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HERCULES (0. See also: form of the mythical Heracles, the chief See also: national See also: hero of Hellas
.
The name `HparcXijr("Hpa, and KX os = See also: glory) is explained as " renowned through See also: Hera " (i.e, in consequence of her persecution) or " the glory of Hera " i.e. of See also: Argos
.
The thoroughly national character of Heracles is shown by his being the mythical ancestor of the Dorian dynastic tribe, while revered by Ionian Athens, Lelegian See also: Opus and Aeolo-Phoenician See also: Thebes, and closely associated with the Achaean heroes See also: Peleus and Telamon
.
The Perseid Alcmena, wife of See also: Amphitryon of See also: Tiryns, was Hercules' See also: mother, See also: Zeus his See also: father
.
After his father he is often called Amphitryoniades, and also Alcides, after the Perseid See also: Alcaeus, father of Amphitryon
.
His mother and her See also: husband lived at Thebes in exile as guests of See also: King
See also: Creon
.
By the craft of Hera,
had defended the monastic orders, advocating their reform and not their suppression, supported the rural See also: clergy and idealized the See also: village See also: priest in his Parocho da Aldeia, after the manner of Goldsmith in the See also: Vicar of Wakefield
.
Unfortunately, however, the brilliant epoch of the See also: alliance of Liberalism and Catholicism, represented on its See also: literary See also: side by Chateaubriand and by Lamar-tine, to whose poetic school Herculano had belonged, was past, and fanatical attacks and the progress of events drove this former champion of the See also: Church into conflict with the ecclesiastical authorities
.
His protest against the Concordat of the asst of
See also: February 1857 between See also: Portugal and the See also: Holy See, regulating the Portuguese Padroado in the See also: East, his successful opposition to the entry of See also: foreign religious orders, and his advocacy of See also: civil See also: marriage, were the chief landmarks in his See also: battle with Ultramontanism, and his Estudos sobre o Casamento Civil were put on the See also: Index
.
Finally in 1871 he attacked the dogmas of the Immaculate Conception and papal infallibility, and See also: fell into See also: line with the Old Catholics
.
In the domain of letters he remained until his See also: death a veritable pontiff, and an article or See also: book of his was an event celebrated from one end of Portugal to the other
.
The nation continued to look up to him for See also: mental leadership, but, in his later years, lacking hope himself, he could not stimulate others or use to See also: advantage the See also: powers conferred upon him
.
In politics he remained a constitutional Liberal of the old type, and for him the See also: people were the See also: middle classes in opposition to the See also: lower, which he saw to have been the supporters of tyranny in all ages, while he considered Radicalism to mean a return via anarchy to See also: absolutism
.
However, though he conducted a See also: political propaganda in the newspaper See also: press in his early days, Herculano never exercised much influence in politics
.
See also: Grave as most of his writings are, they include a See also: short description of a See also: crossing from See also: Jersey to Granville, in which he satirizes See also: English character and customs, and reveals an unexpected sense, of See also: humour
.
A rare capacity for tedious See also: work, a dour Catonian rectitude, a passion for truth, See also: pride, irritability at See also: criticism and independence of character, are the marks of Herculano as a See also: man
.
He could be broken but never bent, and his See also: rude frankness accorded with his hard, sombre face, and alienated men's sympathies though it did not lose him their respect
.
His lyrism is vigorous, feeling, austere and almost entirely subjective and See also: personal,, while his See also: pamphlets are distinguished by energy of conviction, strength of affirmation, and contempt for weaker and more ignorant opponents
.
His See also: History of Portugal is a See also: great but incomplete monument
.
A lack of See also: imagination and of. the philosophic spirit prevented him from penetrating or See also: drawing characters, but his See also: analytical gift, joined to persevering toil and honesty of purpose enabled him to See also: present a faithful account of ascertained facts and a satisfactory and lucid explanation of political and economic events
.
His remains lie in a majestic See also: tomb in the Jeronymos at Belem, near See also: Lisbon, which was raised by public subscription to the greatest See also: modern historian of Portugal and of the Peninsula
.
His more important See also: works have gone through many See also: editions and his name is still one to conjure with
.
Au'rnoluTrns.—Antonio de Serpa Pimentel, Alexandre Herculano e o seu tempo (Lisbon, 1881) ; A
.
Romero Ortiz, La Litteratura Portuguesa en el siglo XIX
.
