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HERMANN THEODOR See also: German See also: literary historian and writer on the See also: history of See also: art, was See also: born at Leisersdorf, near See also: Goldberg, in See also: Silesia, on the 12th of See also: March 1821
.
At the
See also: universities of Berlin, See also: Halle and See also: Heidelberg he devoted himself chiefly to the study of philosophy, but in 1843 turned his See also: attention to See also: aesthetics, art and literature
.
With a view to furthering these studies, he spent three years in See also: Italy, and, on his return, published a Vorschule zur bildenden Kunst der Alten (1848) and an essay on Die neapolitanischen Malerschulen
.
He became Privaldozent for aesthetics and the history of art at Heidelberg and, after the publication of his suggestive See also: volume on Die romantische Schule in ihrem Zusammenhang mit Goethe and Schiller (185o), accepted a See also: call as professor to See also: Jena where he lectured on the history of both art and literature
.
In 1855 he was appointed director of the royal collections of antiquities and the museum of See also: plaster casts at See also: Dresden, to which posts were subsequently added that of director of the See also: historical museum and a professorship at the royal Polytechnikum
.
He died in Dresden on the 29th of May 1882
.
See also: Hettner's chief See also: work is his Literaturgeschichte See also: des 18ten Jahrhunderts, which appeared in three parts, devoted respectively to See also: English, French and German literature, between 1856 and 1870 (5th ed. of I. and II., revised by A
.
Brandl and H
.
Morf, 1894; 4th of III., revised by O
.
See also: Harnack, 1894)
.
Although to some extent influenced by the See also: political and literary theories of the Hegelian school, which, since Hettner's See also: day have fallen into discredit, and at times losing sight of the See also: main issues of literary development over questions of social See also: evolution, this work belongs to the best histories that the 19th century produced
.
Hettner's See also: judgment is See also: sound and his point of view always See also: original and stimulating
.
His other See also: works include Griechische Reiseskizzen (1853), Das moderne Drama (1852)—a See also: book that arose from a See also: correspondence with Gottfried Keller—Italienische Siudien (1879), and several works descriptive of the Dresden art collections
.
His Kleine Schriften were collected and published in 1884
.
See A
.
Stern, Hermann Hettner, ein Lebensbild (1885) ; H
.
Spitzer, H
.
Hettners kunstphilosophische Anfange and Literalurdsthetik (1903)
.
HETTSTEDT, a See also: town of See also: Germany, in Prussian See also: Saxony, on the Wipper, and at the junction of the See also: railways Berlin-Blankenheim and Hettstedt-Halle, 23 M
.
N.W. of the last town
.
Pop
.
(1905), 9230
.
It has a See also: Roman Catholic and four Evangelical churches, and has manufactures of machinery, pianofortes and artificial manure
.
In the neighbourhood are mines of argentiferous copper, and the surrounding See also: district and villages are occupied with smelting and similar works
.
See also: Silver and sulphuric acid are the other chief products; nickel and gold are also found in small quantities
.
In the Kaiser See also: Friedrich mine close by, the first steam-See also: engine in Germany was erected on the 23rd of See also: August 1785
.
Hettstedt is mentioned as early as 1046; in 1220 it possessed a See also: castle; and in 1380 it received civic privileges
.
When the countship of See also: Mansfeld was sequestrated, Hettstedt came into the possession of Saxony, passing to Prussia in 1815
.
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