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See also: English translator and dramatist, son of a watchmaker and machinist, See also: Samuel See also: Hoole, was See also: born at Moorfields, See also: London, in See also: December 1727
.
He was educated at a private school at See also: Hoddesdon, See also: Hertfordshire, kept by See also: James Bennet, who edited
See also: Ascham's English See also: works
.
At the age of seventeen he became a clerk in the See also: accountants' department of the See also: East See also: India See also: House, and before 1767 became one of the auditors of See also: Indian accounts
.
His leisure See also: hours he devoted to the study of Latin and especially See also: Italian, and began writing See also: translations of the chief works of the Italian poets
.
He published translations of the Jerusalem Delivered of See also: Tasso in 1763, the Orlando Furioso of See also: Ariosto in 1773-1783, the Dramas of iMetastasio in 1767, and Rinaldo, an early See also: work of Tasso, in 1792
.
Among his plays are: Cyrus (1768), See also: Timanthes (1770) and Cleonice, Princess of See also: Bithynia (1775), none of which achieved success
.
The verses of Hoole were praised by See also: Johnson, with whom he was on terms of intimacy, but, though correct, smooth and flowing, they cannot be commended for any other merit
.
His
See also: translation of the Orlando Furioso was superseded by the version (1823—1831) of W
.
S
.
See also: Rose
.
Hoole was also the friend of the Quaker poet See also: John
See also: Scott of Amwell (1730-1783), whose See also: life he wrote; it was prefixed to Scott's Critical Essays (1785)
.
In 1773 he was promoted to be chief auditor of Indian accounts, an office which he resigned in 1785
.
In 1786 he retired to the parsonage of Abinger, Surrey; and afterwards lived atSee also: Tenterden, Kent, dying at See also: Dorking on the 2nd of See also: April 1803
.
See Anecdotes of the Life of the See also: late Mr John Hoole, by his surviving See also: brother, Samuel See also: Hook (London, 1803)
.
Some of his plays are re-printed in J
.
See also: Bell's See also: British Theatre (1797)
.
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