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PIETER CORNELISSEN HOOFT (1581-1647)

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Originally appearing in Volume V13, Page 669 of the 1911 Encyclopedia Britannica.
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PIETER CORNELISSEN See also:

HOOFT (1581-1647)  , Dutch poet and historian, was See also:born at See also:Amsterdam on the 16th of See also:March 1581 . His See also:father was one of the leading citizens of See also:Holland, both in politics and in the patronage of letters, and for some See also:time burgomaster of Amsterdam . As See also:early as 1598 the See also:young See also:man was made a member of the chamber of See also:rhetoric In Liefde bloeiende, and produced before that See also:body his tragedy of See also:Achilles and See also:Polyxena, not printed until 1614 . In See also:June 1 598 he See also:left Holland and proceeded to See also:Paris, where on the loth of See also:April 1599 he saw the body of Gabrielle d'See also:Estrees lying in See also:state . He went a few months later to See also:Venice, See also:Florence and See also:Rome, and in 1600 to See also:Naples . During his See also:Italian sojourn he made a deep and fruitful study of the best literature of See also:Italy . In See also:July 1600 he sent See also:home to the In Liefde bloeiende a very See also:fine See also:letter in See also:verse, expressing his aspirations for the development of Dutch See also:poetry . He returned through See also:Germany, and after an See also:absence of three years and a See also:half found himself in Amsterdam again on the 8th of May 16o1 . In 1602 he brought out his second tragedy, See also:Theseus and See also:Ariadne, printed at Amsterdam in 1614 . In 16o5 he completed his beautiful See also:pastoral See also:drama Granida, not published until 1615 . He studied See also:law and See also:history at See also:Leiden from 16o6 to 1609, and in June of the latter See also:year received from See also:Prince See also:Maurice of See also:Orange the See also:appointment of steward of Muiden, See also:bailiff of Gooiland, and See also:lord of Weesp, a See also:joint See also:office of See also:great emolument . He occupied himself with repairing and adorning the decayed See also:castle of Muiden, which was his See also:residence during the See also:remainder of his See also:life .

There he entertained the poet See also:

Vondel, the See also:scholar Barlaeus, 1 Constantin See also:Huygens, See also:Vossius, See also:Laurens Reael and others . IIooft had been a suitor for the See also:hand of See also:Anna See also:Roemer Visscher, and after the See also:death of Roemer Visscher both the sisters visited Muiden . Anna's sympathies were in time diverted to the school of See also:Jacob See also:Cats, but See also:Marie Tesselschade maintained See also:close ties with See also:Hooft, who revised her See also:translation of See also:Tasso: In See also:August 1610 he married See also:Christina See also:van Erp, an 1 Kaspar van Baerle (1584-1648), See also:professor of rhetoric at Amsterdam, and famous as a Latin poet . accomplished See also:lady who died in 1623, and four years later he married Eleonora Hellemans . In 1612 Hooft produced his See also:national tragedy of Geeraerdt van Velzen (pr . 1613), a See also:story of the reign of See also:Count See also:Floris V . In 1614 was performed at Coster's See also:academy Hooft's See also:comedy of See also:Ware-nar, an See also:adaptation of the Aulularia of See also:Plautus, first printed in 1617 . In 1616 he wrote another tragedy, Baeto, or the Origin of the Dutch, not printed until 1626 . It was in 1618 that he abandoned poetry for history, and in 1626 he published the first of his great See also:prose See also:works, the History of See also:Henry the Great (Henry IV. of See also:France) . His next See also:production was his Miseries of the Princes of the See also:House of See also:Medici (Amsterdam, 1638) . In 1642 he published at Amsterdam a See also:folio comprising the first twenty books of his Dutch History, embracing the See also:period from 1555 to 1585, a magnificent performance, to the perfecting of which he had given fifteen years of labour . The seven concluding books were published posthumously in 1654 .

His See also:

idea of history was gained from See also:Tacitus, whose works he translated . Hooft died on a visit to the See also:Hague, whither he had gone to attend the funeral of Prince See also:Frederick Henry, on the 21st of May 1647, and was buried in the New See also:Church at Amsterdam . Hoof t is one of the most brilliant figures that adorn Dutch literature at its best period . He was the first writer to introduce a See also:modern and See also:European See also:tone into belles lettres, and the first to refresh the See also:sources of native thought from the springs of See also:antique and See also:Renaissance poetry . His lyrics and his pastoral of Granida are strongly marked by the See also:influence of Tasso and See also:Sannazaro; his later tragedies belong more exactly to the See also:familiar tone of his native See also:country . But high as Hooft stands among the Dutch poets, he stands higher—he holds perhaps the highest See also:place—among writers of Dutch prose . His See also:historical See also:style has won the warmest eulogy from so temperate a critic as See also:Motley, and his letters are the most charming ever published in the Dutch See also:language . After Vondel, he may on the whole be considered the most considerable author that Holland has produced . Hooft's poetical and dramatic works were collected in two volumes (1871, 1875) by P . Leendertz .. His letters were edited by B . Huydecoper (Leiden, 1738) and by van Vloten (Leiden, 4 vols., 1855) .

The best See also:

original See also:account of Hooft is given by G . Brandt in his See also:Leven van P . C . Hooft (1677), and his funeral address (1647), edited together by J . C . Matthes (See also:Groningen, 1874) . There is an account of the See also:Maiden circle in See also:Edmund See also:Gosse's Literatures of See also:Northern See also:Europe . Many See also:editions exist of his prose works .

End of Article: PIETER CORNELISSEN HOOFT (1581-1647)
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