BERNHARD SEVERIN See also:

• BERNHARD SEVERIN INGEMANN (1789—1862)

INGEMANN (1789—1862)  , Danish poet and novelist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Torkildstrup, in the See also:

• ISLAND (O.E. ieg =isle, +land')

island of Falster, on the 28th of May 1789 . He was educated at the See also:

• GRAMMAR (from Lat. grammatica, sc. ars; Gr. ypaµ)

grammar school at Slagelse, and entered the university of See also:

• COPENHAGEN (Danish Kjobenhavn)

Copenhagen in 18o6 . His studies were interrupted by the See also:

• ENGLISH

English invasion, and or. the first See also:

• NIGHT

night of the See also:

• BOMBARDMENT

bombardment of the See also:

• CITY (through Fr. cite, from Lat. civitas)

city See also:

• INGEMANN, BERNHARD SEVERIN (1789—1862)

Ingemann stood with the See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young poet Blicher on the walls, while the shells whistled past them, and comrades were killed on either See also:

• SIDE
• SIDE (mod. Eski Adalia)

side . All his See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early and unpublished writings were destroyed when the English burned the See also:

• TOWN

town . In 18fr-he published his first See also:

• VOLUME

volume of poems, and in 1812 his second, followed in 1813 by a See also:

• BOOK

book of lyrics entitled Procne and in 1814 the See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse See also:

• ROMANCE

romance, The See also:

• BLACK
• BLACK, ADAM (1784-1874)
• BLACK, JEREMIAH SULLIVAN (1810–1883)
• BLACK, WILLIAM (1841-1898)

Black Knights . In 1815 he published two tragedies, See also:

• MASANIELLO

Masaniello and Blanca, ollowed by The See also:

• VOICE (Fr. voix, from Lat. vox)

Voice in the See also:

• DESERT

Desert, The Shepherd of Tolosa, and other romantic plays . After a variety of publications, all very successful, he travelled in 1818 to See also:

• ITALY
• ITALY (Italia)

Italy . At See also:

• ROME
• ROME (Roma)

Rome he wrote The Liberation of See also:

• TASSO, TORQUATO (1544-1595)

Tasso, and returned in i819 to Copenhagen . In 182o he began to display his real See also:

• POWER [WILLIAM GRATTAN] TYRONE (1797-1841)

power in a volume of delightful tales . In 1821 his dramatic career closed with the See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production of an unsuccessful See also:

• COMEDY

comedy, See also:

• MAGNETISM
• MAGNETISM, TERRESTRIAL

Magnetism in a See also:

• BARBER (from Lat. barba, beard)

Barber's See also:

• SHOP

Shop . In 1822 the poet was nominated See also:

• LECTOR, or READER

lector in Danish See also:

• LANGUAGE (adapted from the Fr. langage, from langue, tongue, Lat. lingua)

language and literature at Soro See also:

• COLLEGE (Collegium)

College, and he now married . Valdemar the See also:

• GREAT

Great and his Men, an See also:

• HISTORICAL

historical epic, appeared in 1824 .

The next few years were occupied with his best and most durable See also:

• WORK

work, his four great See also:

• NATIONAL

national and historical novels of Valdemar Seier, 1826; Erik Menved's Childhood, 1828; See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King Erik, 1833; and See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince See also:

• OTTO

Otto of See also:

• DENMARK
• DENMARK (Danmark)

Denmark, 1835 . He then returned to epic See also:

• POETRY

poetry in See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen See also:

• MARGARET
• MARGARET (1283–1290)
• MARGARET (1353-1412)
• MARGARET (1489–1541)
• MARGARET, ST (c. 1045–1093)
• MARGARET, ST (SANCTA MARGARITA)

Margaret, 1836, and in a See also:

• CYCLE
• CYCLE (Gr. KUK)^os, a circle)

cycle of romances, Holger Danske, 1837 . His later writings consist of religious and sentimental lyrics, epic poems, novels, See also:

• SHORT, FRANCIS JOB (1857– )

short stories in See also:

• PROSE

prose, and See also:

• FAIRY (Fr. fee, faerie; Prov. facia; Sp. hada; Ital. fata; med. Lat. fatare, to enchant, from Lat. fatum, fate, destiny)

fairy tales . His last publication was The See also:

• APPLE (a common Teut. word, A.S. aepl, aeppel, O.H.G. aphul, aphal, apfal, mod. Ger. Apfel)

Apple of See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

Gold, 1856 . In 1846 Ingemann was nominated director of Sore College, a See also:

• POST

post from which he retired in 1849 . He died on the 24th of See also:

• FEBRUARY

February 1862 . Ingemann enjoyed during his lifetime a popularity unapproached even by that of See also:

• OHLENSCHLAGER, ADAM GOTTLOB (1779-1850)

Ohlenschlager . His boundless facility and fecundity, his sentimentality, his religious See also:

• MELANCHOLY (Gr. µe)tayXotia, from µEtas, black, and Xotii, bile)

melancholy, his See also:

• DIRECT

direct See also:

• APPEAL

appeal to the domestic affections, gave him instant See also:

• ACCESS (Lat. accessus)

access to the See also:

• EAR (common Teut.; O.E. are, Ger. Ohr, Du. oor, akin to Lat. auris, Gr. ovs)

ear of the public . His novels are better than his poems; of the former the best are those which are directly modelled on the manner of See also:

• SIR

Sir See also:

• WALTER, HUBERT (d. 1205)
• WALTER, JOHN (1738/9-1812)

Walter See also:

• SCOTT, ALEXANDER (fl. 1550)
• SCOTT, DAVID (18o6-1849)
• SCOTT, MICHAEL (1789-1835)
• SCOTT, ROBERT (1811-1887)
• SCOTT, SIR GEORGE GILBERT (1811-1878)
• SCOTT, SIR WALTER, BART
• SCOTT, WILLIAM BELL (1811-1890)
• SCOTT, WINFIELD (1786-1866)

Scott . As a dramatist he outlived his reputation, and his unwieldy epics are now little read . Ingemann's See also:

• WORKS

works were collected in 41 vols. at Copenhagen (1843-1865) . His autobiography was edited by Galskjot in 1862; his See also:

• CORRESPONDENCE
• CORRESPONDENCE (from med. scholastic Lat. correspondentia, corrcspondere, compounded of Lat. cum, with, and respond ere, to answer; cf. Fr. correspondance)

correspondence by V .

Heise (1879–1881); and his letters to See also:

• GRUNDTVIG, NIKOLAI FREDERIK SEVERIN (1783–1872)

Grundtvig by S . Grundtvig (1882) . See also H . Schwanenflugel, Ingemanns Liv og Digtning (1886); and Georg See also:

• BRANDES, GEORG MORRIS COHEN (1842– )

Brandes, Essays (1889) .