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See also: Alpenhorn (q.v.) in See also: tone-quality, designed by See also: Richard Wagner for representing the natural See also: pipe of the peasant in See also: Tristan and Isolde
.
This instrument is not unlike the See also: cor anglais in rough outline, being a conical See also: tube of approximately the same length, terminating in a small globular See also: bell, but having neither holes nor keys; it is blown through a cup-shaped mouthpiece made of See also: horn
.
The See also: Holztrompete is inthe See also: key of C; the
See also: scale is produced by overblowing, whereby the upper partials from the 2nd to the 6th are produced
.
A single piston placed at a third of the distance from the mouth-piece to the bell gives the notes D and F
.
Wagner inserted a note in the score concerning the
cor anglais for which the See also: part =rl
was originally scored, and advised 3 a i s 6 the use of oboe or See also: clarinet to
See also: Harmonic Series
.
reinforce the latter, the effect intended being that of a powerful natural instrument, unless a wooden instrument with a natural scale be specially made for the part, which would be preferable
.
The Holztrompete was used at See also: Munich for the first performance of Tristan and Isolde, and was still in use there in 1897
.
At See also: Bayreuth it was also used for the Tristan performances at the festivals of 1886 and 1889, but in 1891 W
.
Heckel's See also: clarina, an instrument partaking of the nature of both oboe and clarinet, was substituted for the Holztrompete and has been retained ever since, having been found more effective.' (K
.
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