See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

THOMAS See also:

• HEYWOOD
• HEYWOOD, JOHN (b. 1497)
• THOMAS HEYWOOD (d. c. 165o)

HEYWOOD (d. c. 165o)  , See also:

• ENGLISH

English dramatist and See also:

• MISCELLANEOUS

miscellaneous author, was a native of See also:

• LINCOLNSHIRE

Lincolnshire, See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born about 1575, and said to have been educated at See also:

• CAMBRIDGE
• CAMBRIDGE, EARLS AND DUKES OF
• CAMBRIDGE, RICHARD OWEN (1717-1802)

Cambridge and to have become a See also:

• FELLOW

fellow of Peterhouse . See also:

• HEYWOOD
• HEYWOOD, JOHN (b. 1497)
• HEYWOOD, THOMAS (d. c. 165o)

Heywood, is mentioned by See also:

• PHILIP
• PHILIP (Gr.'FiXtrsro , fond of horses, from dn)^eiv, to love, and limos, horse; Lat. Philip pus, whence e.g. M. H. Ger. Philippes, Dutch Filips, and, with dropping of the final s, It. Filippo, Fr. Philippe, Ger. Philipp, Sp. Felipe)
• PHILIP, JOHN (1775-1851)
• PHILIP, KING (c. 1639-1676)
• PHILIP, LANOGRAVE OF HESSE (1504-1567)

Philip See also:

• HENSLOWE, PHILIP (d. 1616)

Henslowe as having written a See also:

• BOOK

book or See also:

• PLAY

play for the See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord See also:

• ADMIRAL

Admiral's See also:

• COMPANY

company of actors in See also:

• OCTOBER

October 1596; and in 1598 he was regularly engaged as a player in the company, in which he presumably had a See also:

• SHARE (O. Eng. scearu, chiefly in compounds, e.g. land-scearu, a share of land, from sceran to cut; cf. " shear" )

share, as no See also:

• WAGES (the plural of " wage," from Late Lat. wadium, a pledge, O. Fr. wagier, gagier)

wages are mentioned . He was also a member of other companies, of Lord See also:

• SOUTHAMPTON
• SOUTHAMPTON, EARL OF
• SOUTHAMPTON, HENRY WRIOTHESLEY, 3RD EARL OF (1J73—1624)

Southampton's, of the See also:

• EARL

earl of See also:

• DERBY
• DERBY, EARLS OF

Derby's and of the earl of See also:

• WORCESTER
• WORCESTER, EARLS AND MARQUESSES OF
• WORCESTER, JOHN TIPTOFT, EARL OF (1427—1470)
• WORCESTER, WILLIAM (c. 1415-c. 1482)

Worcester's players, afterwards known as the See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen's Servants . In his See also:

• PREFACE (Med. Lat. prefatia, for classical praefatio, praefari, to speak beforehand)

preface to the English Traveller (1633) he describes himself as having had " an entire See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand or at least a See also:

• MAIN (from the Aryan root which appears in " may " and " might," and Lat. magnus, great)
• MAIN (Lat. Moenus)

main See also:

• FINGER

finger in two See also:

• HUNDRED

hundred and twenty plays." Of this number, probably considerably in-creased before the See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close of his dramatic career, only twenty-three survive . He wrote for the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage, not for the See also:

• PRESS (through Fr. presse from Lat. pressare, frequentative of premere, to crush, squeeze, press)

press, and protested against the See also:

• PRINTING (from Lat. imprimere, O. Fr. empreindre)

printing of his See also:

• WORKS

works, which he said be had no See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time to revise . He was, said See also:

• TIECK, JOHANN LUDWIG

Tieck, the " See also:

• MODEL (0. Fr. modelle, mod. modele; It. modello, pattern, mould; from Lat. modus, measure, standard)

model of a See also:

• LIGHT

light and rapid See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent," and his plays, as might be expected from his See also:

• RATE

rate of See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production, See also:

• BEAR
• BEAR, BLACK
• BEAR, BROWN
• BEAR, GRIZZLY
• BEAR, ISABELLINE
• BEAR, WHITE

bear little trace of See also:

• ARTISTIC

artistic elaboration . See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• LAMB (a word common to Teutonic languages; cf. Ger. Lamm)
• LAMB, CHARLES (1775–1834)

Lamb called him a " See also:

• PROSE

prose See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare "; See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

Professor See also:

• WARD
• WARD, ADOLPHUS WILLIAM (1837- )
• WARD, ARTEMUS
• WARD, EDWARD MATTHEW (1816-1879)
• WARD, ELIZABETH STUART PHELPS (1844-1911)
• WARD, JAMES (1769--1859)
• WARD, JAMES (1843– )
• WARD, JOHN QUINCY ADAMS (1830-1910)
• WARD, LESTER FRANK (1841– )
• WARD, MARY AUGUSTA [MRS HUMPHRY WARD]
• WARD, WILLIAM (1766-1826)
• WARD, WILLIAM GEORGE (1812-1882)

