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A See also: left See also: Westminster School to go to Constantinople, where See also: William,
See also: Lord See also: Paget de Beaudesert (1637—1713), a relative of his See also: mother, was ambassador
.
Paget sent him, under care of a tutor, to travel in See also: Palestine and See also: Egypt, and he returned to See also: England in 1703
.
He was estranged from his See also: patron by the " envious fears and malice of a certain See also: female," and again went abroad as companion to See also: Sir William Wentworth
.
On his return home in 1709 he published A Full and Just Account of the See also: Present See also: State of the See also: Ottoman See also: Empire, a production of which he was afterwards much ashamed, and" he addressed his poem of See also: Camillus to See also: Charles Mordaunt,
See also: earl of See also: Peterborough
.
In the same See also: year he is said to have been manager of See also: Drury Lane theatre and in 1710 of the Haymarket
.
His first See also: play, Elfrid: or The See also: Fair Inconstant (afterwards revised as Athelwold), was produced at Drury Lane in 1709
.
His connexion with the theatre was of See also: short duration, and the rest of his See also: life was spent in ingenious commercial enterprises, none of which were successful, and in See also: literary pursuits
.
He formed a See also: company to extract oil from beechmast, another for the colonization of the See also: district to be known later as See also: Georgia, a third to supply See also: wood for See also: naval construction from Scotland, and a See also: fourth for the manufacture of potash
.
In 1730 he wrote The Progress of Wit, being a caveat for the use of an Eminent Writer
.
The " eminent writer " was See also: Pope, who had introduced him into The Dunciad as one of the competitors for the prize offered by the goddess of Dullness, though the satire was qualified by an oblique compliment
.
A note in the edition of 1729 on the obnoxious passage, in which, however, theSee also: original initial was replaced by asterisks, gave See also: Hill
See also: great offence
.
He wrote to Pope complaining of his treatment, and received a reply in which Pope denied responsibility for the notes
.
Hill appears to have been a persistent correspondent, and inflicted on Pope a series of letters, which are printed in Elwin & See also: Courthope's edition (x
.
1-78)
.
Hill died on the 8th of See also: February 1750, and was buried in Westminster Abbey
.
The best of his plays were See also: Zara (acted 1735) and See also: Merope (1749), both adaptations from Voltaire
.
He also published two series of periodical essays, The Prompter (1735) and, with William Bond, The Plaindealer (1724)
.
He was generous to See also: fellow-men of letters, and his letters to See also: Richard Savage, whom he helped considerably, show his character in a very amiable See also: light
.
The See also: Works of the See also: late See also: Aaron Hill, consisting of letters ..., original poems
....
With an essay on the See also: Art of Acting appeared in 1753, and his Dramatic Works in 1760
.
His Poetical Works are included in See also: Anderson's and other
See also: editions of the See also: British poets
.
A full account 'of his life is provided by an See also: anonymous writer in See also: Theophilus Cibber's Lives of the Poets, vol. v
.
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