See also:

• FRANK, JAKOB (1726-1791)

FRANK See also:

• FRANK HOLL (1845–1888)

HOLL (1845–1888)  , See also:

• ENGLISH

English painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London on the 4th of See also:

• JULY

July 1845, and was educated chiefly at University See also:

• COLLEGE (Collegium)

College School . He was a See also:

• GRANDSON (Ger. Grandsee)

grandson of See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• HOLL, FRANK (1845–1888)

Holl, an engraver of See also:

• NOTE
• NOTE (Lat. nota, mark, sign, from noscere, to know)

note, and the son of See also:

• FRANCIS
• FRANCIS (FRarrcols) OF SALES, ST (1567-1622)
• FRANCIS (Lat. Franciscus, Ital. Francesco, Span. Francisco, Fr. Francois, Ger. Franz)
• FRANCIS, SIR PHILIP (174o-1818)

Francis Holl, A.R.A., another engraver, whose profession he originally intended to follow . Entering the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy See also:

• SCHOOLS

schools as a probationer in See also:

• PAINTING

painting in 186o, he rapidly progressed, winning See also:

• SILVER

silver and See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

gold medals, and making his debut as an exhibitor in 1864 with " A Portrait," and " Turned out of See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

Church," a subject picture . " A See also:

• FERN (from O. Eng. fearn, a word common to Teutonic languages, cf. Dutch varen, and Ger. Farn; the Indo-European root, seen in the Sanskrit parna, a feather, shows the primary meaning; cf. Gr. rmep6 , feather, rTepis, fern)

Fern Gatherer " (1865); " The See also:

• ORDEAL (O.Eng. ordal, ordael, judgment)

Ordeal " (1866); " Convalescent " (the somewhat grim pathos of which attracted much See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention), and " Faces in the See also:

• FIRE (in O. Eng. f j'r; the word is common to West German languages, cf. Dutch vuur, Ger. Feuer; the pre-Teutonic form is seen in Sanskrit pu, pavaka, and Gr. irup; the ultimate origin is usually taken to be a root meaning to purify, cf. Lat. purus)

Fire " (1867), succeeded . Holl gained the travelling studentship in 1868; the successful See also:

• WORK

work was characteristic of the See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young painter's See also:

• MOOD

mood, being " The See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord gave, and the Lord hath taken away." His insatiable zeal for work of all kinds began See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early to undermine the artist's See also:

• HEALTH

health, but his position was assured by the studentship picture, which created a sort of furore, although, as with most of his See also:

• WORKS

works, the blackness of its coloration, probably due to his training as an engraver, was even more decidedly against it than the sadness of its theme . Otherwise, this painting exhibited nearly all the best technical qualities to which he ever attained, except high finish and clearness, and a very sincere vein of pathos . Holl was much below See also:

• MILLAIS, SIR JOHN EVERETT (1829-1896)

Millais in See also:

• PORTRAITURE

portraiture, and far inferior in all the higher ways of See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design; in technical resources, relatively speaking, he was but scantily provided . The range of his studies and the manner of his painting were narrower than those of Josef Israels, with whom, except as a portrait-painter, he may better be compared than with Millais . In 187o he painted " Better is a See also:

• DINNER

Dinner of Herbs where Love is, than a Stalled Ox and Hatred therewith "; " No Tidings from the See also:

• SEA (in O. Eng. sae, a common Teutonic word; cf. Ger. See, Dutch Zee, &c.; the ultimate source is uncertain)
• SEA, COMMAND OF THE

Sea," a See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene in a fisherman's cottage, in 1871—a See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story told with breath-catching pathos and See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power; " I am the Resurrection and the See also:

• LIFE

Life " (1872); " Leaving See also:

• HOME
• HOME, DANIEL DUNGLAS (1833-1886)
• HOME, EARLS OF

Home " (1873), " Deserted " (1874), both of which had See also:

• GREAT

great success; "Her First-born," girls carrying a baby to the See also:

