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IAMBIC , the See also: term employed in See also: prosody to denote a succession of verses, each consisting of a See also: foot or metre called an iambus iiaµ/3os). formed of two syllables, of which the first is See also: short and the second long (
.
—)
.
After the dactylic See also: hexameter, the iambic t rimeter was the most popular metre of See also: ancient See also: Greece
.
See also: Archilochus is said to have been the inventor of this iambic verse, the rpi/.Lrpos consisting of three iambic feet
.
In the See also: Greek tragedians an iambic See also: line is formed of six feet arranged in obedience to the following scheme:
V V V
Much of the beauty of the verse depends on the caesura, which is usually in the See also: middle of the third foot, and far less frequently in the middle of the See also: fourth
.
The See also: English language runs more naturally in the iambic metre than in any other
.
The normal
See also: blank verse in English is founded upon an iambic basis, and See also: Milton's line
And swims or sinks 1 or wades or creeps or flies 1 — exhibits it in its See also: primitive See also: form
.
The ordinary alexandrine of French literature is a hexapod iambic, but in all questions of quantity in See also: modern prosody See also: great care has to be exercised to recollect that all ascriptions of classic names to modern forms of rhymed or blank verse are merely approximate
.
The octosyllabic, or four-foot iambic metre, has found great favour in English verse founded on old romances
.
Decasyllabic iambic lines rhyming together form an " heroic " metre
.
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