( See also: Madrid, 1869) ; Moniz Barreto, Revssta de Portugal (See also: July 1889)
.
(E
.
PR.)
his foe through See also: life, his See also: birth was delayed, and that of Eurystheus, son of Sthenelus of Argos, hastened, Zeus having in effect sworn that the elder of the two should See also: rule the See also: realm of See also: Perseus
.
Hera sent two serpents to destory the new-See also: born Hercules, but he strangled them
.
He was trained in all manly accomplishments by heroes of the highest renown in each, until in a transport of anger at a reprimand he slew See also: Linus, his instructor in See also: music, with the See also: lyre
.
Thereupon he was sent to tend Amphitryon's oxen, and at this See also: period slew the See also: lion of See also: Mount See also: Cithaeron
.
By freeing Thebes from paying tribute to the Minyans of Orchomenus he won Creon's daughter, See also: Megara, to wife
.
Her See also: children by him he killed in a frenzy induced by Hera
.
After See also: purification he was sent by the Pythia to serve Eurystheus
.
Thus began the See also: cycle of the twelve labours
.
1
.
See also: Wrestling with the Nemean lion
.
2 . Destruction of the Lernean hydra . 3 . Capture of the ArcadianSee also: hind (a stag in See also: art)
.
4
.
Capture of the boar of Erymanthus, while See also: chasing which he fought the See also: Centaurs and killed his See also: friends See also: Chiron and Pholus, this See also: homicide leading to See also: Demeter's institution of mysteries
.
5
.
Cleansing of the stables of See also: Augeas
.
6
.
See also: Shooting the Stymphalian birds
.
7
.
Capture of the Cretan bull subsequently slain by See also: Theseus at See also: Marathon
.
8 . Capture of the man-eating mares of the Thracian See also: Diomedes
.
9
.
Seizure of the girdle of Hippolyte, See also: queen of the See also: Amazons
.
to
.
Bringing the oxen of Geryones from Erythia in the far west, which errand involved many adventures in the See also: coast lands of the Mediterranean, and the setting up of the " Pillars of Hercules " at the Straits of See also: Gibraltar
.
11
.
Bringing the See also: golden apples from the garden of the See also: Hesperides
.
12
.
Carrying See also: Cerberus from Hades to the upper See also: world
.
Most of the labours See also: lead to various adventures called ,rapepya
.
On Hercules' return to Thebes he gave his wife Megara to his friend and charioteer Iolaus, son of Iphicles, and by beating Eurytus of Oechalia and his sons in a shooting match won a claim to the See also: hand of his daughter Iole, whose See also: family, however, except her See also: brother Iphitus, withheld their consent to the union
.
Iphitus persuaded Hercules to See also: search for Eurytus' lost oxen, but was killed by him at Tiryns in a frenzy
.
He consulted the Pythia about a cure for the consequent madness, but she declined to answer him
.
Whereupon he seized the oracular See also: tripod, and so entered upon a contest with See also: Apollo, which Zeus stopped by sending a flash of See also: lightning between the combatants
.
The Pythia then sent him to serve the Lydian queen Omphale
.
He then, with Telamon, Peleus and Theseus, took Troy
.
He next helped the gods in the great battle against the giants
.
He destroyed sundry See also: sea-monsters, set See also: free the bound See also: Prometheus, took See also: part in the Argonautic voyage and the Calydonian boar See also: hunt, made war against Augeas, and against See also: Nestor and the Pylians, and restored Tyndareus to the See also: sovereignty of See also: Lacedaemon
.
He sustained many single combats, one very famous struggle being the wrestling with the Libyan See also: Antaeus, son of See also: Poseidon and Ge (See also: Earth), who had to be held in the air, as he See also: grew stronger every See also: time he touched his mother, Earth
.
Hercules withstood See also: Ares, Poseidon and Hera, as well as Apollo
.
The close of his career is assigned to See also: Aetolia and See also: Trachis
.
He wrestles with Achelous for Deianeira (" destructive to husband "), daughter of Oeneus, king of See also: Calydon, vanquishes the See also: river See also: god, and breaks off one of his horns, which as a See also: horn of plenty is found as an attribute of Hercules in art
.
Driven from Calydon for homicide, he goes with Deianeira to Trachis
.
On the way he slays the centaur Nessus, who persuades Deianeira that his See also: blood is a love-charm
.
