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JULES See also: born at St Etienne (See also: Loire) on the 16th of See also: February 1804, and died near See also: Paris on the 19th of See also: June 1874
.
His See also: father was a lawyer, and he was well educated, first at St Etienne, and then at the lycee See also: Louis-le-
See also: Grand in Paris
.
He betook himself to journalism very early, and worked on the See also: Figaro, the Quotidienne, &c., until in 1830 he became dramatic critic of the Journal See also: des Debats
.
Long before this, however, he had made a considerable See also: literary reputation, for which indeed his See also: strange novel L'Ane mort et la femme See also: guillotine (1829) would have sufficed
.
La Confession (1830), which followed, was less remarkable in substance but even more so in See also: style; and in Barnave (1831) he attacked the See also: Orleans
See also: family
.
From the See also: day, however, when See also: Janin became the theatrical critic of the Debats, though he continued to write books indefatigably, he was to most Frenchmen a dramatic critic and nothing more
.
He was outrageously inconsistent, and judged things from no general point of view whatsoever, though his See also: judgment was usually See also: good-natured
.
Few journalists have ever been masters of a more attractive fashion of saying the first thing that came into their heads
.
After many years of feuilleton writing he collected some of his articles in the See also: work called Histoire de la litterature dramatique en See also: France (1853—1858), which by no means deserves its title
.
In 1865 he made his first attempt upon the See also: Academy, but was not successful till five years later
.
Meanwhile he had not been content with his feuilletons, written persistently about all manner of things
.
No one was more in See also: request with the Paris publishers for prefaces, letterpress to illustrated books and such trifles
.
He travelled (picking up in one of his journeys a curious windfall, a countrySee also: house at Lucca, in a lottery), and wrote accounts of his travels; he wrote numerous tales and novels, and composed many other See also: works, of which by far the best is the Fin d'un monde at du neveu de See also: Rameau (1861), in which, under the See also: guise of a sequel to See also: Diderot's master-piece, he showed his See also: great familiarity with the See also: late 18th century
.
He married in 1841; his wife had See also: money, and he was always in easy circumstances
.
In the early See also: part of his career he had many quarrels, notably one with Felix See also: Pyat (1810-1889), whom he prosecuted successfully for defamation of character
.
For the most part his work is See also: mere improvisation, and has few elements of vitality except a See also: light and vivid style
.
His Euvres choisies (12 vols., 1875-1878)were edited by A. de la Fitzeliere
.
A study on Janin with a bibliography was published by A
.
Piedagnel in 1874
.
See also Sainte-Beuve, Causeries du lundi, ii. and v., and Gustave Planche, Portraits litteraires
.
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