See also:

• JANSSEN, JOHANNES (1829-1891)
• JANSSEN, or JANSEN (sometimes JOHNSON), CORNELIUS (1593-1664)
• JANSSEN, PIERRE JULES CESAR (1824–1907)

JANSSEN, or See also:

• JANSEN, CORNELIUS (1585-1638)

JANSEN (sometimes See also:

• JOHNSON, ANDREW
• JOHNSON, ANDREW (1808–1875)
• JOHNSON, BENJAMIN (c. 1665-1742)
• JOHNSON, EASTMAN (1824–1906)
• JOHNSON, REVERDY (1796–1876)
• JOHNSON, RICHARD (1573–1659 ?)
• JOHNSON, RICHARD MENTOR (1781–1850)
• JOHNSON, SAMUEL (1709-1784)
• JOHNSON, SIR THOMAS (1664-1729)
• JOHNSON, SIR WILLIAM (1715–1774)
• JOHNSON, THOMAS

JOHNSON), See also:

• CORNELIUS
• CORNELIUS, CARL AUGUST PETER (1824-1874)
• CORNELIUS, PETER VON (1784–1867)

CORNELIUS (1593-1664)  , Flemish painter, was apparently See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• LONDON

London, and baptized on the 14th of See also:

• OCTOBER

October 1593 . There seems no See also:

• REASON (Lat. ratio, through French raison)

reason to suppose, as was formerly stated, that he was born at See also:

• AMSTERDAM
• AMSTERDAM (NEw AMSTERDAM)

Amsterdam . He worked in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England from 1618 to 1643, and afterwards retired to See also:

• HOLLAND
• HOLLAND, CHARLES (1733–1769)
• HOLLAND, COUNTY AND PROVINCE OF
• HOLLAND, HENRY FOX, 1ST BARON (1705–1774)
• HOLLAND, HENRY RICH, 1ST EARL OF (1S9o-,649)
• HOLLAND, HENRY RICHARD VASSALL FOX, 3RD
• HOLLAND, JOSIAH GILBERT (1819-1881)
• HOLLAND, PHILEMON (1552-1637)
• HOLLAND, RICHARD, or RICHARD DE HOLANDE (fl. 1450)
• HOLLAND, SIR HENRY, BART

Holland, working at See also:

• MIDDELBURG

Middelburg, Amsterdam, The See also:

• HAGUE, THE (in Dutch, 's Gravenhage, or, abbreviated, den Haag; in Fr. La Haye; and in Late Lat. Haga Comitis)

Hague and See also:

• UTRECHT
• UTRECHT, TREATY OF

Utrecht, and dying at one of the last two places about 1664 . In England he was patronized by See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James I. and the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court, and under See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles I. he continued to paint the numerous portraits which adorn many See also:

• ENGLISH

English mansions and collections . See also:

• JANSSEN, JOHANNES (1829-1891)
• JANSSEN, or JANSEN (sometimes JOHNSON), CORNELIUS (1593-1664)
• JANSSEN, PIERRE JULES CESAR (1824–1907)

Janssen's pictures, chiefly portraits, are distinguished by clear colouring, delicate See also:

• TOUCH (derived through Fr. toucher from a common Teutonic and Indo-Germanic root, cf. " tug," " tuck," O. H. Ger. zucchen, to twitch or draw)

touch, See also:

• GOOD, JOHN MASON (1764-1827)

good See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste and careful finish . He generally painted upon See also:

• PANEL (O. Fr. panel, mod. panneau, piece of cloth, from Med. Lat. pannellus, diminutive of pannus, cloth)

panel, and often worked on a small See also:

• SCALE
• SCALE (1) A

scale, sometimes producing replicas of his larger See also:

• WORKS

works . A characteristic of his See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style is the very dark background, which throws the carnations of his portraits into rounded See also:

• RELIEF

relief . In all See also:

• PROBABILITY (Lat. probabilis, probable or credible)

probability his earliest portrait (16,8) was that of See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• MILTON
• MILTON, JOHN (1608–1674)

Milton as a boy of ten .