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PHILIPPE AUGUSTE HENNEQUIN (1763-1833) , French painter, was a pupil ofSee also: David
.
He was See also: born at See also: Lyons in 1763, distinguished himself early by winning the " See also: Grand Prix," and See also: left See also: France for See also: Italy
.
The disturbances at See also: Rome, during the course of the Revolution, obliged him to return to See also: Paris, where he executed the Federation of the 14th of See also: July, and he was at See also: work on a large design commissioned for the See also: town-See also: hall of Lyons, when in July 1794 he was accused before the revolutionary tribunal and thrown into prison
.
Hennequin escaped, only to be anew accused and imprisoned in Paris, and after
See also: running See also: great danger of See also: death, seems to have devoted himself thenceforth wholly to his profession
.
At Paris he finished the picture ordered for the See also: municipality of Lyons, and in 1801 produced his chief work, " See also: Orestes pursued by the Furies " (Louvre, engraved by Landon, Annales du Musee, vol. i. p
.
105)
.
He was one of the four painters who competed when in 1802 Gros carried off the official prize for a picture of the See also: Battle of See also: Nazareth, and in 18o8 See also: Napoleon himself ordered Hennequin to illustrate a series of scenes from his See also: German See also: campaigns, and commanded that his picture of the " Death of General Salomon " should be engraved
.
After 1815 Hennequin retired to Liege, and there, aided by subventions from the See also: Government, carried out a large See also: historical picture of the " Death of the Three See also: Hundred in defence of Liege "—a sketch of which he himself engraved
.
In 1824 Hennequin settled at Tournay, and became director of the See also: academy; he exhibited various See also: works at See also: Lille in the following See also: year, and continued to produce actively up to the See also: day of his death in May 1833
.
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