• GRAVE

grave (1876) ; and " Going Home " (1877) . In 1877 he painted the two pictures " Hush " and " Hushed." " Newgate, Committed for Trial," a very sad and telling piece, first attested the breaking down of the painter's health in 1878 . In this See also:

• YEAR

year he was elected A.R.A., and exhibited " The Gifts of the Fairies," " The Daughter of the See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House," " Absconded," and a very See also:

• FINE

fine portrait of See also:

• SAMUEL

Samuel See also:

• COUSINS, SAMUEL (18o1-1887)

Cousins, the See also:

• MEZZOTINT

mezzotint engraver . This last See also:

• CANVAS

canvas is a masterpiece, and deserved the success which attended the See also:

• PRINT

print engraved from it .

Holl was overwhelmed with commissions, which he would not decline . The consequences of this See also:

• STRAIN (through O. Fr. straindre, estraindre, mod. i treindre, from Lat. stringere, to draw tight, related to stress, stretch, string, &c.)

strain upon a constitution which was never strong were more or less, though unequally, See also:

• MANIFEST (Lat. manifestus, clear, open to view)

manifest in " Ordered to the Front," a soldier's departure (188o); " Home Again," its sequel, in 1883 (after which he was made R.A.) . In 1886 he produced a portrait of Millais as his diploma work, but his health rapidly declined and he died at See also:

• HAMPSTEAD

Hampstead, on the 31st of July 1888 . Holl's better portraits, being of men of rare importance, attest the commanding position he occupied in the See also:

• BRANCH (from the Fr. branche, late Lat. branca, an animal's paw)

branch of See also:

• ART

art he so unflinchingly followed . They include likenesses of Lord See also:

• ROBERTS, DAVID (1796-1864)
• ROBERTS, FREDERICK SLEIGH ROBERTS, EARL

Roberts, painted for See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

queen See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria (1882); the See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

prince of See also:

• WALES (Cymru, Gwalia, Cambria)

Wales, Lord Dufferin, the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• CLEVELAND
• CLEVELAND (or CLEIVELAND), JOHN (1613—1658)
• CLEVELAND, BARBARA VILLIERS, DUCHESS OF (1641-1709)
• CLEVELAND, STEPHEN GROVER (1837-1908)

Cleveland (1885); Lord See also:

• OVERSTONE, SAMUEL JONES LOYD, 1ST BARON

Overstone, Mr See also:

• BRIGHT, JOHN (1811-188g)
• BRIGHT, SIR CHARLES TILSTON

Bright, Mr See also:

• GLADSTONE
• GLADSTONE, JOHN HALL (1827-1902)
• GLADSTONE, WILLIAM EWART (1809–1898)

Gladstone, Mr See also:

• CHAMBERLAIN (0. Fr. chamberlain, chamberlenc, Mod. Fr. chambellan, from O. H. Ger. Chamarling, Chamarlinc, whence also the Med. Lat. cambellanus, camerlingus, camerlengus; Ital. camerlingo; Span. camerlengo, compounded of 0. H. Ger. Chamara, Kamara [Lat.
• CHAMBERLAIN, JOSEPH (1836— )
• CHAMBERLAIN, JOSHUA LAWRENCE (1828– )
• CHAMBERLAIN, SIR NEVILLE BOWLES (1820-1902)

Chamberlain, See also:

• SIR

Sir J . See also:

• TENNIEL, SIR JOHN (182o- )

Tenniel, See also:

• EARL

Earl See also:

• SPENCER
• SPENCER, HERBERT (1820-1903)
• SPENCER, JOHN CHARLES SPENCER, 3RD EARL (1782-1845)
• SPENCER, JOHNPOYNTZ SPENCER
• SPENCER, WILLIAM ROBERT (1769-1834)

Spencer, See also:

• VISCOUNT (through O. Fr. viscomte, mod. vicomte, from Low Lat. vice-comes, cf. Portug. visconde, Ital. visconte)

Viscount See also:

• CRANBROOK
• CRANBROOK, GATHORNE

Cranbrook, and a See also:

• SCORE (O.E. scor, from sceran, to cut, notch, cf. " shear ")

score of other important subjects . (F . G .