See also:

• JEAN

JEAN See also:

• AUDRAN
• AUDRAN, EDMOND (1842-19o1)

AUDRAN  , See also:

• NEPHEW

nephew of See also:

• GERARD (c. 1040-1120)
• GERARD (d. I1o8)
• GERARD, ETIENNE MAURICE, COUNT (1773–1852)
• GERARD, FRANCOIS, BARON (1770-1837)
• GERARD, JEAN IGNACE ISIDORE (1803-1847)
• GERARD, JOHN (1545-1612)
• GERARD, or GIRARD, AUDRAN

Gerard, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• LYONS
• LYONS (Fr. Lyon)
• LYONS, COUNCILS OF
• LYONS, EDMUND LYONS, BARON (1790-1858)
• LYONS, RICHARD BICKERTON PEMELL LYONS, 1ST EARL (1817–1887)

Lyons in 1667 . After having received instructions from his See also:

• FATHER

father, he went to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris to perfect himself in the See also:

• ART

art of See also:

• ENGRAVING

engraving under his See also:

• UNCLE

uncle, next to whom he was the most distinguished member of his See also:

• FAMILY

family . At the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of twenty his See also:

• GENIUS (from Lat. genere, gignere)

genius began to display itself in a surprising manner; and his subsequent success was such, that in 1707 he obtained the See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title of engraver to the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king, See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis XIV., who allowed him a See also:

• PENSION (Lat. pensio, a payment, from pendere, to weigh, to pay)

pension, with apartments in the Gobelins; and the following See also:

• YEAR

year he was made a member of the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy . He was eighty years of age before he quitted the graver, and nearly ninety when he died . The best prints of this artist are those which appear not so pleasing to the See also:

• EYE
• EYE (O. Eng. edge, Ger. Auge; derived from an Indo-European root also seen in Lat. oc-ulus, the organ of vision (q.v.)

eye at first sight . In these the See also:

• ETCHING (Dutch, etsen, to eat)

etching constitutes a See also:

• GREAT

great See also:

• PART

part; and he has finished them in a bold, rough See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style . The " See also:

• RAPE
• RAPE (from Lat. rapere, to seize)
• RAPE (Lat. rapum or rapa, turnip)

Rape of the Sabines," after Poussin, is considered his masterpiece .