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HERA

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Originally appearing in Volume V13, Page 308 of the 1911 Encyclopedia Britannica.
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HERA  , in

Greek
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mythology, the
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sister and wife of
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Zeus and queen of the Olympian gods; she was identified by the Romans with
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Juno . The derivation of the name is obscure, but there is no reason to doubt that she was a genuine Greek deity . There are no signs of
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Oriental influence in her cults, except at Corinth, where she seems to have been identified with
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Astarte . It is probable that she was originally a personification of some department of nature; but the traces of her
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primitive significance are vague, and have been interpreted to suit various theories . Some of the ancients connected her with the earth;
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Plato, followed by the
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Stoics, derived her name from ai7P, the air . Both theories have been revived in
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modern times, the former notably by F . G . Welcker, the latter by L . Preller . A third view, that Hera is the moon, is held by W . H . Roscher and others .

Of these explanations, that advanced by Preller has little to commend it, even if, with O . Gruppe, we understand the air-goddess as a

storm deity; some of the arguments in support of the two other theories will be examined in this article . Whatever may have been the origin of Hera, to the historic Greeks (except a few poets or philosophers) she was a purely anthropomorphic goddess, and had no close relation to any province of nature . In literature, from the times of Homer and
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Hesiod, she played an important
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part, appearing most frequently as the jealous and resentful wife of Zeus . In this character she pursues with vindictive hatred the heroines, such as
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Alcmene, Leto and
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Semele, who were beloved by Zeus . She visits his sins upon the children born of his intrigues, and is thus the constant enemy of Heracles and Dionysus . This character of the offended wife was borrowed by later poets from the Greek epic; but it belongs to literature rather than to cult, in which the dignity and power of the goddess is naturally more emphasized . The worship of Hera is found, in different degrees of prominence, throughout the Greek
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world . It was especially important in the ancient Achaean centres,
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Argos,
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Mycenae and Sparta, which she claims in the Iliad (iv . 51) as her three dearest cities . Whether Hera was also worshipped by the early
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Dorians is uncertain; after the Dorian invasion she remained the chief deity of Argos, but her cult at Sparta was not so conspicuous . She received honour, however, in other parts of the Peloponnese, particularly in
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Olympia, where her temple was the
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oldest, and in
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Arcadia .

In several Boeotian cities she seems to have been one of the

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principal
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objects of worship, while the neighbouring island of Euboea probably derived its name from a title of Hera, who was " rich in cows " (EusoAa) . Among the islands of the
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Aegean,,
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Samos was celebrated for the cult of Hera; according to-tbe.
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local tradition, she was born in the island . As Hera Lacinia (from her Lacinian temple near Croton) she was extensively worshipped in Magna Graecia . The connexion of Zeus and Hera was probably not primitive, since
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Dione seems to have preceded Hera as the wife of Zeus at
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Dodona . The origin of the, connexion may possibly be due to the
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fusion of two " Pelasgic " tribes, worshipping Zeus and Hera respectively; but
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speculation on the earliest cult of the goddess, before she became the wife of Zeus, must be largely conjectural . The close relation of the two deities appears in a frequent community of altars and sacrifices, and also in the iepos yaµos, a dramatic representation of their sacred
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marriage . The festival, which was certainly ancient, was held not only in Argos, Samos, Euboea and other centres of Hera-worship, but also in Athens, where the goddess was obscured by the predominance of Athena . The details of the iepos yaµos may have varied locally, but the main idea of the ritual was the same . In the Daedala, as the festival was called at Plataea, an effigy was made from an oak-tree, dressed in bridal attire, and carried in a cart with a woman who acted as bridesmaid . The image was called Daedale, and the ritual was explained by a myth: Hera had
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left Zeus in her anger; in order to win her back, Zeus announced that he was about to marry, and dressed up a puppet to imitate a bride; Hera met the procession, tore the veil from the false bride, and, on discovering the ruse, became reconciled to her
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husband . The image was put, away after each occasion; every sixty years a large number of such images, which had served in previous celebrations, were carried in procession to the top of Mount
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Cithaeron, and were burned on an altar together with animals and the altar itself . As Frazer notes (
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Golden Bough,2 i .

227), this festival appears to belong to the large class of mimetic charms designed to quicken the growth of vegetation; the marriage of Zeus and Hera would in this

case represent the union of the king and queen of May . But it by no means follows that Hera was therefore originally a goddess of the earth or of vegetation . When the real nature of the ritual had become lost or obscured, it was natural to explain it by the help of an aetiological myth; in
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European
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folklore, images, corresponding to those burnt at the Daedala, were sometimes called Judas Iscariot or Luther (Golden Bough,2 iii . 315) . At Samos the 1epis vapor was celebrated annually; the image of Hera was concealed on the sea-
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shore and solemnly discovered . This rite seems to reflect an actual custom of abduction; or it may rather refer to the practice of intercourse between the betrothed before marriage . Such intercourse was sanctioned by the Samians, who excused it by the example of Zeus and Hera (schol. on Il. xiv . 296) . There is nothing in the Samian 1ep6s yaµos to suggest a marriage of heaven and earth, or of two vegetation-
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spirits; as Dr Farnell points out, the ritual appears to explain the custom of human nuptials . The sacred marriage, therefore, though connected with vegetation at the Daedala, was not necessarily a vegetation-charm in its origin; consequently, it does not prove that Hera was an earth-goddess or tree-spirit . It is at least remarkable that, except at Argos, Hera had little to do with agriculture, and was not closely associated with such deities as Cybele,
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Demeter, Persephone and Dionysus, whose connexion with the earth, or with its fruits, is beyond doubt . In her general cult Hera was worshipped in two main capacities: (1) as the consort of Zeus and queen of heaven; (2) as the goddess who presided over marriage, and, in a wider sense, over the various phases of a woman's
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life .

