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FERNANDO DE HERRERA (c. 1534-1597) , See also: Spanish lyrical poet, was See also: born at Seville
.
Although in minor orders, he addressed many impassioned poems to the countess of Gelves, wife of Alvaro Colon de See also: Portugal; but it is suggested that these should be regarded as Platonic See also: literary exercises in the manner of See also: Petrarch
.
As is shown by his Anotaciones d See also: las obras de Garcilaso de la Vega (1580), Herrera had a boundless admiration for the See also: Italian poets, and continued the See also: work of Boscan in naturalizing the Italian metrical See also: system in See also: Spain
.
His commentary on Garcilaso involved him in a series of literary polemics, and his verbal innovations laid him open to attack
.
But, even if his amatory sonnets are condemned as insincere in sentiment, their workmanship is admirable, while his odes on the See also: battle of See also: Lepanto, on See also: Don See also: John of
See also: Austria, and the See also: elegy on See also: King
See also: Sebastian of Portugal entitle him to See also: rank as the greatest of Andalusian poets and as the most important of the followers of Garcilaso de la Vega (see VEGA)
.
His poems were published in 1582, and reprinted with additions in 1619; they are reissued in the Biblioteca de autores espanoles, vol. xxxii
.
Of Herrera's See also: prose See also: works only the See also: Vida y muerla de Tomas See also: Moro (1592) survives; it is a See also: translation of the See also: life in See also: Thomas Stapleton's Tres Thomae (1588)
.
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