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ISAAC See also: born and passed his See also: life in See also: North See also: Africa
.
He died c
.
950
.
At See also: Kairawan, Israeli was See also: court physician; he wrote several medical See also: works in Arabic, and these were afterwards translated into Latin
.
Similarly his philosophical writings were translated, but his chief renown was in the circle of Moslem authors
.
ISRA'ILS, JOSEF (1824— ), Dutch painter, was born at See also: Groningen, of See also: Hebrew parents, on the 27th of See also: January 1824
.
His See also: father intended him to be a See also: man of business, and it was only after a determined struggle that he was allowed to enter on an See also: artistic career
.
However, the attempts he made under the guidance of two second-See also: rate painters in his native town—Buys and See also: van Wicheren—while still working under his father as a stock-broker's clerk, led to his being sent to See also: Amsterdam, where he became a pupil of See also: Jan Kruseman and attended the See also: drawing class at the See also: academy
.
He then spent two years in See also: Paris, working in Picot's studio, and returned to Amsterdam
.
There he remained till 1870, when he moved to The Hague for See also: good
.
Israels is justly regarded as one of the greatest of Dutch painters
.
He has often been compared to J . F . See also: Millet
.
As artists, even more than as painters in the strict sense of the word, they both, in fact, saw in the life of the poor and humble a See also: motive for expressing with See also: peculiar intensity their wide human sympathy; but Millet was the poet of placid rural life, while in almost all Israels' pictures we find some piercing note of woe
.
Duranty said of them that " they were painted with gloom and suffering."
He began with See also: historical and dramatic subjects in the romantic See also: style of the See also: day
.
By chance, after an illness, he went to recruit his strength at the fishing-See also: town of Zandvoort near See also: Haarlem, and there he was struck by the daily tragedy of life
.
Thenceforth he was possessed by a new vein of artistic expression, sincerely realistic, full of emotion and pity
.
Among his more important subsequent works are " The Zandvoort Fisherman " (in the Amsterdam gallery), " The Silent See also: House " (which gained a gold medal at the Brussels See also: Salon, 1858) and " See also: Village Poor " (a prize at Manchester)
.
In 1862 he achieved See also: great success in See also: London with his " Shipwrecked," See also: purchased by Mr See also: Young, and " The Cradle," two pictures of which the See also: Athenaeum spoke as " the most touching pictures of the See also: exhibition." We may also mention among his maturer works " The Widower " (in the Mesdag collection), When we grow Old " and " Alone in the See also: World " (Amsterdam gallery), " An Interior " (Dordrecht gallery), " A Frugal See also: Meal " (See also: Glasgow museum), " Toilers of the See also: Sea," "A Speechless See also: Dialogue," " Between the See also: Fields and the Seashore," " The Bric-a-brac Seller " (which gained medals of honour at the great Paris Exhibition of 1900)
.
" pavid Singing before See also: Saul," one of his latest works, seems to hint at a return on the See also: part of the venerable artist to the Rembrandtesque note of his youth
.
As a See also: water-colour painter and etcher he produced a vast number of works, which, like his oil paintings, are full of deep feeling
.
They are generally treated in broad masses of See also: light and shade, which give prominence to the See also: principal subject without any neglect of detail
.
See Jan Veth, Mannen of Beteckenis: Jozef Israels; Chesneau, Peintres frangais et strangers; Ph . Zilcken, Peintres hollandais modernes (1893); See also: Dumas, Illustrated See also: Biographies of See also: Modern Artists (1882—1884) ; J. de Meester, in Max Rooses' Dutch Painters of the Nineteenth Century (1898); Jozef Israels, See also: Spain: the See also: Story of a Journey (1900)
.
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