Online Encyclopedia

JOHN HUGHES (1677-1720)

Online Encyclopedia
Originally appearing in Volume V13, Page 860 of the 1911 Encyclopedia Britannica.
Spread the word: del.icio.us del.icio.us it!

JOHN HUGHES (1677-1720)  ,
See also:
English poet and
See also:
miscellaneous writer, was born at Marlborough, Wiltshire, on the 29th of
See also:
January 1677 . His
See also:
father was a clerk in a city office, and his grandfather was ejected from the living of Marlborough in 1662 for his
See also:
Nonconformist opinions . Hughes was educated at a dissenting academy in
See also:
London, where Isaac Watts was among his
See also:
fellow scholars . He became a clerk in the Ordnance Office, and served on several commissions for the
See also:
purchase of
See also:
land for the royal
See also:
dockyards . In 1717 Lord Chancellor Cowper made him secretary to the commissions of the peace in the court of
See also:
chancery . He died on the
See also:
night of the production of his most celebrated
See also:
work, The Siege of
See also:
Damascus, the 17th of
See also:
February 1720 . His poems include occasional pieces in honour of William III., imitations of Horace, and a
See also:
translation of the tenth
See also:
book of the Pharsalia of
See also:
Lucan . He was an amateur of the
See also:
violin, and played in the concerts of Thomas Britton, the " musical small-
See also:
coal man." He wrote some of the libretti of the cantatas (2 vols., 1712) set to
See also:
music by Dr John Christopher Pepusch . To these he prefixed an essay advocating the claims of English libretti, and insisting on the value of recitative . Others of his pieces were set to music by Ernest Galliard and by Handel . In the masque of Apollo and
See also:
Daphne (1716) he was associated with Pepusch, and in his opera of
See also:
Calypso and
See also:
Telemachus (1712) with John E . Galliard .

He was a contributor to the Taller, the Spectator and the

See also:
Guardian, and he collaborated with
See also:
Sir Richard Blackmore in a series of essays entitled The
See also:
Lay Monastery (1713-1714) . He persuaded Joseph Addison to stage Cato . Addison had requested Hughes to write the last act, but eventually completed the
See also:
play himself . He wrote a version of the Letters of Abelard and Heloise . . . (1714) chiefly from the French translation printed at the Hague in 1693, which went through several
See also:
editions, and is notable as the basis of Pope's " Eloisa to Abelard " (1717) . He also made
See also:
translations from Nloliere, Fontenelle and the Abbe Vertot, and in 1715 edited The
See also:
Works of Edmund Spenser . . . (another edition, 1750) . His last work, the tragedy of The Siege of Damascus, is his best . It remained on the list of acting plays for a long time, and is to be found in various collected editions of
See also:
British drama . His Poems on Several Occasions, with some Select Essays in
See also:
Prose were edited with a memoir in 1735, by William Duncombe, who had married his
See also:
sister Elizabeth .

See also Letters by several eminent persons (2 vols., 1772) and The

Correspondence of John Hughes, Esq . . and Several of his Friends . (2 vols., 1773), with some additional poems . There is a lohg and eulogistic account of Hughes, with some letters, in the Biographia Britannica .

End of Article: JOHN HUGHES (1677-1720)
[back]
HUGH PRICE HUGHES (1847-19o2)
[next]
JOHN HUGHES (1797-1864)

Additional information and Comments

There are no comments yet for this article.
» Add information or comments to this article.
Please link directly to this article:
Highlight the code below, right click and select "copy." Paste it into a website, email, or other HTML document.