828 he was made See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor of See also:

• PAINTING

painting and director of all the art collections 'at Munich. See also:

• LIE, JONAS LAURITZ EDEMIL (1833—1908)
• LIE, MARIUS SOPHUS (1842–1899)

lie decorated the Aukirche, the See also:

• GLYPTOTHEK (from Gr. y?tnrros, carved, and OiiKf, a place of storage)

Glyptothek and the Allerhellige ncapelle at Munich with frescoes; and his cartoons were seleclted for See also:

• GLASS
• GLASS (O.E. glees, cf. Ger. Glas, perhaps derived from an old Teutonic root gla-, a variant of glo-, having the general sense of shining, cf. " glare," " glow ")
• GLASS, STAINED

glass windows in the cathedrals of See also:

• COLOGNE (Ger. Koln, or officially, since 1900, Coln)

Cologne and See also:

• REGENSBURG (RATISBON)

Regensburg . Then came the great See also:

• CYCLE
• CYCLE (Gr. KUK)^os, a circle)

cycle of frescoes in the See also:

• BASILICA

basilica of St See also:

• BONIFACE (Bonifacius)
• BONIFACE, SAINT (680-754)

Boniface at Munich, and the monumental picture of the Virgin and See also:

• CHILD
• CHILD, FRANCIS JAMES (1825-1896)
• CHILD, L
• CHILD, LYDIA MARIA (1802-1880)
• CHILD, SIR FRANCIS (1642-1713)
• CHILD, SIR JOHN (d. 1690)
• CHILD, SIR JOSIAH (163o - 1699)

Child enthroned between the four doctors, and receiving the See also:

• HOMAGE (from homo, through the Low Lat. hominaticum, which occurs in a document of 1035)

homage of the four patrons of the Munich churches (now- in the Pinakothek) . His last See also:

• WORK

work, the " See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord's Supper," 'was found unfinished in his atelier after his See also:

• DEATH

death in 1863 . Before.; testing his strength as a composer Heinrich Hess tried genre, an example of which is the Pilgrims entering Rome, now in the Munich gallery . He also executed portraits, and twice had sittings from See also:

• THORWALDSEN, BERTEL (1770.1844)

Thorwaldsen (Pinakothek and See also:

• SCHACK, ADOLF FRIEDRICH, GRAF VON (1815-1894)

Schack collections) . But his fame rests on the frescoes representing scenes from the Old and New Testaments in the Allerheiligencapelle, and the episodes from the See also:

• LIFE

life of St Boniface and other See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German apostles in the basilica of Munich . Here he holds See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank second to none but See also:

• OVERBECK, JOHANN FRIEDRICH (1789-1869)

Overbeck in monumental painting, being always true to nature though mindful of the traditions of See also:

• CHRISTIAN
• CHRISTIAN, WILLIAM (1608-1663)

Christian art, See also:

• EARNEST (probably a corruption of the obsolete arles or erles, adapted from Lat. equivalent arrha, due to a confusion with the adjective " earnest," serious, O. Eng. eornust, cognate with Ger. ernst)

earnest and See also:

• SIMPLE

simple in feeling, yet lifelike and powerful in expression .

Through him and his pupils the sentiment of religious art was preserved and extended in the Munich school .