JOSE MARIA DE See also:

• JOSE MARIA DE HEREDIA (1842-1905)

HEREDIA (1842-1905)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French poet, the See also:

• MODERN

modern See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master of the French See also:

• SONNET (Ital. Sonetto, dim. of Suono, Fr. Sonnet)

sonnet, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• FORTUNA (FORTUNE)

Fortuna Cafeyere, near See also:

• SANTIAGO, or SANTIAGO DE CHILE

Santiago de See also:

• CUBA (the aboriginal name)

Cuba, on the 22nd of See also:

• NOVEMBER (Lat. novem, nine)

November 1842, being in See also:

• BLOOD

blood See also:

• PART

part See also:

• SPANISH

Spanish See also:

• CREOLE (the Fr. form of criollo, a West Indian, probably a negro corruption of the Span. criadillo, the dim. of criado, one bred or reared, from criar, to breed, a derivative of the Lat. creare, to create)

Creole and part French . At the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of eight he came from the See also:

• WEST
• WEST, BENJAMIN (1738-1820)
• WEST, NICHOLAS (1461-1533)

West Indies to See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, returning thence to See also:

• HAVANA (the name is of aboriginal origin; Span. Habana or, more fully, San Cristobal de la Habana)

Havana at seventeen, and finally making France his See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

home not See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long afterwards . He received his classical See also:

• EDUCATION

education with the priests of See also:

• SAINT (lat. sanctus, " holy ")

Saint See also:

• VINCENT (or VINCENTIUS), ST
• VINCENT, GEORGE (1796-1831?)
• VINCENT, MARY ANN (1818-1887)

Vincent at Senlis, and after a visit to Havana he studied at the Ecole See also:

• DES

des Chartes at See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . In the later 'sixties, with See also:

• FRANCOIS (1558-1614)

Francois See also:

• COPPEE, FRANCOIS EDOUARD JOACHIM (1842—1908)
• COPPEE, HENRY (1821-1895)

Coppee, See also:

• SULLY, JAMES (1842– )
• SULLY, MAXIMILIEN DE BETHUNE
• SULLY, THOMAS (1783—1872)

Sully-Prudhomme, See also:

• PAUL
• PAUL (PAULUS)

Paul See also:

• VERLAINE, PAUL (1844–1896)

Verlaine and others less distinguished, he made one of the See also:

• BAND

band of poets who gathered See also:

• ROUND (O. Fr. rond, Lat. rotundus, the Fr. is the source also of Du. rond; Ger., Swed., Dan. and Nor. rond)

round Leconte de See also:

• LISLE, ALICE (c. 1614-1685)

Lisle, and received the name of Parnassiens . To this new school, See also:

• FORM (Lat. forma)

form—the technical See also:

• SIDE
• SIDE (mod. Eski Adalia)

side of their See also:

• ART

art—was of supreme importance, and, in reaction against the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of See also:

• MUSSET, LOUIS CHARLES ALFRED DE (1810-18S7)

Musset, they rigorously repressed in their See also:

• WORK

work the expression of See also:

• PERSONAL

personal feeling and emotion . " True See also:

• POETRY

poetry," said M. de See also:

• HEREDIA, JOSE MARIA DE (1842-1905)

Heredia in his discourse on entering the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy—" true poetry dwells in nature and in humanity, which are eternal, and not in the See also:

• HEART
• HEART, LUNG

heart of the creature of a See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day, however See also:

• GREAT

great." M. de Heredia's See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place in the See also:

• MOVEMENT

movement was soon assured . He wrote very little, and published even less, but his sonnets circulated in MS., and gave him a reputation before they appeared in 1893, together with a few longer poems, as a See also:

• VOLUME

volume, under the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of See also:

• LES

Les Trophees . He was elected to the Academy on the 22nd of See also:

• FEBRUARY

February 1894, in the place of See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis de Mazade-Percin the publicist . Few purely See also:

• LITERARY

literary men can have entered the Academy with See also:

• CREDENTIALS (lettres de creance)

credentials so small in., quantity . A small volume of See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse—a See also:

• TRANSLATION

translation, with introduction, of See also:

• DIAZ, NARCISSE VIRGILIO (18(38-1876)
• DIAZ, PORFIRIO (183o– )

Diaz del See also:

• CASTILLO

Castillo's See also:

• HISTORY

History of the See also:

• CONQUEST

Conquest of New See also:

• SPAIN
• SPAIN (Espana)

Spain (1878–1881)—a translation of the See also:

• LIFE

life of the See also:

• NUN (O. Eng. nunne, from Lat. nonnus, nonna, familiar terms for an old man or woman)

nun Alferez (1894), de Quincey's " Spanish Military Nun "—and one or two See also:

• SHORT, FRANCIS JOB (1857– )

short pieces of occasional verse, and an introduction or so—this is but small literary baggage, to use the French expression . But the sonnets are of their See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind among the most superb in modern literature . " A Le'gende des siecles in sonnets " M .

Francois Coppee called them . Each presents a picture, striking, brilliant, See also:

• DRAWN

drawn with unfaltering See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand—the picture of some characteristic See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene in See also:

• MAN
• MAN, ISLE OF (anc. Mona)

man's long history . The verse is flawless, polished like a See also:

• GEM (Lat. gemma, a bud,—from the root gen, meaning " to produce,"—or precious stone; in the latter sense the Greek term is > d>os)
• GEM, ARTIFICIAL

gem; and its See also:

• SOUND
• SOUND, THE (Danish Oresund)

sound has distinction and See also:

• FINE

fine See also:

• HARMONY (Gr. dpµovia, a concord of musical sounds, dpA'ew to join; &plan midi (sc. TeXvil)

harmony . If one may suggest a See also:

• FAULT (Mid. Eng. faute, through the French, from the popular Latin use of fallere, to fail; the originallof the Latin being replaced in English in the 15th century)

fault, it is that each picture is sometimes too much of a picture only, and that the poetical See also:

• LINE

line, like that of M. de Heredia's master, Leconte de Lisle himself, is occasionally overcrowded . M. de Heredia was none the less one of the most skilful craftsmen who ever practised the art of verse . In 1901 he became librarian of the Bibliotheque de 1'See also:

• ARSENAL

Arsenal at Paris . He died at the See also:

• CHATEAU (from Lat. castellum, fortress, through O. Fr. chastel, chasteau)

Chateau de Bourdonne (See also:

• SEINE
• SEINE (Lat. Sequana)
• SEINE, or SEAN (O. Fr. seigne, mod. seine, Lat. sagena, Gr. vaytivrl, a draw-net)

Seine-et-See also:

• OISE

Oise) on the 3rd of See also:

• OCTOBER

October 1905, having completed his See also:

• CRITICAL (in alphabetical order of authors)

critical edition of See also:

• ANDRE, JOHN (1751-178o)

Andre See also:

• CHENIER
• CHENIER, ANDRE DE (1762-1794)

Chenier's See also:

• WORKS

works .