See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

WILLIAM See also:

• MORRIS
• MORRIS [MORRISON], CLARA (1849– )
• MORRIS, GOUVERNEUR (1752–1816)
• MORRIS, JOHN (1810-1886)
• MORRIS, RICHARD (1833–1894)
• MORRIS, ROBERT (1734–1806)
• MORRIS, SIR LEWIS (1833–1907)
• MORRIS, WILLIAM (1834-1896)

MORRIS See also:

• HUNT, ALFRED WILLIAM (183o-1896)
• HUNT, HENRY (1i73-1835)
• HUNT, HENRY JACKSON (1819-1889)
• HUNT, JAMES HENRY LEIGH (1784-1859)
• HUNT, ROBERT (1807-1887)
• HUNT, THOMAS STERRY (1826-1892)
• HUNT, WILLIAM HENRY (1790—1864)
• HUNT, WILLIAM HOLMAN (1827-1910)
• WILLIAM MORRIS HUNT (1824-1879)

HUNT (1824-1879)  , See also:

• AMERICAN

American painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• BRATTLEBORO

Brattleboro, See also:

• VERMONT

Vermont, on the 31st of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1824 . His See also:

• FATHER

father's See also:

• FAMILY

family were large landowners in the See also:

• STATE
• STATE, GREAT OFFICERS OF

state . He was for a See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time (1840) at Harvard, but his real See also:

• EDUCATION

education began when he accompanied his See also:

• MOTHER

mother and See also:

• BROTHER

brother to See also:

• EUROPE

Europe, where he studied with See also:

• COUTURE, THOMAS (1815-1879)

Couture in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris and then came under the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of See also:

• JEAN

Jean See also:

• FRANCOIS (1558-1614)

Francois See also:

• MILLET (Fr. millet; Ital. miglietto, diminutive of miglio= Lat. mille, a thousand, in allusion to its fertility)
• MILLET (or MILE), JEAN FRANCOIS (c. 1642–1679)
• MILLET, FRANCIS DAVIS (1846- )
• MILLET, JEAN FRANCOIS (1814–1875)

Millet . The companionship of Millet had a lasting influence on See also:

• HUNT, ALFRED WILLIAM (183o-1896)
• HUNT, HENRY (1i73-1835)
• HUNT, HENRY JACKSON (1819-1889)
• HUNT, JAMES HENRY LEIGH (1784-1859)
• HUNT, ROBERT (1807-1887)
• HUNT, THOMAS STERRY (1826-1892)
• HUNT, WILLIAM HENRY (1790—1864)
• HUNT, WILLIAM HOLMAN (1827-1910)
• HUNT, WILLIAM MORRIS (1824-1879)

Hunt's See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character and See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style, and his See also:

• WORK

work See also:

• GREW, NEHEMIAH (1641-1712)

grew in strength, in beauty and in seriousness . He was the real introducer of the See also:

• BARBIZON

Barbizon school to See also:

• AMERICA

America, and he more than any other turned the rising See also:

• GENERATION (from Lat. generare, to beget, procreate; genus, stock, race)

generation of American painters towards Paris . On his return in r855 he painted some of his most beautiful pictures, all reminiscent of his See also:

• LIFE

life in See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France and of Millet's influence . Such are " The Belated Kid," " Girlat the See also:

• FOUNTAIN (Late Lat. fontana, from ions, a spring)

Fountain," " Hurdy-Gurdy Boy," &c . But the public called for portraits, and it became the See also:

• FASHION (adapted from Fr. facon, agon, Lat. factio, making, facere, to do or make)

fashion to sit to him, among his best paintings in this See also:

• KIND (O. E. ge-cynde, from the same root as is seen in " kin," supra)

kind being those of See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William M . See also:

• EVARTS, WILLIAM MAXWELL (1818–1901)

