See also:

• HELICON
• HELICON (Fr. helicon, bombardon circulaire; Ger. Helikon)

HELICON (Fr. helicon, See also:

• BOMBARDON, or BASS TUBA

bombardon circulaire; Ger. Helikon)  , the circular See also:

• FORM (Lat. forma)

form of the Bb contrabass See also:

• TUBA

tuba used in military bands, worn See also:

• ROUND (O. Fr. rond, Lat. rotundus, the Fr. is the source also of Du. rond; Ger., Swed., Dan. and Nor. rond)

round the See also:

• BODY

body, with the enormous See also:

• BELL
• BELL, ALEXANDER MELVILLE (1819—1905)
• BELL, ANDREW (1753—1832)
• BELL, GEORGE JOSEPH (1770-1843)
• BELL, HENRY (1767-1830)
• BELL, HENRY GLASSFORD (1803-1874)
• BELL, JACOB (1810-1859)
• BELL, JOHN (1691-178o)
• BELL, JOHN (1763-1820)
• BELL, JOHN (1797-1869)
• BELL, ROBERT (1800-1867)
• BELL, SIR CHARLES (1774—1842)

bell resting on the See also:

• LEFT

left See also:

• SHOULDER (in O.E. sculder, cognate with Ger. Schulter, Dutch schouder, Swed. skuldra, &c; the root is unknown)

shoulder and towering above the See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

head of the performer . The See also:

• PITCH
• PITCH, MUSICAL

pitch of the See also:

• HELICON
• HELICON (Fr. helicon, bombardon circulaire; Ger. Helikon)

helicon is an See also:

• OCTAVE (from Lat. octavus, eighth, octo, eight)

octave below that of the See also:

• EUPHONIUM (Fr. baryton; Ger. Tenor Tube)

euphonium . The See also:

• IDEA (Gr. Ibia, connected with i&eiv, to see; cf. Lat. species from specere, to look at)

idea of winding the See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long See also:

• TUBE (Lat. tuba)

tube of the contrabass tuba and of wearing it round the shoulders was suggested by the See also:

• ANCIENT
• ANCIENT (also spelt ANTIENT; derived, through the Fr. ancien, old, from the late Lat. antianum, from ante, before)

ancient See also:

• ROMAN

Roman See also:

• BUCCINA (more correctly Buclna, Gr. l3VKavr7, connected with bucca, cheek, and Gr. /% CL)

buccina and See also:

• CORNU, MARIE

cornu, represented in mosaics and on the sculptured reliefs surrounding See also:

• TRAJAN [MARCUS ULPIUS TRAJANUS] (A. D. 53-117)

Trajan's See also:

• COLUMN (Lat. columna)

Column . The buccina and cornu2 differed in the See also:

• DIAMETER (from the Cr. &a, through, µErpov, measure)

diameter of their respective bores, the former having the narrow, almost cylindrical See also:

• BORE

bore and See also:

• HARMONIC

harmonic See also:

• SERIES (a Latin word from serere, to join)

series of the See also:

• TRUMPET (Fr. trompette, clairon; Ger. ,Trompete, Klarino, Trummet; Ital. tromba, trombetta, clarino)
• TRUMPET, SPEAKING AND HEARING

trumpet and See also:

• TROMBONE (Fr. trombone, Ger. Posaune, Ital. trombono)

trombone, whereas the cornu, having a bore in the form of a wide See also:

• CONE (Gr. Kwvos)

cone, was the prototype of the See also:

• BUGLE

bugle and tubas .