See also:

• SIR

SIR See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

CHARLES See also:

• SIR CHARLES HOLROYD (1861– )

HOLROYD (1861– )  , See also:

• BRITISH

British artist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LEEDS
• LEEDS, THOMAS OSBORNE

Leeds on the 9th of See also:

• APRIL

April 1861 . He received his See also:

• ART

art See also:

• EDUCATION

education under See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

Professor See also:

• LEGROS, ALPHONSE (1837– )

Legros at the See also:

• SLADE, FELIX (170o-1868)

Slade School, University See also:

• COLLEGE (Collegium)

College, See also:

• LONDON

London, where he had a distinguished career . After passing six months at See also:

• NEWLYN

Newlyn, where he painted his first picture exhibited in the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy, " Fishermen Mending a See also:

• SAIL

Sail " (1885), he obtained a travelling scholarship and studied for two years in See also:

• ITALY
• ITALY (Italia)

Italy, a sojourn which greatly influenced his art . At his return, on the invitation of Legros, he became for two years assistant-See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master at the Slade School, and there devoted himself to See also:

• PAINTING

painting and See also:

• ETCHING (Dutch, etsen, to eat)

etching . Among his pictures may be mentioned The See also:

• DEATH

Death of See also:

• TORRIGIANO, PIETRO (1472-1522)

Torrigiano " (1886), " The Satyr See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King " (1889), " The Supper at See also:

• EMMAUS

Emmaus," and, perhaps his best picture, " See also:

• PAN (" pasturer ")
• PAN (common in various forms to many Teutonic languages, cf. Ger. Pfanne; it is generally taken to be an early adaptation in a shortened form of Lat. patina, shallow bowl or dish, from patere, to lie open)

Pan and Peasants " (1893) . For the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of Aveley, See also:

• ESSEX
• ESSEX, ARTHUR CAPEL
• ESSEX, EARLS OF
• ESSEX, KINGDOM OF
• ESSEX, ROBERT DEVEREUX
• ESSEX, ROBERT DEVEREUX, 2ND2 EARL OF (1566-1601)
• ESSEX, WALTER DEVEREUX, IST2 EARL OF (1541–1576)

Essex, he painted a See also:

• TRIPTYCH (Gr. rpiary os, three-fold, made in three layers, TpL-, rpeis, three; arux1, a fold; 7rr(uoELv, to fold, double over)

triptych altarpiece, " The See also:

• ADORATION (Lat. ad, to, and os, mouth; i.e. " carrying to one's mouth ")

Adoration of the Shepherds," with wings representing " St See also:

• MICHAEL
• MICHAEL (1596-1645)
• MICHAEL (Hebrew Sn,q, " Who is like God? ")

Michael " and " St See also:

• GABRIEL (Heb. SKns, man of God)

Gabriel," and designed as well the window, " The Resurrection." His portraits, such as that of " G . F . See also:

• WATTS, ALARIC ALEXANDER (1797-1864)
• WATTS, GEORGE FREDERICK (1817-1904)
• WATTS, ISAAC (1674-1748)

Watts, R.A.," in the Legros manner, show much dignity and distinction . See also:

• SIR

Sir See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• HOLROYD, SIR CHARLES (1861– )

Holroyd has made his See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief reputation as an etcher of exceptional ability, combining strength with delicacy, and a profound technical knowledge of the art . Among the best known are the " See also:

• MONTE

Monte Oliveto " See also:

• SERIES (a Latin word from serere, to join)

series, the " Icarus " series, the " Monte Subasio " series, and the " See also:

• EVE

Eve " series, together with the plates, " The See also:

• FLIGHT

Flight into See also:

• EGYPT

Egypt," " The Prodigal Son," " A See also:

• BARN

Barn on Tadworth See also:

• COMMON

Common " (etched in the open See also:

• AIR (from an Indo-European root meaning " breathe," " blow ")
• AIR, or ASBEN

air), and " The See also:

• STORM (in O. Eng..storm, and so in Du. and Low Ger.; in O. H. Ger. and mod. Ger. Sturm; the root is probably that seen in " stir," to rouse, move, disturb, cf. Ger. storen)
• STORM, THEODOR WOLDSEN (1817-1888)

Storm." His etched heads of " Professor Legros," " See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord See also:

• COURTNEY, LEONARD HENRY COURTNEY, BARON

Courtney " and "See also:

• NIGHT

Night," are admirable alike in knowledge and in likeness . His See also:

• PRINCIPAL

principal dry-point is " The Bather." In all his See also:

• WORK

work Holroyd displays an impressive sincerity, with a See also:

• FINE

fine sense of See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition, and of See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, allied to See also:

• INDEPENDENT

independent and See also:

• MODERN

modern feeling . He was appointed the first keeper of the See also:

• NATIONAL

National See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery of British Art(See also:

• TATE, JAMES (1771-1843)
• TATE, NAHUM (1652-1715)
• TATE, RALPH (1840-1901)
• TATE, SIR HENRY, BART

Tate Gallery), and on the retirement of Sir See also:

• EDWARD

Edward See also:

• POYNTER, SIR EDWARD JOHN, BART

Poynter in 1906 he received the directorship of the National Gallery .

He was knighted in 1903 . His Michael Angelo Buonarotti (London, See also:

• DUCKWORTH, SIR JOHN THOMAS (1748-1817)

Duckworth, 1903) is a scholarly work of real value .