See also:

• PAUL
• PAUL (PAULUS)

PAUL See also:

• PAUL HERVIEU (1857– )

HERVIEU (1857– )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French dramatist and novelist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Neuilly (See also:

• SEINE
• SEINE (Lat. Sequana)
• SEINE, or SEAN (O. Fr. seigne, mod. seine, Lat. sagena, Gr. vaytivrl, a draw-net)

Seine) on the 2nd of See also:

• NOVEMBER (Lat. novem, nine)

November 1857 . He was called to the See also:

• BAR
• BAR (0. Fr. barre, Late Lat. barra, origin unknown)
• BAR, CONFEDERATION OF
• BAR, FRANCOIS DE (1538-1606)
• BAR, THE

bar in 1877, and, after serving some See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time in the See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office of the See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

president of the See also:

• COUNCIL (Lat. concilium, from cum, together, and the root cal, to call)

council, he qualified for the See also:

• DIPLOMATIC

diplomatic service, but resigned on his nomination in 1881 to a secretaryship in the French See also:

• LEGATION (Lat. legalio, a sending or mission)

legation in See also:

• MEXICO
• MEXICO (Span. Mejico, or Mexico,)
• MEXICO, FEDERAL DISTRICT OF
• MEXICO, GULF OF

Mexico . He contributed novels, tales and essays to the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief Parisian papers and reviews, and published a See also:

• SERIES (a Latin word from serere, to join)

series of See also:

• CLEVER

clever novels, including L'Inconnu (1887), Flirt ( 189o), L'Exorcisee (1891), Feints See also:

• PAR (Lat. par, equal)

par eux-meemes (1893), an ironical study written in the See also:

• FORM (Lat. forma)

form of letters, and L' See also:

• ARMATURE (from Lat. armatura, armour)

Armature (1895), dramatized in 1905 by See also:

• EUGENE

Eugene See also:

• BRIEUX, EUGENE (1858– )

Brieux . But his most important See also:

• WORK

work consists of a series of plays: See also:

• LES

Les Paroles restent (See also:

• VAUDEVILLE

Vaudeville, 17th of November 1892); Les Tenailles (See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre See also:

• FRANCAIS, ANTOINE, COUNT (1756-1836)

Francais, 28th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1895); La Loi de l'homme (Theatre Frangais, 15th of See also:

• FEBRUARY

February 1897); La Course du flambeau (Vaudeville, '7th of See also:

• APRIL

April 190r); Point de lendemain (Odeon, 18th of See also:

• OCTOBER

October 1901), a dramatic version of a See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story by Vivaut See also:

• DENON, DOMINIQUE VIVANT, BARON DE (1747—1825)

Denon; L'Enig:ne (Theatre Francais, 5th of November 'not); Theroigne de Mericourt (Theatre Sarah See also:

• BERNHARDT, SARAH (ROSINE BERNARD) (1845- )

Bernhardt, 23rd of September 1902); Le Dec/See also:

• ALE

ale (Theatre Frangais,19th of See also:

• DECEMBER (Lat. decent, ten)

December 1903), and Le Revell (Theatre Francais, r8th of December 1905) . These plays are built upon a severely logical method, the mechanism of which is sometimes so evident as to destroy the necessary sense of illusion . The closing words of La Course du flambeau—"Pour ma fille, j'ai tug ma See also:

• MERE
• MERE, ADALBERT (1838-1909)

mere " —are an example of his selection of a See also:

• PLOT
• PLOT, ROBERT (164o-1696)

plot representing an extreme theory . The riddle in L'Engime (staged at See also:

• WYNDHAM, SIR CHARLES (1837— )
• WYNDHAM, SIR WILLIAM, BART

Wyndham's Theatre, See also:

• LONDON

London, See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1st '902, as See also:

• CAESAR, GAIUS JULIUS (102—44 B.c.)
• CAESAR, SIR JULIUS (1557-1558-1636)

Caesar's Wife) is, however, worked out with See also:

• GREAT

great See also:

• ART

art, and Le Dedale, dealing with the obstacles to the remarriage of a divorced woman, is reckoned among the See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master-pieces of the See also:

• MODERN

modern French See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage . He was elected to the French See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy in Igoo . See A . Binet, in L'Annee psychologique, vol. x . See also:

• HERVIEU, PAUL (1857– )

Hervieu's Thedtre was published by Lemerre (3 vols., 1900-1904) .