Online Encyclopedia

SIR CHARLES HOLROYD (1861– )

Online Encyclopedia
Originally appearing in Volume V13, Page 618 of the 1911 Encyclopedia Britannica.
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SIR CHARLES HOLROYD (1861– )  ,
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British artist, was born in Leeds on the 9th of
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April 1861 . He received his
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art
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education under Professor Legros at the Slade School, University College,
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London, where he had a distinguished career . After passing six months at
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Newlyn, where he painted his first picture exhibited in the Royal Academy, " Fishermen Mending a
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Sail " (1885), he obtained a travelling scholarship and studied for two years in Italy, a sojourn which greatly influenced his art . At his return, on the invitation of Legros, he became for two years assistant-master at the Slade School, and there devoted himself to
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painting and etching . Among his pictures may be mentioned The
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Death of Torrigiano " (1886), " The Satyr King " (1889), " The Supper at
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Emmaus," and, perhaps his best picture, " Pan and Peasants " (1893) . For the church of Aveley, Essex, he painted a triptych altarpiece, " The Adoration of the Shepherds," with wings representing " St Michael " and " St Gabriel," and designed as well the window, " The Resurrection." His portraits, such as that of " G . F . Watts, R.A.," in the Legros manner, show much dignity and distinction .
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Sir Charles Holroyd has made his chief reputation as an etcher of exceptional ability, combining strength with delicacy, and a profound technical knowledge of the art . Among the best known are the "
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Monte Oliveto " series, the " Icarus " series, the " Monte Subasio " series, and the "
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Eve " series, together with the plates, " The
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Flight into
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Egypt," " The Prodigal Son," " A
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Barn on Tadworth
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Common " (etched in the open air), and " The Storm." His etched heads of " Professor Legros," " Lord Courtney " and "
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Night," are admirable alike in knowledge and in likeness . His
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principal dry-point is " The Bather." In all his
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work Holroyd displays an impressive sincerity, with a
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fine sense of composition, and of style, allied to
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independent and
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modern feeling . He was appointed the first keeper of the
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National Gallery of British Art(Tate Gallery), and on the retirement of Sir
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Edward Poynter in 1906 he received the directorship of the National Gallery .

He was knighted in 1903 . His Michael Angelo Buonarotti (London,

Duckworth, 1903) is a scholarly work of real value .

End of Article: SIR CHARLES HOLROYD (1861– )
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