Dionysius of Halicarnassus (Ars rhet. ii . 2) calls Zeus and Hera the first wedded pair, and a sacrifice to Zeus T€dews and Hera TeXeLa was a
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regular feature of the Greek
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wedding . Girls offered their hair or veils to Hera before marriage . In Aristophanes (Thesm.973) she " keeps the keys of wedlock." The marriage-goddess naturally became the
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protector of
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women in childbed, and
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bore the title of the birth-goddess (Eileithyia), at Argos and Athens . In Homer (Il. xi . 270) and Hesiod (Theog . 922) she is the
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mother of the Eileithyiae, or the single Eileithyia . Her cult-titles 1rapOEvoc (or 7rais), TeXeia and X'hpa the " maiden," " wife," and " widow " (or " divorced ") have been interpreted as symbolical of the earth in spring, summer, and winter; but they may well express the different conditions in the lives of her human worshippers . The Argives believed that Hera recovered her virginity every
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year by bathing in a certain spring (Paus. viii . 22, 2), a belief which probably reflects the custom of ceremonial
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purification after marriage (see Frazer;
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Adonis, p . 176) . Although Hera was not the bestower of feminine charm to the same extent as
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Aphrodite, she was the
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patron of a contest for beauty in a Lesbian festival (KaXXurmeia) .

This intimaterelation with women has been held a

proof that Hera was originally a moon-goddess, as the moon is often thought to influence childbirth and other aspects of feminine life . But Hera's patronage of women, though undoubtedly ancient, is not necessarily primitive . Further, the Greeks themselves, who were•always ready to identify
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Artemis with the moon, do not seem to have recognized any lunar connexion in Hera . Among her particular worshippers, at Argos and Samos, Hera was much more than the queen of heaven and the marriage-goddess . As the patron of these cities (iroXtouXos) she held a place corresponding to that of Athena in Athens . The Argives are called " the
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people of Hera " by Pindar; the Heraeum, situated under a mountain significantly called Mt . Euboea, was the most important temple in Argolis . Here the agricultural character of her ritual is well marked; the first oxen used in ploughing were, according to an Argive myth, dedicated to her as -ev o5ta; and the sprouting ears of corn were called " the flowers of Hera." She was worshipped as the goddess of flowers (avOela); girls served in her temple under the name of "flower-bearers," and a flower festival ('HpovavOeta, 'HpoavOta) was celebrated by Peloponnesian women in spring . These
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rites recall our May day observance, and give colour to the earth-goddess theory . On the other hand it must be remembered that the patron deity of a Greek state had very wide functions; and it is not surprising to find that Hera (whatever her origin may have been) assumed an agricultural character among her own people whose occupations were largely agricultural . So, although the warlike character of Hera was not elsewhere prominent, she assumed a militant aspect in her two chief cities; a festival called the Shield (Aoiris, in Pindar &yaw XaXKeoc) was part of the Argive cult, and there was an armed procession in her honour at Samos . The city-goddess, whether Hera or Athena, must be chief alike in peace and war .

The cow was the

animal specially sacred to Hera both in ritual and in mythology . The story of Io, metamorphosed into a cow, is familiar; she was priestess of Hera, and was originally, no doubt, a form of the goddess herself . The Homeric epithet Pxwlris may have meant " cow-faced " to the earliest worshippers of Hera, though by Homer and the later Greeks it was understood as " large-eyed," like the cow . A car
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drawn by oxen seems to have been widely used in the processions of Hera, and the cow was her most frequent sacrifice . The origin of Hera's association with the cow is uncertain, but there is no need to see in it, with Roscher, a symbol of the moon . The
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cuckoo was also sacred to Hera, who, according to the Argive legend, was wooed by Zeus in the form of the
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bird . In later times the peacock, which was still unfamiliar to the Greeks in the 5th century, was her favourite, especially at Samos . The earliest recorded images of Hera preceded the rise of Greek sculpture; a log at
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Thespiae, a
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plank at Samos, a pillar at Argos served to represent the goddess . In the archaic period of sculpture the 6avov or wooden statue of the Samian Hera by Smilis was famous . In the first
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half of the 5th century the sacred marriage was represented on an extant metope from a temple at Selinus . The most celebrated statue of Hera was the chryselephantine
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work of
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Polyclitus, made for the Heraeum at Argos soon after 423 B.C . It is fully described by
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Pausanias, who says that Hera was seated on a
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throne, wearing a
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crown (vrEr/)avos), and carrying a
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sceptre in one hand and a
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pomegranate in the other .

Various ancient writers testify to the beauty and dignity of the statue, which was considered equal to the Zeus of

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Pheidias . Polyclitus seems to have fixed the type of Hera as a youthful matron, but unfortunately the exact character of her head cannot be determined . A majestic and rather severe beauty marks the conception of Hera in later
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art, of which the Farnese bust at Naples and the Ludovisi Hera are the most conspicuous examples . Dict.
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des ant. grecques et rom. s.v . " Juno " (Paris, 1877) ; L . R . Farnell, Cults of the Greek States, i . 179 f . (Oxford, 1896) ; A . B . Cook in Class . Rev. xx .

365 f . 416 f.; O . Gruppe, Griech . Mythologic u . Religionsgesch. p . 1121 f . (

Munich, 1903) . In the article GREEK ART, fig . 24, will be found a roughly executed head of Hera, from the pediment of the
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treasury of the Megarians . (E . E .

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The sister and one of the wives of zeus. She was the goddess of the marrige
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