From Trachis he wages successful war against the Dryopes and See also: Lapithae as ally of Aegimius, king of the See also: Dorians, who promised him a third of his realm, and after his death adopted Hyllus, his son by Deianeira
.
Finally Hercules attacks Eurytus, takes Oechalia and carries off See also: Iola
.
Thereupon Deianeira, prompted by love and jealousy, sends him a tunic dipped in the blood of Nessus, and the unsuspecting hero puts it on just before sacrificing at the headland of Cenaeum in Euboea
.
(So far the dithyramb of See also: Bacchylides xv
.
[xvi.), agrees with See also: Sophocles' Trachiniae as to the hero's end.) Mad with See also: pain, he seizes Lichas, the messenger who had brought the fatal garment, and hurls him on the rocks; and then hewanders in agony to Mount See also: Oeta, where he mounts a pyre, which, however, no one will kindle
.
At last Poeas, father of See also: Philoctetes, takes pity on him, and is rewarded with the gift of his See also: bow and arrows
.
The immortal part of Hercules passes to See also: Olympus, where he is reconciled to Hera and weds her daughter See also: Hebe
.
This account of the hero's See also: principal labours, exploits and crimes is derived from the mythologists See also: Apollodorus and Diodorus, who probably followed the Heracleia by See also: Peisander of Rhodes as to the twelve labours or that of See also: Panyasis of See also: Halicarnassus, but sundry variations of See also: order and incident are found in classical literature
.
In one aspect Hercules is clearly a See also: sun-god, being identified, especially in See also: Cyprus and in See also: Thasos (as Makar), with the Tyrian Melkarth
.
The third and twelfth labours may be solar, the horned hind representing the See also: moon, and the carrying of Cerberus to the upper world an eclipse, while the last See also: episode of the hero's tragedy is possibly a See also: complete solar myth See also: developed at Trachis
.
The winter sun is seen rising over the Cenaean promontory to toil across to Mount Oeta and disappear over it in a See also: bank of fiery cloud
.
B ut more important and less speculative is the hero's aspect as a national type or an amalgar ation of tribal types of See also: physical force, of dauntless effort and endurance, of militant See also: civilization, and of Hellenic enterprise, " stronger than everything except his own passions," and " at once above and below the noblest type of man " (Jebb)
.
The fifth labour seems to symbolize some great improvement in the drainage of Elis
.
Strenuous devotion to the deliverance of mankind from dangers and pests is the " virtue " which, in Prodicus' famous apologue on the Choice of Hercules, the hero preferred to an easy and happy life
.
Ethically, Hercules symbolizes the attainment of glory and immortality by toil and suffering
.
The Old-Dorian Hercules is represented in three cycles of myth, the Argive, the Boeotian and the Thessalian; the legends of See also: Arcadia, Aetolia, See also: Lydia, &c., and See also: Italy are either See also: local or symbolical and comparatively See also: late
.
The fatality by which Hercules kills so many friends as well as foes recalls the destroying Apollo; while his career frequently illustrates the Delphic views on blood-guiltiness and expiation
.
As Apollo's champion Hercules is Daphnephoros, and fights Cycnus and Amyntor to keep open the sacred way from See also: Tempe to See also: Delphi
.
As the Dorian tutelar he See also: aids Tyndareus and Aegimius
.
As See also: patron of maritime adventure (iyeµ6vcos) he struggles with See also: Nereus and See also: Triton, slays Eryx and See also: Busiris, and perhaps captures the See also: wild horses and oxen, which may stand for pirates
.
As a god of athletes he is often a wrestler (rraX al ycov), and founds the Olympian See also: games
.
In See also: comedy and occasionally in myths he is depicted as voracious (/3ov¢ayos)
.
He is also represented as the companion of Dionysus, especially in See also: Asia Minor
.
The " Resting " (avatrav6µevos) Hercules is, as at Thermopylae and nearSee also: Himera, the natural tutelar of hot springs in conjunction with his protectress Athena, who is usually depicted attending him on See also: ancient vases
.
The glorified Hercules was worshipped both as a god and a hero
.
In the See also: Attic deme Melita he was invoked as iXe6 aKos (" Helper in ills "), at See also: Olympia as KaXXivtaos (" Nobly-victorious "), in the rustic worship of the Oetaeans as Kopvo7riwv (Kbpvo1r , " locusts "), by the Erythraeans of See also: Ionia as ilroKr6vos (" Canker-See also: worm-slayer ")
.
