See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN PYKE See also:

• JOHN PYKE HULLAH (1812-1884)

HULLAH (1812-1884)  , See also:

• ENGLISH

English composer and teacher of See also:

• MUSIC

music, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• WORCESTER
• WORCESTER, EARLS AND MARQUESSES OF
• WORCESTER, JOHN TIPTOFT, EARL OF (1427—1470)
• WORCESTER, WILLIAM (c. 1415-c. 1482)

Worcester on the 27th See also:

• JUNE

June 1812 . He was a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William See also:

• HORSLEY, JOHN (c. 1685 – 1732)
• HORSLEY, JOHN CALLCOTT (1817-1903)
• HORSLEY, SAMUEL (1733-1806)
• HORSLEY, WILLIAM (1774–1858)

Horsley from 1829; and entered the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of Music in 1833 . He wrote an See also:

• OPERA (Italian for " work ")

opera to words by See also:

• DICKENS, CHARLES JOHN HUFFAM (1812-187o)

Dickens, The See also:

• VILLAGE

Village Coquettes, produced in 1836; The Barbers of Bassora in 1837, and The Outpost in 1838, the last two at Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden . From 1839, when he went to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris to investigate various systems of teaching music to large masses of See also:

• PEOPLE

people, he identified himself with Wilhem's See also:

• SYSTEM

system of the "fixed Do," and his See also:

• ADAPTATION (from Lat. adaptare. to fit to)

adaptation of that system was taught with enormous success from 184o to 186o . In 1847 a large See also:

• BUILDING

building in See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

Long See also:

• ACRE
• ACRE, or AQUIRY

Acre, called St See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)

Martin's See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall, was built by subscription and presented to See also:

• HULLAH, JOHN PYKE (1812-1884)

Hullah . It was inaugurated in 185o and burnt to the ground in 186o, a See also:

• BLOW, JOHN (1648-1708)

blow from which Hullah was long in recovering . He had risked his all in the See also:

• MAINTENANCE (Fr. maintenance, from maintenir, to maintain, support, Lat. manu tenere, to hold in the hand)

maintenance of the building, and had to begin the See also:

• WORLD

world again . A See also:

• SERIES (a Latin word from serere, to join)

series of lectures was given at the Royal Institution in 1861, and in 1864 he lectured in See also:

• EDINBURGH

Edinburgh, but in the following See also:

• YEAR

year was unsuccessful in his application for the See also:

• REID, ROBERT (1862– )
• REID, SIR GEORGE (1841- )
• REID, SIR ROBERT GILLESPIE (184o-19o8)
• REID, SIR WILLIAM (1791-1858)
• REID, THOMAS (1710-1796)
• REID, THOMAS MAYNE (1818-1883)
• REID, WHITELAW (1837- )

Reid professorship . He conducted concerts in Edinburgh in 1866 and 1867, and the concerts of the Royal Academy of Music from 187o to 1873; he had been elected to the See also:

• COMMITTEE (from commute, an Anglo-Fr. past participle of commettre, Lat. committere, to entrust; the modern Fr. equivalent comite is derived from the Eng.)

committee of management in 1869 . In 1872 he was appointed by the See also:

• COUNCIL (Lat. concilium, from cum, together, and the root cal, to call)

Council of See also:

• EDUCATION

Education musical inspector of training See also:

• SCHOOLS

schools for the See also:

• UNITED

United See also:

• KINGDOM

Kingdom . In 1878 he went abroad to See also:

• REPORT (O.Fr. report or raport, modern rapport, from O.Fr. reporter, mod. rap porter, Lat. reportare, to bring back, in poetical use only, of bringing back an account, news, &c.)

report on the See also:

• CONDITION (Lat. condicio, from condicere, to agree upon, arrange; not connected with conditio, from condere, conditum, to put together)

condition of musical education in schools, and wrote a very valuable report, quoted in the memoir of him published by his wife in 1886 . He was attacked by See also:

• PARALYSIS, or PALSY (from Gr. aapal,6a , to relax; Wycliffe has palesy, and another old form of the word is parlesy)

paralysis in 1880, and again in 1883 .

His compositions, which remained popular for some years after his See also:

• DEATH

death in 1884, consisted mainly of See also:

• BALLADS

ballads; but his importance in the See also:

• HISTORY

history of music is owing to .his exertions in popularizing musical education, and his persistent opposition to the Tonic Sol-Fa system, which had a success he could not foresee . His objections to it were partly grounded on the See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character of the music which was in See also:

• COMMON

common use among the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early teachers of the system . While it cannot be doubted that Hullah would have won more success if he had not opposed the Tonic Sol-Fa See also:

• MOVEMENT

movement so strenuously, it must be confessed that his See also:

• WORK

work was of See also:

• GREAT

great value, for he kept constantly in. view and impressed upon all who followed him or learnt from him the supreme See also:

• NECESSITY (Lat. necessitas)

necessity of maintaining the See also:

• ARTISTIC

artistic See also:

• STANDARD
• STANDARD, BATTLE OF THE

standard of the music taught and studied, and of not allowing trumpery compositions to usurp the See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place of See also:

• GOOD, JOHN MASON (1764-1827)

good music on See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of the greater ease with which they could be read .