See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

GEORGE [Ismoa GEORG] See also:

• GEORGE [Ismoa GEORG] HENSCHEL (1850— )

HENSCHEL (1850— )  , See also:

• ENGLISH

English musician (naturalized 1890), of See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German See also:

• FAMILY

family, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• BRESLAU (Polish Wraclaw)

Breslau, and educated as a pianist, making his first public See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance in See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin in 1862 . He subsequently, however, took up singing, having See also:

• DEVELOPED

developed a See also:

• FINE

fine baritone See also:

• VOICE (Fr. voix, from Lat. vox)

voice; and in 1868 he sang the See also:

• PART

part of Hans See also:

• SACHS, HANS (1494-1576)
• SACHS, JULIUS VON (1832-1897)
• SACHS, MICHAEL (1808–1864)

Sachs in See also:

• MEISTERSINGER (Ger. for " master-singer ")

Meistersinger at See also:

• MUNICH (Ger. Munchen)

Munich . In 1877 he began a successful career in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, singing at the See also:

• PRINCIPAL

principal concerts; and in 1881 he married the See also:

• AMERICAN

American See also:

• SOPRANO (a variant of Ital. sovrano, supreme, sovereign, Late Lat. superanus, from super, above)

soprano, Lilian See also:

• BAILEY (said to be a corruption of Ballium by some, and derived by others from the Fr. baille, a corruption of bataille, because there the soldiers were drilled in battle array)
• BAILEY, NATHAN
• BAILEY, PHILIP JAMES (1816-1902)
• BAILEY, SAMUEL (1791-1870)

Bailey (d . 1901), who was associated with him in a number of vocal recitals . He was also prominent as a conductor, starting the See also:

• LONDON

London See also:

• SYMPHONY

symphony concerts in 1886, and both in England and See also:

• AMERICA

America (where he was the first conductor of the See also:

• BOSTON
• BOSTON, THOMAS (1676-1732)

Boston symphony concerts, 1881) he took a leading part in advancing his See also:

• ART

art . He composed a number of instrumental See also:

• WORKS

works, a fine Stabat Mater (See also:

• BIRMINGHAM

Birmingham festival, 1894), &c., and an See also:

• OPERA (Italian for " work ")

opera, See also:

• NUBIA

Nubia (See also:

• DRESDEN

Dresden, 1899) .