He was uwrilp (" Saviour "), i.e. a See also: protector of voyagers, at Thasos and See also: Smyrna
.
Games in his honour were held at Thebes and Marathon and See also: annual festivals in every deme of See also: Attica, in Sicyon and Agyrium (See also: Sicily)
.
His See also: guardian goddess was Athena (See also: Homer, Il. viii
.
638; Bacchylides v
.
91 f.)
.
In early See also: poetry, as often in art, he is an See also: archer, afterwards a See also: club-wielder and fully-armed See also: warrior
.
In early art the adult Hercules, is bearded, but not long-haired
.
Later he is sometimes youthful and See also: beard-less, always with short See also: curly hair and thick neck, the lower part of the brow prominent
.
A lion's skin is generally worn or carried
.
See also: Lysippus worked out the finest type of sculptured Hercules, of which the Farnese by Glycon is a See also: grand specimen
.
The infantine struggle with serpents was a favourite subject
.
Quite distinct was the Idaean Hercules, a Cretan See also: Dactyl connected with the cult of See also: Rhea or Cybele
.
The Greeks recognized
Hercules in an See also: Egyptian deity See also: Chons and an See also: Indian Dorsanes, not to mention personages of other mythologies
.
Hercules is supposed to have visited Italy on his return from Erythia, when he slew Cacus, son of See also: Vulcan, the giant of the Aventine mount of See also: Rome, who had stolen his oxen
.
To this victory was assigned the founding of the Ara See also: maxima by See also: Evander
.
His worship, introduced from the See also: Greek colonies in See also: Etruria and in the See also: south of Italy, seems to have been established in Rome from the earliest times, as two old Patrician genies were associated with his cult and the Fabii claimed him as their ancestor
.
The See also: tithes vowed to him by See also: Romans and men of See also: Sora and Reate, for safety on journeys and voyages, furnished sacrifices and (in Rome) public entertainment (polluctum)
.
See also: Tibur was a See also: special seat of his cult
.
In Rome he was patron of gladiators, as of athletes in See also: Greece
.
With respect to the See also: Roman relations of the hero, it is manifest that the native myths of Recaranus, or Sancus, or Dius Fidius, were transferred to the Hellenic Hercules
.
(C
.
A . M . F.) See L . Preller, Griechische Mythologie (4th ed., Berlin, 1900) ; W . H . Roscher, Ausfiihrliches Lexikon der griechischen and romischen Mythologie (1884) ;See also: Sir R
.
C
.
Jebb, Trachiniae of Sophocles (Introd.), (1892); Ch
.
Daremberg and E
.
Saglio, Dictionnaire See also: des antigun&s grecques et romaines; See also: Breal, Hercule et Cacus, 1863; J
.
G
.
Winter, Myth of Hercules at Rome (New See also: York, 191o)
.
In the article GREEK ART,-fig . 16 represents Heracles wrestling with the river-god Achelous; fig . 20 (from a small pediment, possibly of a shrine of the hero) the slaying of the Hydra; fig . 35 Heracles holding up the sky on a cushion . Hercules was a favourite figure in FrenchSee also: medieval literature
.
In the See also: romance of See also: Alexander the
See also: tent of the hero is decorated with incidents from his adventures
.
In the See also: prose romance See also: Les Prouesses et vaillances du preux Hercule (See also: Paris, 1500), the hero's labours are represented as having been performed in honour of a Boeotian princess; See also: Pluto is a king dwelling in a See also: dismal See also: castle; the Fates are duennas watching See also: Proserpine; the entrance to Pluto's castle is watched by the giant Cerberus
.
Hercules conquers See also: Spain and takes Merida from See also: Geryon
.
The book is translated into English as Hercules of Greece (n. d.)
.
Fragments of a French poem on the subject will be found in the Bulletin de la sot. des anciens textes See also: francais (1877)
.
See also: Don Enrique de Villena took from Les Prouesses his prose Los Doze Trabajos de Hercules (See also: Zamora, 1483 and 1499), and See also: Fernandez de See also: Heredia wrote Trabajos y afanes de Hercules (Madrid, 1682), which belies its title, being a collection of adages and allegories
.
Le Fatiche d' Ercole (1475) is a romance in poetic prose by Pietro Bassi, and the Dodeci Travagli di Ercole (1544) a poem by J
.
Perillos . |
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