Evarts, Mrs See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• FRANCIS
• FRANCIS (FRarrcols) OF SALES, ST (1567-1622)
• FRANCIS (Lat. Franciscus, Ital. Francesco, Span. Francisco, Fr. Francois, Ger. Franz)
• FRANCIS, SIR PHILIP (174o-1818)

Francis See also:

• ADAMS
• ADAMS, ANDREW LEITH (1827-1882)
• ADAMS, CHARLES FRANCIS (1807-1886)
• ADAMS, HENRY (1838— )
• ADAMS, HENRY CARTER (1852— )
• ADAMS, HERBERT (i858— )
• ADAMS, HERBERT BAXTER (1850—1901)
• ADAMS, JOHN (1735–1826)
• ADAMS, JOHN QUINCY (1767-1848)
• ADAMS, SAMUEL (1722-1803)
• ADAMS, THOMAS (d. c. 1655)
• ADAMS, WILLIAM (d. 162o)

Adams, the Rev . See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James See also:

• FREEMAN
• FREEMAN, EDWARD AUGUSTUS (1823-1892)

Freeman See also:

• CLARKE, ADAM (1762?—1832)
• CLARKE, CHARLES COWDEN (1787-1877)
• CLARKE, EDWARD DANIEL (1769–1822)
• CLARKE, JAMES FREEMAN (1810–1888)
• CLARKE, JOHN SLEEPER (1833–1899)
• CLARKE, MARCUS ANDREW HISLOP (1846–1881)
• CLARKE, MARY ANNE (c.1776–1852)
• CLARKE, SAMUEL (1675–1729)
• CLARKE, SIR ANDREW (1824-1902)
• CLARKE, SIR EDWARD GEORGE (1841– )
• CLARKE, THOMAS SHIELDS (1866- )
• CLARKE, WILLIAM BRANWHITE (1798-1878)

Clarke, William H . See also:

• GARDNER
• GARDNER, PERCY (1846– )

Gardner, See also:

• CHIEF (from Fr. chef, head, Lat. caput)

Chief See also:

• JUSTICE (Lat. justitia)

Justice See also:

• SHAW, GEORGE BERNARD (1856– )
• SHAW, HENRY WHEELER (1818–1885)
• SHAW, LEMUEL (1781–1861)
• SHAW, RICHARD NORMAN (1831– )

Shaw and See also:

• JUDGE (Lat. judex, Fr. juge)

Judge See also:

• HORACE [QuINTus HORATIUS FLACCUS] (65-8 B.C.)

Horace See also:

• GRAY
• GRAY (or GREY), WALTER DE (d. 1255)
• GRAY, ASA (1810-1888)
• GRAY, DAVID (1838-1861)
• GRAY, ELISHA (1835-1901)
• GRAY, HENRY PETERS (1819-18/7)
• GRAY, HORACE (1828–1902)
• GRAY, JOHN DE (d. 1214)
• GRAY, JOHN EDWARD (1800–1875)
• GRAY, PATRICK GRAY, 6TH BARON (d. 1612)
• GRAY, ROBERT (1809-1872)
• GRAY, SIR THOMAS (d. c. 1369)
• GRAY, THOMAS (1716-1771)

Gray . Unfortunately many of his paintings and sketches, together with five large Millets and other See also:

• ART

art treasures collected by him in Europe, were destroyed in the See also:

• GREAT

great See also:

• BOSTON
• BOSTON, THOMAS (1676-1732)

Boston See also:

• FIRE (in O. Eng. f j'r; the word is common to West German languages, cf. Dutch vuur, Ger. Feuer; the pre-Teutonic form is seen in Sanskrit pu, pavaka, and Gr. irup; the ultimate origin is usually taken to be a root meaning to purify, cf. Lat. purus)

fire of 1872 .

