See also:

• PAUL
• PAUL (PAULUS)

PAUL JOHANN See also:

• LUDWIG, KARL FRIEDRICH WILHELM (1816—1895)
• LUDWIG, OTTO (1813-1865)

LUDWIG See also:

• PAUL JOHANN LUDWIG HEYSE (183o– )

HEYSE (183o– )  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German novelist, dramatist and poet, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin on the 15th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 183o, the son of the distinguished philologist Karl Wilhelm See also:

• LUDWIG, KARL FRIEDRICH WILHELM (1816—1895)
• LUDWIG, OTTO (1813-1865)

Ludwig See also:

• HEYSE, PAUL JOHANN LUDWIG (183o– )

Heyse (1797-1855) . After attending the See also:

• FRIEDRICH, JOHANN (1836— )

Friedrich Wilhelm Gymnasium in Berlin, he went, in 1849, to See also:

• BONN

Bonn University as a student of the See also:

• ROMANCE

Romance See also:

• LANGUAGES

languages, and in 1852 took his See also:

• DOCTOR (Lat. for " teacher ")

doctor's degree . He had already given See also:

• PROOF (in M. Eng. preove, proeve, preve, &°c., from O. Fr . prueve, proeve, &c., mod. preuve, Late. Lat. proba, probate, to prove, to test the goodness of anything, probus, good)

proof of See also:

• GREAT

great See also:

• LITERARY

literary ability in the See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production in 185o of Der Jungbrunnen, Mdrchen eines fahrenden Schiiders and of the tragedy Francesca von See also:

• RIMINI

Rimini, when after a See also:

• YEAR

year's stay in See also:

• ITALY
• ITALY (Italia)

Italy, he was summoned, See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early in 1854, by See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King See also:

• MAXIMILIAN
• MAXIMILIAN (1832—1867)

Maximilian II. to See also:

• MUNICH (Ger. Munchen)

Munich, where he subsequently lived . Here he turned his See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention to novel-See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing . He published at Munich in 1855 four See also:

• SHORT, FRANCIS JOB (1857– )

short stories in one-See also:

• VOLUME

volume, one of which, at least, L'Arrabbiata, was a See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master-piece ,of its See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind . These were the precursors of a See also:

• SERIES (a Latin word from serere, to join)

series of similar volumes, necessarily unequal at times, but on the whole constituting such a See also:

• MASS (O.E. maesse; Fr. messe; Ger. Messe; Ital. messa; from eccl. Lat. missa)
• MASS, IN

mass of highly complex See also:

• MINIATURE

miniature fiction as seldom before had proceeded from the See also:

• PEN (Lat. penna, a feather, pen)

pen of a single writer . Heyse See also:

• WORKS

works in the spirit of a sculptor; he seizes upon some picturesque incident or situation, and See also:

• CHISELS

chisels and polishes until all the effect which it is capable of producing has been extracted from it . The success of the See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story usually depends upon the theme, for the artist's skill is generally much the same, and the. situation usually leaves a deeper impression than the characters., Heyse is also the author of several novels on a larger See also:

• SCALE
• SCALE (1) A

scale, all of which have gained success and provoked abundant discussion . The more important are Kinder der Welt (1873), lm Paradiese (1875)—the one dealing with the religious and social, problems of its See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time, the other with artist-See also:

• LIFE

life in Munich—Der See also:

• ROMAN

Roman der Stiftsdame (1888), and See also:

• MERLIN, ANTOINE CHRISTOPHE (1762-1833)
• MERLIN, PHILIPPE ANTOINE, COUNT (1754-1838)

Merlin (1892), a novel directed against the See also:

• MODERN

modern realistic See also:

• MOVEMENT

movement of which Heyse had been the leading opponent in See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany . He has also been a prolific dramatist, but his plays are deficient in theatrical qualities and are rarely seen on the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage . Among the best of them are See also:

• DIE
• DIE (Fr. de, from Lat. datum, given)

Die Sabinerinnen (1859); Hans See also:

• LANGE, ANNE FRANCOISE ELIZABETH (1772—1816)
• LANGE, ERNST PHILIPP KARL (1813—1899)
• LANGE, FRIEDRICH ALBERT (1828—1875)
• LANGE, JOHANN PETER (1802-1884)

Lange (1866), . See also:

• KOLBERG (or COLBERG)

Kolberg (1868), Die Weisheit Salomos (1886), and Maria von: See also:

• MAGDALA (more correctly MAKOALA)

Magdala (1903) .

There are masterly See also:

• TRANSLATIONS

translations by him of See also:

• LEOPARDI, GIACOMO, COUNT (1798-1837)

Leopardi, See also:

• GIUSTI, GIUSEPPE (1809–1850)

Giusti, and other See also:

• ITALIAN

Italian poets (Italienische Dickler seit der Mitte See also:

• DES

des i8ten Jahrhundert) (4 vols., 1889-189o) . I-feyse's Gesammelte Werke appeared in 29 vols . (1897-z899); there is also a popular edition of his Romane (8 vols., 1902-1904) and Novellen (10 vols., 1904-1906) . See his autobiography, Jugenderinnerungen and Bekenntnisse (1901) also O . Kraus, Paid Heyses Novellen and Romane (1888) ; E . Petzct, See also:

• PAUL
• PAUL (PAULUS)

Paul Heyse ah Dramatiker (1904), and the essays by T . Ziegler (in Studien smd Studienkopfe, 1877), and G . See also:

• BRANDES, GEORG MORRIS COHEN (1842– )

Brandes (in Moderne Geister, 1887) .