Ward, one of Heywood's most sympathetic editors, points out that this epigrammatic statement can only be accepted with reservations . Heywood had a keen See also:

• EYE
• EYE (O. Eng. edge, Ger. Auge; derived from an Indo-European root also seen in Lat. oc-ulus, the organ of vision (q.v.)

eye for dramatic situations. and See also:

• GREAT

great constructive skill, but his See also:

• POWERS, HIRAM (1805-1873)

powers of characterization were not on a See also:

• PAR (Lat. par, equal)

par with his stagecraft . He delighted in what he called " merry accidents," that is, in coarse, broad See also:

• FARCE

farce; his See also:

• FANCY (a shortened form, dating from the 15th century, of " fantasy," which is derived through the O. Fr. fantasie, modern fantaisie. from the Latinized form of the Gr. cbavraoia, Oavrai'ecv, Oat Pais, to show)

fancy and invention were inexhaustible . It was in the domestic See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama of sentiment that he won his most distinctive success . For this he was especially fitted by his genuine tenderness and his freedom from affectation, by the sweetness and gentleness for which Lamb praised him . His masterpiece, A Woman kilde with kindnesse (acted 1603; printed 16o7), is a type of the comedie larmoyante, and The English Traveller (1633) is a domestic tragedy scarcely inferior to it in pathos and in the See also:

• ELEVATION

elevation of its moral See also:

• TONE, THEOBALD WOLFE (1763-1798)

tone .

His first play was probably The Foure Prentises of See also:

• LONDON

London: With the See also:

• CONQUEST

Conquest of See also:

• JERUSALEM (Heb. ^S0-r, Yerushalaim, pronounced as a dual)
• JERUSALEM, SYNOD OF (1672)

Jerusalem (printed 1615, but acted some fifteen years earlier) . This may have been intended as a See also:

• BURLESQUE (Ital. burlesco, from burla, a joke, fun, playful trick)

burlesque of the old romances, but it is more likely that it was meant seriously to attract the apprentice public to whom it was dedicated, and its popularity was no doubt aimed at in See also:

• BEAUMONT
• BEAUMONT, BELMONT, or BELLOMONT
• BEAUMONT, CHRISTOPHE DE (1703-1781)
• BEAUMONT, SIR JOHN (1583–1627)

Beaumont and See also:

• FLETCHER, ALICE CUNNINGHAM (1845– )
• FLETCHER, ANDREW
• FLETCHER, GILES (c. 1548-1611)
• FLETCHER, GILES (c. 1584-1623)
• FLETCHER, JOHN WILLIAM (1729-1785)
• FLETCHER, PHINEAS (1582-1650)

Fletcher's See also:

• TRAVESTY (Fr. travestie, from travestir, to disguise, se travestir, to change one's clothes; Lat. trans, across, and vestire, to clothe)

travesty of the See also:

• CITY (through Fr. cite, from Lat. civitas)

City See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste in drama in their See also:

• KNIGHT, CHARLES (1791-1873)
• KNIGHT, DANIEL RIDGWAY (1845– )
• KNIGHT, JOHN BUXTON (1843–1908)

Knight of the Burning Pestle . The two parts of See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King See also:

• EDWARD

Edward the See also:

• FOURTH

Fourth (printed 1600), and of If you know not me, you know no bodie; Or, The Troubles of Queene See also:

• ELIZABETH
• ELIZABETH (1533-1603)
• ELIZABETH (1596-1662)
• ELIZABETH (1635–1650)
• ELIZABETH [ AMELIE EUGENIE ] (1837—1898)
• ELIZABETH [1lisabeth Philippine Marie Helene of France] (1764—1794)
• ELIZABETH [PAULINE ELIZABETH OTTILIE LOUISE] (1843– )
• ELIZABETH [PETROVNA] (1709-1762), EMPRESS
• ELIZABETH, SAINT (1207-1231)

Elizabeth (1605 and 16o6) are See also:

• CHRONICLE (from Gr. Xpovos, time)

chronicle histories . His other comedies include: The Royall King, and the Loyall subject (acted c. i600; printed 1637); the two parts of The See also:

• FAIR

Fair Maid of the See also:

• WEST
• WEST, BENJAMIN (1738-1820)
• WEST, NICHOLAS (1461-1533)

West; Or, A Girle See also:

• WORTH
• WORTH, CHARLES FREDERICK (1825-1895)

worth See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

Gold (two parts, printed 1631); The Fayre Maid of the See also:

• EXCHANGE

Exchange (printed anonymously 1607); The See also:

• LATE

Late See also:

• LANCASHIRE

Lancashire Witches (1634), written with See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

Richard See also:

• BROME, ALEXANDER (162o-1666)
• BROME, RICHARD (d. 1652)

Brome, and prompted by an actual trial in the preceding See also:

• YEAR

year; A Pleasant See also:

• COMEDY

Comedy, called A 1iMayden-See also:

• HEAD (in 0. Eng. heafad; the word is common to Teutonic languages; cf. Dutch hoofd, Ger. Haupt, generally taken to be in origin connected with Lat. caput, Gr. KerbOvi7)
• HEAD, SIR EDMUND WALKER, BART
• HEAD, SIR FRANCIS BOND, BART

Head well lost (1634) ; A See also:

• CHALLENGE (O. Fr. chalonge, calenge, &c., from Lat. calumnia, originally meaning trickery, from calvi, to deceive, hence a false accusation, a " calumny ")

Challenge for Beautie (1636); The See also:

• WISE, HENRY ALEXANDER (1806-1876)
• WISE, ISAAC MAYER (1819-1900)

Wise-Woman of Hogsdon (printed 1638), the See also:

• WITCHCRAFT

witchcraft in this See also:

• CASE
• CASE, JOHN (d. 1600)

case being See also:

• MATTER

matter for comedy, not seriously treated as in the Lancashire play; and See also:

• FORTUNE, ROBERT (1813-188o)

Fortune by See also:

• LAND

Land and See also:

• SEA (in O. Eng. sae, a common Teutonic word; cf. Ger. See, Dutch Zee, &c.; the ultimate source is uncertain)
• SEA, COMMAND OF THE

Sea (printed 1655), with See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• ROWLEY, WILLIAM (c. 1585-c. 1642)

Rowley . The five plays called respectively The See also:

• GOLDEN

Golden, The See also:

• SILVER

Silver, The Brazen and The See also:

• IRON [symbol Fe, atomic weight 55.85 (0=16)]

Iron See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

Age (the last in two parts), dated 1611, 1613, 1613, 1632, are See also:

• SERIES (a Latin word from serere, to join)

series of classical stories strung together with no particular connexion except that " old See also:

• HORNER, FRANCIS (1778–1817)
• HORNER, LEONARD (1785-1864)

Horner " introduces the performers of each See also:

• ACT (Lat. actus, actum)

act in turn . Loves Maistresse; Or, The Queens Masque (printed 1636) is on the See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story of See also:

• CUPID (Cupido, " desire ")

Cupid and See also:

• PSYCHE (//vxi7)

Psyche as told by See also:

• APULEIUS, LUCIUS

Apuleius; and the tragedy of the See also:

• RAPE
• RAPE (from Lat. rapere, to seize)
• RAPE (Lat. rapum or rapa, turnip)

Rape of Lucrece (16o8) is varied by a " merry lord," See also:

• VALERIUS, PUBLIUS

Valerius, who lightens the gloom of the situation by singing comic songs . A series of pageants, most of them devised for the City of London, or its guilds, by Heywood, were printed in 1637 . In vol. iv. of his Collection of Old English Plays (1885), Mr A . H . Buffett printed for the first time a comedy by Heywood, The Captives, or The Lost Recovered (licensed 1624), and in vol. ii. of the same series, Dicke of See also:

• DEVONSHIRE (DEvoN)
• DEVONSHIRE, EARLS AND DUKES OF

Devonshire, which he tentatively assigns to the same hand . Besides his dramatic works, twelve of which were reprinted by the " Shakespeare Society," and were published by Mr See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• PEARSON, CHARLES HENRY (1830-1894)
• PEARSON, JOHN (1612-1686)
• PEARSON, JOHN LOUGHBOROUGH (1817-1897)

Pearson in a See also:

• COMPLETE

complete edition of six vols. with notes and illustrations in 1874, he was the author of See also:

• TROIA

Troia Britannica, or Great See also:

• BRITAIN (Gr. Hperavuml vi7vot, Bperravia; Lat. Britannia, rarely Britannia)

Britain's See also:

• TROY
• TROY, JEAN FRANCOIS DE (1679–1752)

Troy (1609), a poem in seventeen cantos "intermixed with many pleasant poetical tales " and " concluding with an universal chronicle from the creation until the See also:

• PRESENT

present time"; An See also:

• APOLOGY (from Gr. &aoXoyia, defence)

Apology for Actors, containing three brief See also:

• TREATISES

treatises (1612) edited for the Shakespeare Society in 1841; Fuvataesov or nine books of various See also:

• HISTORY

history concerning See also:

• WOMEN

women (1624); See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England's Elizabeth, her See also:

• LIFE

Life and Troubles during her minority from the See also:

• CRADLE (of uncertain etymology, possibly connected with " crate " and " creel," i.e. basket; the derivation from a Celtic word, with a sense of rocking, is scouted by the New English Dictionary)

Cradle to the See also:

• CROWN

Crown (1631); The See also:

• HIERARCHY (Gr. iepos, holy, and apxe.v, to rule)

Hierarchy of the Blessed Angels (1635), a didactic poem in nine books; Pleasant See also:

• DIALOGUE

Dialogue, and Dramas selected out of See also:

• LUCIAN (d. 312)
• LUCIAN [Aowaavos] (c. A.D. 120-180)

Lucian, &c . (1637; ed .

W .