Among his later See also:

• WORKS

works American landscapes predominated . They also include the " Bathers "—twice painted—and the allegories for the See also:

• SENATE (Lat. senatus, from root sen-, as in senex, old; the root is the Sanskrit sana, cf. Gr. 'vos; the same element appears in senor, seigneur, seneschal)

senate chamber of the State Capitol at See also:

• ALBANY
• ALBANY, DUKES OF
• ALBANY, LOUISE MAXIMILIENNE CAROLINE, COUNTESS OF (1752-1824)

Albany, N.Y., now lost by the disintegration of the See also:

• STONE
• STONE (0. Eng. shin; the word is common to Teutonic languages, cf. Ger. Stein, Du. steen, Dan. and Swed. sten; the root is also seen in Gr. aria, pebble)
• STONE, CHARLES POMEROY (1824-1887)
• STONE, EDWARD JAMES (1831-1897)
• STONE, FRANK (1800-1859)
• STONE, GEORGE (1708—1764)
• STONE, LUCY [BLACKWELL] (1818-1893)
• STONE, MARCUS (184o— )
• STONE, NICHOLAS (1586-1647)

stone panels on which they were painted . Hunt was drowned at the Isles of Shoals on the 8th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1899 . His See also:

• BOOK

book, Talks about Art (See also:

• LONDON

London, 1878), is well known . His brother, See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

RICHARD See also:

• MORRIS
• MORRIS [MORRISON], CLARA (1849– )
• MORRIS, GOUVERNEUR (1752–1816)
• MORRIS, JOHN (1810-1886)
• MORRIS, RICHARD (1833–1894)
• MORRIS, ROBERT (1734–1806)
• MORRIS, SIR LEWIS (1833–1907)
• MORRIS, WILLIAM (1834-1896)

MORRIS HUNT (1828-1895), the famous architect, was born in Brattleboro, Vermont, on the 31st of See also:

• OCTOBER

October 1828 . He studied in Europe (1843-1854), mainly in the Ecole See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

Beaux Arts at Paris, and in 1854 was appointed inspector of works on the buildings connecting the Tuileries with the Louvre . Under See also:

• HECTOR

Hector Lefuel he designed the Pavillon de la Bibliotheque, opposite the Palais Royal . In 1855 he returned to New See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York, and was employed on the See also:

• EXTENSION (Lat. ex, out ; tendere, to stretch)

extension of the Capitol at See also:

• WASHINGTON
• WASHINGTON (or WASHINGTON COURT HOUSE)
• WASHINGTON, BOOKER TALIAFERRO (c. 1859– )
• WASHINGTON, BUSHROD (1762-1829)
• WASHINGTON, GEORGE (1732-1799)

Washington . He designed the See also:

• LENOX

Lenox Library, the See also:

• STUYVESANT, PETER (1592-1672)

Stuyvesant and the See also:

• TRIBUNE (med. Lat. tribune, from classical Lat. tribunal)

Tribune buildings in New York; the theological library, and See also:

• MARQUAND, HENRY GURDON (1819-1902)

Marquand See also:

• CHAPEL

chapel at See also:

• PRINCETON

Princeton; the Divinity See also:

• COLLEGE (Collegium)

College and the See also:

• SCROLL

Scroll and See also:

• KEY
• KEY (in O. Eng. tang; the ultimate origin of the word is unknown; it appears only in Old Frisian kei of other Teutonic languages; until the end of the 17th century the pronunciation was kay, as in other words in O. Eng. ending in aeg; cf. daeg, day; clang
• KEY (the phraseograms being indicated by hyphens)
• KEY, SIR ASTLEY COOPER (1821-1888)
• KEY, THOMAS HEWITT (1799-1875)

Key See also:

• BUILDING

building at Yale; the See also:

• VANDERBILT, CORNELIUS (1794–1877)

Vanderbilt See also:

• MAUSOLEUM

mausoleum on Staten See also:

• ISLAND (O.E. ieg =isle, +land')

Island, and the See also:

• YORKTOWN

Yorktown See also:

