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JOHANN See also:CHRISTIAN See also:FRIEDRICH See also:HOLDERLIN (1770-1843)
, See also:German poet, was See also:born on the loth of See also: In spite of See also:ill-See also:health, he now completed Hyperion, the second volume of which appeared in 1799, and began a tragedy, Der See also:Tod See also:des Empedokles, a fragment of which is published among his See also:works . His See also:friends became alarmed at the alternate depression and See also:nervous irritability from which he suffered, and he was induced to go to See also:Switzerland, as tutor in a family at Hauptwill . There his health improved; and several of his poems, among which are Der blinde See also:Sanger, An die Hoffnung and Dichtermut, were written at this time . In 18oi he returned See also:home to arrange for the publication of a volume of his poems; but, on the failure of this enterprise, he was obliged to accept a tutorship at See also:Bordeaux . " Diotima " died a year later, in See also:June 1802, and the See also:news is supposed to have reached Holderlin shortly afterwards, for in the following See also:month he suddenly left Bordeaux, and travelled homewards on See also:foot through See also:France, arriving at Nurtingen destitute and insane . See also:Kind treatment gradually alleviated his See also:condition, and in lucid intervals he occupied himself by See also:writing verses and translating See also:Greek plays . Two of these See also:translations—the See also:Antigone and See also:Oedipus rex of Sophoclesappeared in 1804, and several of his See also:short poems were published by See also:Franz K . L. von Seckendorff in his Musenalmanach, 1807 and 18o8 . In 1804 Holderlin obtained the See also:sinecure post of librarian to the See also:landgrave See also:Frederick V. of See also:Hesse-Homburg, and went to live in Homburg under the supervision of friends; but two years later becoming irremediably but harmlessly insane, he was taken in the summer of 1807 to Tubingen, where he remained till his See also:death on the 7th of June 1843 . Holderlin's writings are the See also:production of a beautiful and sensitive mind; but they are intensely, almost morbidly, subjective, and they lack real human strength . Perhaps his strongest characteristic was his passion for See also:Greece, the result of which was that he almost entirely discarded See also:rhyme in favour of the See also:ancient See also:verse See also:measures . His poems are all short pieces; of his tragedy only a fragment was written . Hyperion, See also:oder der Eremit in Griechenland (1797–1799), is a See also:romance in letters, in which the stormy fervour of the " See also:Sturm and Drang " is combined with a romantic See also:enthusiasm for Greek antiquity . The See also:interest centres not in the See also:story, for the novel has little or none—Hyperion is a young Greek who takes See also:part in the rising of his See also:people against the See also:Turks in 1770—but in its lyric subjectivity and the dithyrambic beauty of its See also:language . Holderlin's lyrics, Lyrische Gedichte, were edited by L . See also:Uhland and G . Schwab in 1826 . A See also:complete edition of his works, Samtliche Werke, with a See also:biography by C . T . Schwab, appeared in 1846; also Dichtungen by K . KOstlin (Tubingen, 1884), and (the best edition) Gesammelte Dichtungen by B . Litzmann (2 vols., See also:Stuttgart, 1897) . For biography and See also:criticism, see C . C .
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Litzmann, F
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Holderlin Leben (See also:Berlin, 1890), A
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See also:Wilbrandt, Holderlin (2nd ed., Berlin, 1891), and C
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