See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

LOUIS See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

JOSEPH See also:

• FERDINAND
• FERDINAND (1577-1650)
• FERDINAND (COLOGNE)
• FERDINAND (Span. Fernando or Hernando; Ital. Ferdinando or Ferrante; in O. H. Ger. Herinand, i.e. " brave in the host," from O. H. G. Heri, "army," A. S. here, Mod. Ger. Heer, and the Goth. nan]jan, " to dare ")
• FERDINAND, MAXIMILIAN KARL LEOPOLD MARIA

FERDINAND See also:

• LOUIS JOSEPH FERDINAND HEROLD (1791-1833)

HEROLD (1791-1833)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French musician, the son of See also:

• FRANCOIS (1558-1614)

Francois See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

Joseph See also:

• HEROLD, LOUIS JOSEPH FERDINAND (1791-1833)

Herold, an accomplished pianist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, on the 28th of See also:

• JANUARY

January 1791 . It was not till after his See also:

• FATHER

father's See also:

• DEATH

death that Herold in 1806 entered the Paris See also:

• CONSERVATOIRE (the Fr. equivalent of Ital. Conservatorio, Ger. Conservatorium, from Med. Lat. conservatorium, a place where anything is preserved, Lat. conservare, to preserve)

conservatoire, where he studied under Catal and Maul . In 1812 he gained the See also:

• GRAND

grand prix de See also:

• ROME
• ROME (Roma)

Rome with the See also:

• CANTATA (Italian for a song or story set to music)

cantata La Duchesse de la Valliere, and started for See also:

• ITALY
• ITALY (Italia)

Italy, where he remained till 1815 and composed a See also:

• SYMPHONY

symphony, a cantata and several pieces of chamber See also:

• MUSIC

music . During his stay in Italy also Herold for the first See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time ventured on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage with the See also:

• OPERA (Italian for " work ")

opera La Gioventu di Enrico V., first performed at See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples in 1815 with moderate success . During a See also:

• SHORT, FRANCIS JOB (1857– )

short stay in See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna he was much in the society of See also:

• SALIERI, ANTONIO (1750-1825)

Salieri . Returning to Paris he was invited by See also:

• BOIELDIEU, FRANCOIS ADRIEN (1775-1834)

Boieldieu to collaborate with him on an opera called See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles de See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France, performed in 1816, and soon followed by Herold's first French opera, See also:

• LES

Les Rosieres (1817), which was received very favourably . Herold produced numerous dramatic See also:

• WORKS

works for the next fifteen years in rapid See also:

• SUCCESSION (Lat. successio, from succedere, to follow after)

succession . Only the names of some of the more important need here be mentioned :—La Clochette (1817), L'Auteur mort et vivant (182o), See also:

• MARIE

Marie (1826), and the ballets La Fille mal gardee (1828) and La Belle au bois dormant (1829) . Herold also wrote a vast quantity of See also:

• PIANOFORTE (Ital. piano, soft, and forte, loud)

pianoforte music, in spite of his time being much occupied by his duties as accompanist at the See also:

• ITALIAN

Italian opera in Paris . In 1831 he produced the romantic opera Zampa, and in the following See also:

• YEAR

year Le Pre aux clercs (first performance See also:

• DECEMBER (Lat. decent, ten)

December 15, 1832), in which French esprit and French See also:

• CHIVALRY (O. Fr. chevalerie, from Late Lat. caballerius)

chivalry find their most perfect embodiment . These two operas secured See also:

• IMMORTALITY (Lat. in-, not, mortalis, mortal, from mors, death)

immortality for the name of the composer, who died on the 18th of January 1833, of the See also:

• LUNG

lung disease from which he had suffered for many years, and the effects of which he had accelerated by incessant See also:

• WORK

work . Herold's incomplete opera Ludovic was afterwards printed by J .

F . F . See also:

• HALEVY, JACQUES FRANCOIS FROMENTAL ELIE (1799-. 1862)
• HALEVY, LUDOVIC (1834-1908)

Halevy .