• MONUMENT (Lat. monumentum or monumentum; from monere, to advise, bring to mind, remind; the German equivalent is Denkmal)

monument . For the See also:

• ADMINISTRATION (Lat. administrare, to serve)

Administration Building at the See also:

• WORLD

World's Columbian Exposition at See also:

• CHICAGO
• CHICAGO, UNIVERSITY OF

Chicago in 1893 Hunt received the See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

gold See also:

• MEDAL (Fr. medaille, from Lat. metallum)

medal of the See also:

• INSTITUTE (from Lat. instituere, to establish or set up)

Institute of See also:

• BRITISH

British Architects . Among the most noteworthy of his domestic buildings were the residences of W . K .

Vanderbilt and See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry G . Marquand in New York See also:

• CITY (through Fr. cite, from Lat. civitas)

City; See also:

• GEORGE
• GEORGE, 8TH MARQUESS OF TWEEDDALE (1787-1876)
• GEORGE, HENRY (1839—1897)
• GEORGE, LAKE
• GEORGE, SAINT (d. 303)

George W . Vanderbilt's See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house at Biltmore, and several of the large " cottages " at See also:

• NEWPORT

Newport, R.I., including " See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

Marble House " and " The Breakers." He was one of three See also:

• FOREIGN

foreign members of the See also:

• ITALIAN

Italian Society of St See also:

• LUKE
• LUKE, GOSPEL OF ST

Luke, an honorary and corresponding member of the Academie des Beaux Arts and of the Royal Institute of British Architects, and a See also:

• CHEVALIER, ALBERT (1861– )
• CHEVALIER, MICHEL (1806-1879)
• CHEVALIER, ULYSSE (1841– )

Chevalier of the See also:

• LEGION (Lat. legio)

Legion of See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour . He was the first to command respect in foreign countries for American See also:

• ARCHITECTURE (Lat. architectura, from the Gr. ap)(LTEKrwv, a master-builder)

architecture, and was the See also:

• LEADER, BENJAMIN WILLIAMS (1831– )

leader of a school that has established in the See also:

• UNITED

United States the manner and the traditions of the Beaux Arts . He took a prominent See also:

• PART

part in the See also:

• FOUNDING (from Lat. fundere, to pour)

founding of the American Institute of Architects, and, from 1888, was its See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

president . His See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent was eminently See also:

• PRACTICAL

practical; and he was almost equally successful in the ornate style of the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• RENAISSANCE, THE

Renaissance in France, in the picturesque style of his comfortable villas, and the monumental style of the Lenox Library . There is a beautiful memorial to Hunt in the See also:

• WALL (O. Eng. weal, weall, Mid. Eng. wal, wane, adapted from Lat. vallum, rampart; the original O. Eng. word for a wall was wag or tenth)
• WALL, RICHARD (1694-1778)

wall of Central See also:

• PARK (Fr. part; Ital. parco; Sp. Marque; O.Eng. pearroc; connected with Ger. pferch, fold, and pfarrei, district, translating med. Lat. parochia, parish)
• PARK, EDWARDS AMASA (1808–1900)
• PARK, MUNGO (1771-1806?)

Park, opposite this building, erected in 1898 by the associated art and architectural See also:

• SOCIETIES, LEARNED

societies of New York, from designs by See also:

• DANIEL
• DANIEL (DANIL)
• DANIEL, BOOK
• DANIEL, GABRIEL (1649-1728)

Daniel C . See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French and See also:

• BRUCE
• BRUCE, ALEXANDER BALMAIN (1831-1899)
• BRUCE, JAMES (1930-1794)
• BRUCE, MICHAEL (1746-1767)

Bruce See also:

• PRICE
• PRICE, BARTHOLOMEW (1818–1898)
• PRICE, BONAMY (1807-1888)
• PRICE, RICHARD (1723-1791)

Price . He died on the 31st of See also:

• JULY

July 1895 .